<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://nam.maydayrooms.org/items/browse?output=omeka-xml&amp;page=6&amp;sort_field=Dublin+Core%2CTitle" accessDate="2026-04-14T23:21:41+00:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>6</pageNumber>
      <perPage>10</perPage>
      <totalResults>310</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="75" public="1" featured="0">
    <fileContainer>
      <file fileId="80">
        <src>https://nam.maydayrooms.org/files/original/09372d9fb49345d6cf734de0e718c3cd.pdf</src>
        <authentication>734f564d34760eda7a27d85d3a00f6e5</authentication>
      </file>
    </fileContainer>
    <collection collectionId="4">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Professional Issues</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8">
                  <text>A cohort of NAM members became engaged with the professional registration body, standing&#13;
as elected councillors on the Architects Registration Council and its various committees. Hitherto entirely dominated by&#13;
the RIBA bloc, the Council began to yield to a new dynamic through NAM's involvement, enabling fresh perspectives on&#13;
such issues as mandatory fee scales, greater lay representation on the body, ethically-based standards of professional&#13;
conduct, etc.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="437">
                <text>Brief particulars about candidates for forthcoming election to ARCUK Council</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="438">
                <text>Brief particulars about candidates for forthcoming election to ARCUK Council   (4pp Leaflet)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="439">
                <text>Architects Registration Council of the United Kingdom&#13;
Brief particulars about candidates&#13;
Age&#13;
Date of Admission to the Register of Architects.&#13;
Name of Architectural Constituent Bodies of which candidate is a member (if any).&#13;
Present professional post (including the name of the firm or employer) and previous professional experience.&#13;
Committee experience (architectural and otherwise). (vi) Personal statement (if any).&#13;
JOHN STEWART ALLAN 36 years 	1976.&#13;
Unattached.&#13;
Project Architect employed at Shepheard Epstein &amp; Hunter since 1973. Previously employed.at&#13;
Department of Architecture and Civic Design, The Greater London Council (Housing Division)&#13;
ARCUK: Member of Council  Professional Purposes Committee 1979-80-81, Conduct&#13;
Monitoring Group 1980-81-82, Admission Committee 1977-78-79. Design &amp; Industries Association 1967-69. Junior Liaison Organisation 1975-78; Chairman, Highbury Plan Group 1975- Steering Committee, Blackstock Road Advice Centre 1978-79; TASS Building Design Staff National Advisory Committee 1977. Founder Member, The New Architecture Moyement.&#13;
For too long unattached Architects have been regarded as an inconsequential minority whose interest could be ignored. But now numbering nearly a quarter of the entire profession — and growing fast— their significance can be discounted no longer.&#13;
This years overdue abolition of ARCUKs surrogate RIBA code provides new freedoms to unattached Architects which institutions still encombered with unworkable codes are attempting to deny. The dropping of cartel arrangements should stimulate new endeavours to practise in the public interest— an initiative in which unattached Architects may now take the leading role. I will continue to counter the RIBA attacEn unattached Architects both within Council and in the wider professional arena.&#13;
NORMAN FRANK ARNOLD&#13;
35 years.&#13;
1979.&#13;
Unattached.&#13;
Self employed, 8 years in private practice, 21/2 years in Local Authority planning and architecture.&#13;
(V) ARCUK: Member of Council 1980-81-82; Finance &amp; General Purposes Committee 1980•81 ; Professional Purposes Committee 1981•82. New Architecture Movement: Liaison Group and Alternative Practice Group 1978-79. Establishment of ARCAID Steering Committee 1979 (an aid agency for community groups).&#13;
The past year has seen some fundamental changes of the criteria to be observed by architects in their conduct. Some of my colleagues representing the unattached have played a leading role in bringing these about. We should be wary however that one of the basic aims of the unattached Councillors, around which these changes were to have hinged, has of necessity been temporarily shelved by us for fear of the RIBA Councillors on ARCIJK voting it out of existence. This is the facility for the public recording of architects' business interests. Without this registration we must rely largely on the honesty and integrity of the vast majority on ARCIJK (i.e. architects belonging to the RIBA) for the thorough policing of "Conduct and Discipline". Is this democratic? I ask for re-election to promote "justice seen to be done" on ARCUK&#13;
JAMES ROBERT ALISTAIR BLAMIRE 35 years.&#13;
1975.&#13;
Unattached.&#13;
�Partner housing. in Previous the firm professional of Arcade Community-Based experience as a Architects, salaried architect Edinburgh, in central working government mainly on inner and localcity authority and in private practice both in Britain and the US.&#13;
Previous membership committee of for the the Graduate experience architects' Studies includes department Committee membership in at the the Livingston of University the ARCO branch of K Oregon, Admission of NALGO USA Committee 1978-79, 1976-78.for and 1981-82,as union representative &#13;
As a member of the New Architecture Movement, my intention if elected is to promote the idea of architectural services becoming more widely available to the community as a whole, including lowincome owner-occupiers and tenants. I see this as a fundamental role for ARCUK as a public interest body.&#13;
I am also concerned about the im provement of conditions for salaried architects, particulary those in the private sector.&#13;
MICHAEL DAVID BROAD&#13;
31 years.&#13;
1978.&#13;
Unattached.&#13;
Senior Development Officer, Edinburgh City District Council working on inner city housing action areas. Previous employer Sir Basil Spence, Glover, Ferguson and Partners.&#13;
ARCIJK: Association Member 1981-82; of Council New Architecture and Admission Movement Committee Liaison 1981-82. Group and Chairman Edinburgh Pathhead Group 1979-80-81;Community AUEW-TASS Edinburgh East; Secretary ADAS Dundee Architectural Students 1974-75.&#13;
The future existence of ARCUK has been questioned by some members of the RIBA education is under attack and ARCUK must regain the control previously delegated to the RIBA ARCIJK is not the rubber stamp of any one constituent member. As one of the New Architecture Movement candidates I intend, if re-elected, to continue to seek a democratically elected Council that will carry out all of its duties under the Registration Acts, to promote the interests of salaried architects and other public sector employees and for as long as there are inner city areas where few people have ever met an architect I will resist the closure or limitation of numbers within the schools.&#13;
DAVID JOHN BURNEY (i)	34 years. 	1976.&#13;
(iii)	Unattached.&#13;
	Salaried architect, Shepheard, Epstein &amp; Hunter since 1973.&#13;
ARCUK• Member of Council and Board of Architectural Education 1980-82. New Architecture Movement. Past Chairman BDS-TASS London Branch.&#13;
One of ARCUK's most important statutory duties is the recognition of examinations in architecture, the passing of which allows admission to the Register of Architects.&#13;
The Board of Architectural Education is responsible for evaluating courses and making recommendations to Council. In recent years the BAE has sub-contracted this duty to RIBA Visiting Boards in defiance of the intentions of the Registration Acts. This practice has been encouraged by the pre-dominance of RIBA members on the Board, despite the majority lay membership provided for under the Act.&#13;
If elected I intend to continue to press for the restoration of the statutory recognition procedure to the Board of Architectural Education and for the full involvement of the nominees of Educational Institutions and other lay bodies represented on the Board.&#13;
PETER JOHN CUTMORE&#13;
(i)	38 years. 1969.&#13;
Unattached.&#13;
Employed by Property Services Agency, Department of the Environment in their regiona I headquarters at Cambridge since 1968 as an architect designing and supervising various buildings of differing type and value.&#13;
ARCUK: Member of Council 1979-80-81-82, Board of Architectural Education 1979-80, Admission Committee 1980-81. Member and sub-section secretary of the Institute of Professional Civil Servants. Member of Local District Council Architects Advisory Panel.&#13;
My aim on Council has been to contribute to the task of maintaining ARCUK's independence as established by statute and representing the interests of the 'unattachecf by voting impartially on Council. I believe the Council and the BAE, and their Committees should be more open in their business and thus more acceptable not only to architects but to society in general.&#13;
49 years. 1961.&#13;
(iii)	RIAS.&#13;
Chief Assistant, Department of Building Control City of Edinburgh District Council. Prior to this I was in artnership with R D Cameron for 5 years, following salaried posts in Local Authority, commercial 'in ouse', Contractor/Developer and private practice.&#13;
ARCUK Council 1981-82, President of Student Architects Group Edinburgh (SAGE) 1959, Student representative on EAA Council 1959.&#13;
Representing as I do many Architects, who, like myself, have left the mainstream of the profession, I am concerned by what I see from my resent vantage point. Too many Architects chasing too few projects, a never diminishing stream of brig teyed graduates destined for the dole, a general lack of excellence, competitiveness — or in some cases competence, I have to ask, how long can this go on?&#13;
100 year old housinq is currently being refurbished and should easily see the 21 st century, meanwhile, 20 year old housing much IS Deliggt, bein demolished, because it has neither the quality of Firmness nor Commodity — it never had and Architects were involved in most of it.&#13;
Is Pompidou going to fall down before Eiffel? Are "slick shedS' Zeibarted? Why can't we compete with Tom Baron and Lawrie Barratt? If this sounds like the trailer for new week's 'Soap', I only wish it were!, because in a mere 7 days we would "know the answers to these and many other questions". ARCUK should be looking for answers, and concurrently encourage diversification into all related fields — not to escape, but to give strength to the Profession.&#13;
ALAN LIPMAN 0)	56 years.&#13;
	1963.&#13;
Unattached.&#13;
University Professor.&#13;
The Welsh School of Architecture, University of Wales Institute of Science and Technology, practioner in Africa and in the UK; various practices, private and public.&#13;
I have served extensively on academic, professional, public and political Board committees Panel Of the — RIBA including (ARCUKthe ARCUK, the Board of Architectural Education and the Visiting representative); until recently, I was National Co-ordinator of CND Wales.&#13;
Architects, I contend, must seek and must help to establish ways of ensuring that they are responsive In furtheringto and are responsible to their social clients; to, that is, the users of the buildings they design. &#13;
this notion of service to public interests — of public accountablility— with my fellow members of the New Architecture Movement, I am committed to action that will restore to the ARCUK and to the Board of Architectural Education the rights and obligations which were vested in the Council and in the Board by Parliament when approving the Architects (Registration) Acts.&#13;
ROBERT MALTZ (i)	38 years.&#13;
1976.&#13;
Unattached.&#13;
Salaried employee with et the al), architectural London Borough education, of Haringey, community Previously action employed projects in and private architecturalpractice (Fielden &amp; Mawson, Journalism.&#13;
ARCIJK: Member of Council 1977-80. Professional Purposes Committee. 1977-78. Board of Architectural Education 1980. Educational Grants Panel 1980-81.&#13;
New Architecture Movement. Member of NALGO (Departmental rep.).&#13;
Since I last served on Council little progress has been made in the achievement of democratic reforms within ARCUK. However, the growing number of architects who choose to remain •unattached' provides a growing force within the profession which must be effectively represented on the Council.&#13;
If elected I shall press committees for the full and representation panels from which of the they unattached have been on excluded the Board by the of Architecturalcurrent RIBA&#13;
Education and In the on for longer the all architect term I shall representatives campaign for and the for replacement a majority of lay the representation present 'Banana on Council.Republic' by&#13;
monopoly. &#13;
direct elections &#13;
GILES NICHOLAS PEBODY&#13;
31 years.&#13;
1977.&#13;
Unattached.&#13;
&#13;
JOHN CHARLES PHILLIP GIBB&#13;
�Senior project architect with the Society for C&amp;operative Dwellings. Previously employed by Levitt Bernstein Associates. I have also worked in the public sector.&#13;
Committee Founder member of 'Slate' of Magazine the New and Architecture the NAM Liaison Movement Group. (NAM) Erstwhile on which treasurer I served of London on the BDS EditorialBranch of AUEW/TASS. ARCUK Council and Finance and General Purposes Committee 1981.&#13;
If elected I will continue to press, in the short term for open and democratic practices on the Council, for the reform of the Council to eventual direct election to all architects' seats and, in the future, for the control of ARCUK by lay interests.&#13;
DAVID ROEBUCK&#13;
35 years. 1976.&#13;
(iii)	Unattached.&#13;
	Member of co-operative practice, private sector. Previously salaried employee in private and public&#13;
sectors&#13;
(v) ARCIJK: Council 1977-79, 1980-81, Professional Purposes Committee 1978-79, 1980-81, Conduct Monitoring Group. Formerly an executive committee member of the "Save Brighton Station Campaign" and served on the Council of Brighton and Hove Amenity Societies, and architectural adviser to various environmental/resident groups. Member of AST MS. Founder member of the New Architecture Movement.&#13;
 The past year has been a qualified success. ARCU KS new document "Conduct and Discipline" meets the criteria set out in my statement for last year's election. Now the capability of the Discipline Committee will have to be examined. The public recording of business interest remains on the agenda awaiting decision.&#13;
In the coming year, if elected, I shall endeavour to introduce democratic reforms within ARCUK in order that the Council may effectively discharge its duties and free itself from RIBA abuse. In particular it is necessary, as a first step, that the unattached (who now comprise nearly a quarter of the profession) are fully represented on all ARCIJK committees, visiting boards, and panels instead of the token representation that the present RIBÄ monopoly dictates.&#13;
EDWARD WALKER 31 years. 1976.&#13;
Unattached.&#13;
&#13;
Currently self employed in Leeds engaged in work for community groups and organisations. Previously employed in company architects' office, PSA, Landscape Design office (Brian Clouston and Partners) and small private practices. Also supervisor on Community Centre Renovation Building Project.&#13;
ARCUK: Member of Council 1979-80-81-82, Professional Purposes Committee 1981-82, Finance and General Purposes Committee 1980-81 , Admission Committee 1979-80-81.&#13;
New Architecture Movement. Chairman AUEW•TASS Leeds West Branch 1979 Leeds Trades Council Delegate 1979, 1980, 1981, 1982.&#13;
	NAM members work on ARCUK last year included:&#13;
	Pressing unsuccessfully for more unattached representatives on the Board of Architectural Education.&#13;
The new 'Standard of Conduct for Architects' is a first step on the road to eradicating the exclusive bosses club domination of Architecture. But have we been duped? Our fight continues to establish the principles of fair play with no petty rules and no unnecessary restraints on practice.&#13;
Building Control (England and Wales): Opposing the use of membership of institutions as qualification for Self-certification which would restrain the unattacheds' right to practise.&#13;
The unattached election is the only democratic voice affecting ARCIJK — let it challenge all others.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="440">
                <text>ARCUK</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="441">
                <text>JA</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="442">
                <text>Undated</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="81" public="1" featured="0">
    <fileContainer>
      <file fileId="86">
        <src>https://nam.maydayrooms.org/files/original/71cad14334b998fecccd422fc44e99f6.pdf</src>
        <authentication>e5bc7f7486bbff0f9e2a97bd1942df81</authentication>
      </file>
    </fileContainer>
    <collection collectionId="4">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Professional Issues</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8">
                  <text>A cohort of NAM members became engaged with the professional registration body, standing&#13;
as elected councillors on the Architects Registration Council and its various committees. Hitherto entirely dominated by&#13;
the RIBA bloc, the Council began to yield to a new dynamic through NAM's involvement, enabling fresh perspectives on&#13;
such issues as mandatory fee scales, greater lay representation on the body, ethically-based standards of professional&#13;
conduct, etc.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="472">
                <text>Brief particulars about candidates for forthcoming election to ARCUK Council</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="473">
                <text>Brief particulars about candidates for forthcoming election to ARCUK Council   (10pp Leaflet)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="474">
                <text>Architects Registration Council of the United Kingdom&#13;
&#13;
Brief particulars about candidates&#13;
(i) Age&#13;
Date of Admission to the Registration Of Architects.&#13;
Name of Architectural Constituent Bodies of which candidate is a member (if any).&#13;
Present professional post (including the name of the firm or employer) and previous professional experience.&#13;
Committee experience (architectural and otherwise) (vi) Personal statement (if any).&#13;
The views expresed in the candidates' statements below are personal to the writers and do not represent the views of the Council of ARCUK.&#13;
NORMAN FRANK ARNOLD&#13;
( i ) 	years&#13;
1979&#13;
Unattached&#13;
Partner in a Leeds Practice; Lecturer at the Hull Schoool of Architecture; 17 years in public and private practice.&#13;
(v)&#13;
A Founder member of ARCAtD (Leeds); The New Architecture Movement; ARCIJK Council, Professional purposes Committee/Finance and General Purposes Committee- 1980-87.&#13;
(vi)&#13;
Over the past year I have represented the interests of Unattached Architects during sub-Committee preparation of draft documents concerning Disciplinary Procedures, hopefully enabling those of us who judge to be more enlightened, better informed and above all democratically fair. If reælected I will attempt to continue in this role.&#13;
Together with Disciplinary Procedures and inter-European qualifications, Education continues to be a growing sphere of power for ARCIJK with regard to the European Community. I will endevour to represent the Unattached in these areas.&#13;
Architects everywhere in Europe should be accountable to the public.&#13;
1&#13;
�JAMES ROBERT ALISTAIR BLAMIRE&#13;
41 years&#13;
1975&#13;
Unattached&#13;
Self-employed inner city housing. architect Previously with Arcade a salaried Architects architect in in Edinburgh. central and working local governmentmainly on and in private practice both in Britain and the US.&#13;
ARCUK Council 1982-88. Admissions Committee 1981-83. Finance and General&#13;
(vi- Purposes Committee 1983-85. New Architecture Movement 1981-82. Previously involved in various student. union and education committees.&#13;
(vi) The 'Unattached' numbers are substantially up again this year giving us a further seat on Council and a greater voice in the debates on education. conduct and discipline, tie EC Directive and finance. But although the electorate has been on the increase for many years now there is concern among the •Unattached' councillors about the consistently low poll at elections.&#13;
In order to reverse this tend and to channel energy effectively moves are underway to create greater cohesiveness within and wider publicity for the group of which I am a represenätive on Council. The primary intention is to promote ARCUKs statutory duties in edJcanon and what I believe to be its proper role as a public interest body.&#13;
Vote this year and support the moves towards a positive, democratic ARCUK.&#13;
MICHAEL DAVID BROAD&#13;
37 years&#13;
1977&#13;
Unattached&#13;
Partner of Mck Broad Terry Hughes Architects in Ednburgh. Previously with&#13;
Edinburgh D.C. Housing Deparünent&#13;
ARCUK: Counci Nkrnber 1981-1988, also served on the Admissions. Professional Purposes and Finance General Purposes Committee of ARCUK.&#13;
Fourteen people Will be ELECTED onto the Council this year by the free vote of architects in ali types ot employment. This will be one more than last year and so the democratic representation continues to increase. The attempts by one Constituent Body to dominate the council by nominating their yes men onto council this past year backfired. ARCIJK has at last made some of its own decisions.&#13;
Support he unattached representatives, on annuaJy elected Council. use your vote and write to those elected c/o The Registrar 73 Hallam Street London with your views.&#13;
2&#13;
ANDREW JAMES EARL&#13;
30 years&#13;
1984&#13;
Unattached&#13;
Architect with COMTECHSA Ltd., Liverpool. Previous experience in local authorities and the Architects and Builders Co-opertive (Aull) Ltd.&#13;
Branch committee-ACTSS (T &amp; GWU). Company secretary-ABC, Committee -Hull Architecture Workshop.&#13;
Build for people not profit. Work towards public accountability. Take back control from the grey men in suits.&#13;
WILLIAM LESLIE FORSYTH&#13;
0) 38&#13;
1974&#13;
Unattached&#13;
Lecturer, Department of Civic Design. University of Liverpool. 1979-86 COMTECHSA Ltd., Liverpool. 1973- 7B The Edinburgh Consortium. Various private and public practices.&#13;
1984-87 ARCUK Council, 1984 Professional Purposes Committee, 1979-86 Secretary. Comtechsa Ltd.. 1982-85 Secretary ACTAC, Numerous voluntary committees.&#13;
The votes cast in last year's election for unattached councillors were less than 25% of the possible total. This represents a lack of interest second only to the turnout at some local authority elections during the World Cup. It hardly displays enthusiasm for ensuring that unattched councillors can act with confidence based on an active electorate. You may have noticed that the unattached have another seat on Council next year, a total of fourteen. In the next few years it is possible that the unattached will hold a substantial minority, if not a majority, of seats on Council. Make an effort, vote. ensure your colleagues vote, stand for election next year, contact your councillors and express your concerns over the future of your profession.&#13;
3&#13;
ALLEN BERNARD EDWARD GEAL&#13;
41 years&#13;
1973&#13;
Unattached&#13;
Present professional post: Architect, Urban Design City of Bristol. Previous experience: Architect in pnvate pracbce.&#13;
Student Representative, School Academic Committee, University of Bath. ARCUK Member of Council 1985 - ; Professional Purposes Committee 1985 -&#13;
The statutory and indepen±nt role of ARCUK must be asserted against tie narrow&#13;
•professional- interests of the RIBA This can be achieved hus:&#13;
The assumption of full ARCUK control over architectural education and the encouragement and extension of relevant research. That is: the endng of RIBA involvement in the Visiting Boards and in the recognition ofSchools of Architecture.&#13;
Increasing the professional and academic links with European Community professions whilst maintaining our traditional US and Commonwealth links.&#13;
A vigorous and reasoned response to t•te National Council for&#13;
Vocational Oaaflfications (a new quango!) in line with those of the Medical and Legal professionsand in distinction to the uncritical and shortsighted RIBA attitude.&#13;
A reform of the principal Registration Act to bring it into line with the Medical Registration Act That is, to reduce the representation of professional bodies to a nominal (and appropriate!) level and form a Council largely from drecdy elected members of the profession.&#13;
Now is the time.&#13;
4&#13;
28 years&#13;
1986&#13;
Unattached&#13;
Salaried architect, Property Services Agency, Central Office for Wales. Previous professional experience in local government and private practice, and research into the subject of flexibility in office design, sponsored by the Science and Engineering Research Council.&#13;
South Wales Women Architects Group.&#13;
I believe that architectural practice should be foundedon technical competence, and I am therefore interested in approaches to education, information supply and professional organisation that would assist the achievement of a high standard of building performance.&#13;
It is my conviction that research into the built enviorment is necessary to augment our understanding of how buildings work, and to provide design guidance for architects. I am concerned about public mistrust of the profession and welcome any initiative to set up a closer relationship between users and architects. I feel that sucessful design must acknowledge people's needs and preferences.&#13;
MICHAEL JENKS&#13;
42 years&#13;
1975&#13;
Unattached&#13;
Principal Lecturer in Architecture, and Head of Continuing Education, Oxford Polytechnic.&#13;
ARCUK Council 1984-87. BAE 19857, GPC 1986-7, Awards Panel 1985-7, Advisory Panel 1985-7, Continuing Education Committee. Faculty and Departmental Boards, Oxford Polytechnic.&#13;
The number of unattached architects is growing. and with it our voice in Council. We have been active in ARCUK's strengthened role in education and in moves to be more closely involved with the validating process through proposals for Joint Visiting Boards. The unattached have an important say in the architectural debate. and are part of the wide representation enabled by ARCUK's constitution. The attack on this constitution by factional interests in the RIBA is a malign attempt to undermine ARCUK's control. and with it the repsentation of unattached architects. Resisting this attempt has wasted valuable time when there are so many vital issues to debate that affect the profession both now and in the future.&#13;
If elected I will , with other unattached representatives, continue to promote and support moves to strengthen ARCtJKs rightful role as a body that is democratic, representative, publicly accountable. and supportive of architectural education and practice.&#13;
5&#13;
MARY ELIZABETH KELLY&#13;
29 years&#13;
1985&#13;
Unattached&#13;
Salaried architect with Bradford Communiry Technical Aid Service at present. Previous expenence; Architect with Free Form Arts Trust, Arch. assistant with Free Form Arts Trust. London; BBC architects Department. London; Forbes Bramble Ass. London; Topham Ravensdale Ass. Zambia; Blackmore Son and Co. Hull.&#13;
Elected to/served on: ARCUK Council representing Unattached Architects 1986. F &amp; GP Committee (ARCUK) 1986,87; staff Sub-committee (ARCIJK) 1986n; Management Committee Association ot Community Technincal Aid Centres (ACTAC) June 1986-87.&#13;
It is essential that debate within the profession, and on ARCUK Council. is encouraged so that as many different voices are heard and can contribute. Such debate as there is on Council at the present is largely due to the efforts of the Unattached to bring into question certain majority assumptions and argue for change where and when it appears to be necessary. I feet that it is time for ARCUK to take up the mantle of duties allotted under the Act and be seen anci heard to be rue representative ot all members of the prolession and not simply promoting the views of any one constituent body. I would like to see evi&amp;nce of greater encouragement being given to women to enter the profession by an increase in tie numbers of women on Council.&#13;
ALAN ROBERT LIPMAN&#13;
( i) 62 (ii) 1963&#13;
Unattached&#13;
Academic (Professor), The Welsh School of Architecture, UWIST. Cardiff; practitioner in southem Africa and in the UK - various practices. public and private.&#13;
I have served on academic, professional. pubfic and political committees - including ARCUK. the Board of Architectural Educaton, the Admission Committee and the Visiting Board Panel of fre RIBA (ARCUK representative). Until recently I was ViceChairperson of CND Cymru (Wales) and a member of the New Architecture Movement&#13;
The  representatives whom you have sent to Council have consistently sruggled to reinsäte ARCIJK's statutory authority in architectural education. I have been part of that sÜuggte since fre mid-197ffs. In contrast to RIBA connivance in educational cuts (eg. via the Esher report). we have won support for ARCUK's rejection of efforts to slash Schools of Architecture and student opportunities. Regrettably more. much more. has yet to be done. We now face wider - and wilder - threats to student numbers, to Schools, to the length of courses. In addition,we must continue our long-standng struggles to make ARCUK a representative forum; one with extensive lay representation and one which reflects the composition of the profession.&#13;
Vote unattached - help us to fight for a future for archtectural education, for architecture.&#13;
6&#13;
THOMAS ANDREW MARKUS&#13;
	59 years&#13;
1950&#13;
Unattached&#13;
 Professor (Emeritus) of Building Science, University of Strathclvde, Glasgow. Professor 19661986.&#13;
(v) Previously (1964-66) Reader in Architecture, Welsh School of Architecture; Manager of&#13;
Products Applications Department, Pilkington Brothers. St Helens (1956-64); Architect. I.C.I. London (1954-56); Assistant Lecturer in Architecture, University of Manchester School of Architecture (1951-54); Assistant Architect, Manchester City Council (1950-51); Studio Assistant, University of Manchester School of Architecture (1949-50).&#13;
Experience in practice, research, teaching and consultancy; chief involvement in architectural history and theory; buildings, climate and energy; fuel poverty and housing problems; cost benefit analysis and building resources.&#13;
Involved in teaching and assessment at Schools in USA, Candia. Malaysia, Nigeria, Turkey, and a number of European countries.&#13;
Committee Experience (Architecture and Otherwise): several three year spells as Strathclyde representative on ARCUK Board of Architectural Education; from 1956 onwards at various times members of RIBA Science Committee, Postgraduate Training and Research Committee, Documentation Panel, Board of Education (later Education and Practice Executive Committee) from 1970-1978 and Vice Chairman of Board, 1977-78. Chairman of Schools of Architecture Council 1977-79. Intermittently member of the RIBA Visiting Board 1969-77. Member of CAA Visiting Board. Member of ARCIJK Visting Board. Member of CNAA Architecture Board and Committee for the Built Environment 1979 — present. Member of CNAA Technology Research Sub Committee 1983. Member of a number of CIB Working Groups.&#13;
(vi) I have worked in ARCUK and outside it for detachment of architectural products from the aims of elite power groups. This means the transfer of power in design, resource control and management to those with little power — i.e. the vast majority of building users — involving the defence, by ARCUK, of Parliament's clear intention to bring a measure of public control into architectural practice and education.&#13;
7&#13;
SHEELAGH MARIE THERESE McMANUS&#13;
0) 28 years&#13;
1985&#13;
Unattached&#13;
Currently a member of Matrix Feminist Design Cooperative. London. Previously with Community Design Service. Cardiff; Community Technical Services Agency (COMTECHSA) Ltd.. Liverpool; Welsh Health Technical Services Organisation (WHTSO). Cardiff; Murray &amp; Doran Archi!ects, Belfast.&#13;
ARCUK Admissions Committee. 1986 &amp; 1987; ARCIJK Advisory Panel on the Evaluation of Overseas Architectural Qualifications, 1987. South Wales Women Architects Group. 1985; Hull Architecture Workshops Management Committee, 198384;&#13;
The Architects Qualifications (EEC Recognition) Order 1987 came into effect in the UK on Thursday 19 November 1987. This is the first stage of new legislation throughout the EEC which Will enable architects who have qualified and registered in one member state to have their status automatically recognised by any other member state. In naming ARCUK as the •Competent Authority' to administer and implement the EEC Directive in the UK. the British Government is quite rightly recogn•sing ARCUK as the Statutory Body responsible for the recognition of Architectural qualifications and the regulating of the Architectural Profession in this country.&#13;
The Unattached play a vital role within ARCUK of reminding people of exactly what ARCUKs• statutory role is and working towards greater fulfillment of its (presently only partly assumed) role as defined in the 1931 Architects Registration Act. It is the only body which has the potentional to represent ALL architects' views in a democratic fashion. Please help to ensure in your choice of candidates that the Unattached view is a broadly based one.&#13;
DAVID WILLIAM PETHERICK&#13;
	40 years&#13;
979&#13;
Unattached&#13;
Senior lecturer, Hull School of Architecture. Formerly partner in small private practice (1977-84) and research fellow at Institute of Advanced Architectural Studies, University of York (1984-86).&#13;
Secretary to the Committee of Management, Saint Andrew Street Development CoOperative Ltd (1976-86). Member of the Housing Co-Operatives Working Group of the National Federation of Housing Associations (1979-86).&#13;
Make sure the education of future generations of architectural students is determined by an organisation concerned with more than the economic interests of its existing members. Keep Arcuk democratic. Vote!&#13;
8&#13;
PETER GEORGE RANSON&#13;
30 years&#13;
1983&#13;
Unattached&#13;
Salaried architect with the firm of CGHP Architects, London. working mainly on inner city housing. Previous professional experience with ASSIST Architects Ltd, Glasgow, and private practices in Northem England.&#13;
Member of Visiting Board Panel (Student representative) 1980-1982.&#13;
As another for alternative year rolls by funding and the for those retum working of those closely in govemment with local brings communities a continuedin search what struggles to remain public housing, I find myself out of touch with the changing attitudes of ARCUK and can only seek election under tie platform of man on the no. 9 omnibus (one man operation threatened) asleep on his way to a seat in the rear stalls.&#13;
DUNCAN ROBERTS&#13;
28 years&#13;
1986&#13;
Unattached&#13;
Salaried Architect with Community Architecture (Scotland) Ltd, Glasgow. Britain's first community-controlled commercial Architectural practice. Previous experience with the Technical Services Agency, Glasgow. a user-controlled CTAC: Architects and Builders Co-Operative Hull; Forbes Brambles Associates and R&amp;M Finch F/ FRIBA London.&#13;
Currently shop steward of CAS with the T&amp;GWU, Branch committee. and Glasgow Trades Council.&#13;
Given the present shambolic state of the their Architectural growing reputation Establishment in the educational I feel the timeand is ripe for the Unattached to build upon &#13;
•community' orientated dicussion aspects of of design the Profession.and aesthetics and forces that mainipulate The increasing public them calls out for the informed opinions of practicing professionals outside of the Establishment to be heard. There is no reason why the Unattached cannot deveop&#13;
into a forum for the discussion and dissemination of these ideas offer.and in so doing allowing the public the benefit ot the broa±r vision that we can &#13;
9</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475">
                <text>ARCUK</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="476">
                <text>JA</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="477">
                <text>Undated </text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="63" public="1" featured="0">
    <fileContainer>
      <file fileId="68">
        <src>https://nam.maydayrooms.org/files/original/f8fee06a4c003debe70d5920632d1fb6.pdf</src>
        <authentication>2807ac8f6e97ad4712fc3873120d0096</authentication>
      </file>
    </fileContainer>
    <collection collectionId="4">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Professional Issues</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8">
                  <text>A cohort of NAM members became engaged with the professional registration body, standing&#13;
as elected councillors on the Architects Registration Council and its various committees. Hitherto entirely dominated by&#13;
the RIBA bloc, the Council began to yield to a new dynamic through NAM's involvement, enabling fresh perspectives on&#13;
such issues as mandatory fee scales, greater lay representation on the body, ethically-based standards of professional&#13;
conduct, etc.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="366">
                <text>Brief particulars about candidates for forthcoming election to ARCUK Council   (4pp Leaflet)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="367">
                <text>Brief particulars about candidates for forthcoming election to ARCUK Council   (4pp Leaflet)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="368">
                <text>Architects Registration Council of the United Kingdom&#13;
&#13;
Brief particulars about candidates&#13;
(i)	Age&#13;
Date of Admission to the Register of Architects.&#13;
Name of Architectural Constituent Bodies of which candidate is a member (if any).&#13;
Present professional post (including the name of the firm or employer) and previous professional experience.&#13;
Committee experience (architectural and otherwise). (vi) Personal statement (if any).&#13;
JOHN STEWART ALLAN&#13;
34 years 1976  ii i )	Unattached&#13;
Project architect employed by Shepheard Epstein Hunter since 1973. Previously employed at Department of Architecture and Civic Design, The Greater London Council (Housing Division)&#13;
ARCIJK: Member of Council 1979-80. Professional Purposes Committee 1979-80. Admission Committee 1977-78, 1978-79. Design &amp; Industries Association 1967-69. Junior Liaison Organisation 1975-78. Chairman Highbury Plan Group 1975. Steering Committee, Blackstock Road Advico Centre 1978. TASS Building Desi n Staff National Advisory Committee 1977. Founder member, New Architecture Movement.&#13;
Is ARCUK a •public interest body' or not? If it is, its constitution requires amendment to allow proper representation of that interest. If it is not, then its practices must be reformed to enable it at least to operate satisfactorily as a professional assembly. Either function could be of value. ARCUK currently claims both, but used as an RIBA sub-contractor it succeeds in neither. If ARCIJK's pronouncements on such forthcoming issues as the Code changes. Fee Scale, professional negligence and disgraceful conduct are to have any independent value, the question must be resolved.&#13;
NORMAN FRANK ARNOLD&#13;
33 years&#13;
1979&#13;
Unattached&#13;
Salaried Architect, Brian Golton Associates. founder member of 'ARCAID' (an aid agency for community groups), 6 years in private practice, 2å years in Local Authority planning and architecture.&#13;
New Architecture Movement Liaison Group and Alternative Practice Group, establishment of 'ARCAID' steering committee.&#13;
As a member of The New Architecture Movement, I wish to serve on ARCUK to change the representation and accountability of this statutory body. ARCIJK should have a democratically elected lay representation working together with an architectural one, enabling Architects to be made accountable to the public interest. This requires a change from the present nomination of councillors by constituent bodies, which allows no choice by tho majority of architects. Whilst 80% of architects are salaried. the RIBA holds 40 out of a possible 68 seats on ARCUK. Of these RIBA seats. 26 are held by principals in private practice, 10 by Local Authority Chief Architects and only 4 by other salaried architects. These seats are not open to election. There should be a democratic election of every Architect Councillor by all architects: a system operated by doctors electing the General Medical Council.&#13;
MICHAEL DAVID BROAD&#13;
29 years&#13;
1978&#13;
Unattached&#13;
Senior Improvements Officer. (Housing Action Areas), Edinburgh District Council. Previous employer. Sir Basil Spence, Glover Ferguson Partners. Presently working in conjunction with Residents and Tenants' Associations.&#13;
Faculty Board Dundee University 1975; Perth Road Study Group 1975, AUEW/TASS; New Architecture Movement, Edinburgh Group, Liaison Group 1979-80.&#13;
�DAVID JOHN BURNEY&#13;
32 years&#13;
1976&#13;
Unattached&#13;
Salaried architect, Shepheard, Epstein 9 Hunter 7 years as salaried architect in private practice working on university buildings.&#13;
New Architecture Movement. Past-Chairman BDS-TASS London Branch. Local Labour Party GMC &amp; election committee&#13;
 As one of the New Architecture Movement candidates I intend, if elected, to give priority to improving contact between unattached architects and their councillors. Under the present arrangements ARCUK councillors have no statutory means of communicating with their constituents other than by this annual election address. As a result the councillors• ability to represent the views of the unattached on Council is severely hampered. Last year an improvement was introduced in the form of a question•naire to the unattached distributed by ARCUK on behalf of councillors. Further use of the questionnaire has. however, been vetoed by the dominant RIBA group on ARCUK. The message is clear; there are many issues. advertising, monopolies, conditions of engagement, education—on which the RIBA would rather the independent views of unattached architects were not heard on ARCIJK. A fractional charge on ARCUK's assets could enable the immediate introduction of.—&#13;
A regular newsletter from unattached councillors to their constituents.&#13;
Postal consultation of unattached before ARCUK debates on major issues.&#13;
PETER JOHN CUTMORE&#13;
36 years&#13;
1969&#13;
(iii) Unattached&#13;
Employed by Property Services Agency, Department of the Environment, in their regional headquarters at Cambridge since1968 as an architect designing and supervising various buildings of differing type and value.&#13;
ARCUK: Member of Council and Board of Architectural Education 1979-80. Member and sub-section secretary of the Institute of Professional Civil Servants. Member of Local District Council Architects Advisory Panel.&#13;
My aim on Council has been to contribute to the task of maintaining ARCUK's independence as _established by statute and representing the interests of the •unattached' by voting impartially on Council. I believe that the Council and BAE should be more open in its business and thus more accountable not only to architects but to society in general. The Code of Professional Conduct, including the Terms of Engagement, should be revised to allow architects more freedom of action in the building process. Principles must be expected of architects but they should not be inhibited by rules.&#13;
JOHN DAVID MORGAN GAMMANS&#13;
	50 years&#13;
1951&#13;
Unattached&#13;
County Architect, Northamptonshire. Previously with City and County Architects Departments and National contracting organisation.&#13;
(v) Society of Chief Architects' Practices and Procedure Committee; Joint Consultative Technical Committee.&#13;
I belive it to be in the best interests of the Unattached members of the profession, particularly at a time of great change. to havo a balanced representation on ARCUK Council.&#13;
JOHN CHARLES PHILLIP GIBB&#13;
47 years&#13;
1961&#13;
(iii) RIAS&#13;
Chief Assistant, Department of Building Control, Edinburgh City District Council since 1977. Previously in partnership for five years, preceded by various posts in both public and private sectors. President of SAGE (Student Architects Group Edinburgh) in 1959 and currently involved. in official capacity, with the Building Control, Housing and Planning Committee of the District Council.&#13;
(vi) In these days of crisis, consolidation and cuts, I fear that our profession may be losing its traditional place at the Head of the Building Team. and in order to avoid this happening we will have to look carefully at our training and at our professional Code.&#13;
We are, I feel. at a crossroads and we must exercise great care in choosing the right path into the Eighties and beyond.&#13;
PETER WILLIAM HOWE&#13;
36 years&#13;
1968&#13;
(iii) Unattached&#13;
(ivy Salaried Architect with Faulkner-Brown Hendy Watkinson Stonor, Dobson House, Northumbrian Way, Killingworth, Newcastle upon Tyne NE12 OQW. Previously with J N Napper Partners, Newcastle— Assistant. Washington Development Corporation—Job Architect. Northampton Development Corporation—Senior Architect. Architects Design Group—Job Architect. G Block Watno a/s, Norway—Company Architect.&#13;
(v)	Northampton Shelter Group (Chairman). Nottingham Civic Society (Committee Member)&#13;
I am particularly interested in seeing the standard of architectural practice improved, firstly by improvements in initial and continuing education of architects, and socondly by the way in which salaried architects are employed and rewarded.&#13;
DEREK GLAISTER MANNING&#13;
54 years&#13;
1950&#13;
Unattached&#13;
Salaried Architect. East Anglian Regional Health Authority. Previously with Basildon Development Corporation, Stevenage Development Corporation, Selleck Nicholls Ltd., Woodroffe, Buchanan  Coulter.&#13;
 Architectural Advisory Panel, Cambridge. Component Development Group, DHSS.&#13;
HUGH PHILIP MASSEY&#13;
	27 years&#13;
1977&#13;
Unattached&#13;
Project Architect, Metropolitan Borough of N. Tyneside. Previously private practice in UK and Canada. (v) Minories Community Association—sometime Committee member. Birkheads Cottagers—committee member, founder member. Designers &amp; Architects Workshop. Newcastle founder member.&#13;
(vi) My intention in running for election to Council this year is the same as it was last year to give expression to the great many people, particularly within the North East who feel their aspirations and concorns are never solicited or voiced within the Council.&#13;
I feel very strongly that the unattached are. and must continue to be a positive force with very direct lines of communication to members.&#13;
My pledge is to make the voice of those without the NBA pale, heard.&#13;
JOHN DUNCAN MURRAY&#13;
(i)	38 years&#13;
	1967&#13;
(iii) Unattached&#13;
 Team leader Architect, London Borough of Haringey. Previous employer, Building Design Partnership. Experience: 13 years postgraduate mainly on education and housing projects in local govemment and private practice. Work for tenants associations.&#13;
ARCUK: Member of Council 1978-79 and 1979-80, Finance and General Purposes Committee 1978-79, Professional Purposes Committee 1979-80. New Architecture Movement: Public Design Group.&#13;
Ivi) In order to extend the accountability of ARCUK to the public and make it more representative of the profession. I feel that the Registration Act should be amended: Firstly, to create a substantial lay presence on the Council: Secondly. to mako all representatives of the profession on the Council subject to direct election, with seats allocated to different interest groups in proportion to their numbers (salaried architects in public and private practice, chief officers, partners etc.).&#13;
If elected, I will continue with my colleagues to argue for a more open publicly responsible Council and for policies which aro in the interests of salaried unattached architects. This will involve canvassing unattached opinion and will include, for example. a campaign to abolish the RIBA closed shop existing in many local authority offices.&#13;
�MARION ELIZABETH RUTH ROBERTS&#13;
28 years&#13;
(ii)	1977&#13;
(iii)	Unattached&#13;
Salaried architect Stophcn George and Partners, working for local authorities and community groups. Previous experience five years private practice.&#13;
ARCUK Council and Finance and General Purposes Committee 1979-80. New Architecture Movement Liaison Group. Branch Council, Building Design Staffs AUEW-TASS&#13;
As an unattached councillor I think that ARCIJK should become more open, democratic and accountable. One of the ways in which this might happen is for ARCUK to discuss its own finances clearly and directly. ARCUK has approximately €63,000 of investments, a relatively small amount but important. The criteria for the investment of this money are obscure and at present no open discussion takes place over the direction of these investments. The unattached councillors have protested about ARCIJK's previous investments in companies connected with South Africa. I would like to see investment redirected towards more socially responsible institutions and companies. I also feel that ARCUK could invest some of this money in its own system of visiting boards.&#13;
DAVID ROEBUCK&#13;
( i )	33 years&#13;
1976&#13;
( iii)	Unattached&#13;
Salaried Architect with Community Housing in North London. Previously employed in private practice and local government.&#13;
ARCUK Council 1977-79. ARCUK Professional Purposes Committee 1978-79. Formerly an executive committee member of the 'Save Brighton Station Campaign' and served on the Council of Bribhton and Hove Amenity Societies, and architectural adviser to Green Bar Action Committee in Birmingham. Has prepared and submitted evidence to various planning inquiries and Government Commissions. Member of AUEW-TASS Building Design Staff. Founder member of the New Architecture Movement. (vi) The present rules and conditions adopted by ARCUK regulating practice should be replaced by a new system which encourages alternative forms of practice and service (e.g. architectural and design/ build co-operatives) more diverse methods of charging for it, and for the first time, real accountability of the architect to the user.&#13;
DAVE SUTTON&#13;
(i)	27 years&#13;
1979&#13;
Unattached&#13;
Salaried architect, Solon South West Housing Association. Previous experience study of area improvements, including working with local community organisations.&#13;
Founder trustee North Sheffeld Housing Association. Delegate to Bristol TUC from AUEW-TASS.&#13;
Secretary Nottingham Street Neighbourhood Group (1973-1977)&#13;
I consider that ARCIJK's Board of Architectural Education, the statutory body responsible for recommending exams, for entry to the Register. should be the forum to bring together representatives from inside and outside the profession to develop real accountability and social responsibility. Architectural training provides an important opportunity to link the profession with the community—using a local framework to establish real social constraints and promote sound technical competence. As a start ARCIJK should no longer delegate this duty to the RIBA through the system of visiting boards.&#13;
EDWARD WALKER&#13;
29 years&#13;
1976&#13;
Unattached&#13;
Currentlv in local practice in Leeds (under own name) engaged in work for community groups and organisations. Previously employed in company architects' office, PSA.. Landscape Design Office (Brian Clouston Partners). small private practice. Also supervisor on Community Centre Renovation Building Project. Member of 'Arcaid' Group. and aid agency for Community Groups.&#13;
ARCIJK: Member of Council, replaced David Robson (resigned). and Admission Committee 1979-80. New Architecture Movement: Chairman AUEW-TASS Leeds West Branch 1979; Leeds Trade Council Delegate 1979.&#13;
As an unattached councillor I would wish to promote a full and critical review in open Council of ARCIJK's disciplinary role and its criteria for disciplinary action. ARCUK's disciplinary concern should concentrate on serious questions of public welfare rather than being preoccupied with trivial infringemonts of the code.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="369">
                <text>ARCUK</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="370">
                <text>JA</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="371">
                <text>Undated</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="306" public="1" featured="0">
    <fileContainer>
      <file fileId="316">
        <src>https://nam.maydayrooms.org/files/original/1988d84d7531747a9847cd759f25d4d3.pdf</src>
        <authentication>5ae56132aec1d709719ae48b7534de6f</authentication>
      </file>
    </fileContainer>
    <collection collectionId="4">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Professional Issues</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8">
                  <text>A cohort of NAM members became engaged with the professional registration body, standing&#13;
as elected councillors on the Architects Registration Council and its various committees. Hitherto entirely dominated by&#13;
the RIBA bloc, the Council began to yield to a new dynamic through NAM's involvement, enabling fresh perspectives on&#13;
such issues as mandatory fee scales, greater lay representation on the body, ethically-based standards of professional&#13;
conduct, etc.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1684">
                <text>BUILDERS VERSUS GENTLEMEN   BD article by Luder/Parris 3 October 1980</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1685">
                <text> -BUILDERS VERSUS&#13;
Architects’ organisations have been striving to keep away the sullying touch of commerce ever since they began. John Parris looks at some of the gentlemen’s clubs which preceded today’s institutions.&#13;
century a lecturer in 1867 said: “The speculative builder superceded the accomplished architect and erected, for the&#13;
nobility and gentry, rows of square boxes of brick or stucco houses as mansions, without any pretensions to effective decoration or distinguished aspect.”’®&#13;
The rows of square boxes of brick or stucco houses are those which add so much elegance to Londonandwhichtodayfetch enormous prices. And many are now theoffices or residences of architects.&#13;
1See: Cart-Saunders and Wilson The professions, 1933; Papworth On the superintendents of English buildings in the Middle Ages, 1860 RIBA Transactions; Bri The architect in history, 1928 RIBA&#13;
Journal XXXII; Bnggs The architect in history 1934; Knoop and Jones The decline of the mason architect, 193 RIBA Journal XL; 1951&#13;
=i|GENTLEMEN&#13;
AN associationofpersons measureboththeproblemsand andissuedareportastheAssoci- HKendallinPallMallEastand carrying on the practice of the qualities of temperament ated Architects. But the “faction” decided to forma society restric- commonly associated with to which reference has been ted to architects and excluding architecture was first formed artists. made soon appeared, and before surveyors. This became the in 1834 — long after other “He lives in a world dominated long Soane wassuing inthe High Society of British Architects. professions. by fashion and split up into Court his fellow members for Members were to be disquali-&#13;
Theassociaoftbiarorisntesrs,aieinsandcoteries...factionhavingdescribedthepilastersfiedfor: theInnsofCourtda,tefromthe hasbecomeadistinctivefeature outsidetheBankofEnglandas ( measuring and valuing 15thcentury,theRoyalCollege ofarchitecturalpolitics.The “scoredlikeribsofpork”. worksonbehalfofbuilders,&#13;
of Physicians was founded in RIBA isavery active and ener- 1518 and theCollege of Apoth- getic body with much valuable ecariesin 1617. Eventhe Veter- work toits credit. But itisagitated inary College dates from 1791 and restless...””&#13;
Other bodies which appeared except those executed from the around this time were the member's own design or direc- London Architecture Society tions;&#13;
Luder/Parris File&#13;
and the Institution of Civil Engineers from 1818.&#13;
This was published in 1933.&#13;
Tsonsi Jinarchi bli oftheArchi i This prospectus appears to articletosuggestwhyarchitectsfadexistedinthe18thcentury®. Societyin1831toprovidelibrary havebeendraftedbyagentle-&#13;
Itisbeyond thescopeofthis&#13;
are the Johnny-come-lately of the professional world. Clearly, throughout history, there have been people who perfomed the function of an architect: the transition from masons and buildteorasseparatedfunction ofa structural designer must be traced elsewhere’.&#13;
But on the October 20, 1791 andclubfaciliftoritehsosewho man named James Savage°,&#13;
four practising architects met had studied the profession of who should therefore be&#13;
in the Thatched House Tavern architecture in an architects’ honoured as the author of the had no connection with the&#13;
(in 1806) and the Architects&#13;
having any interest or parti- cipatinoany trade orcontract&#13;
and Antiquaries Club (1819).&#13;
Various informal societies of Of more sao aCe was the connected with building.&#13;
and resolved to establish an office for five years. It merged, first code of practice for British building trade in one or otherof Hamilton The architect's pedigree, The Cambridge Jounal IV; Summer-&#13;
Architects’ Club to dine on the in 1842, with the Institute of architects. its forms, from the Smiths of son Architecture in Britain, 1953. first Thursday of every month British Architects. On June 4, 1834 this club was Warwick, who were builders 2 Op cit 184-5. at5o'clockprecisely*- Thatassociationbeganata convertedintotheInstituteof firstandarchitectslast,toSir 3SeeColvin,Biographicaldictionary&#13;
The following year, according meeting in the Freemasons’ British Architects. Jeffery Wyatville, the honourable of British architects, 1954 16 et seq. to the notebook of Sir John Tavern on January 8, 1834 “of The census of 1841 records entation of whose name 4” Gotch (Ed) Growth and work of Soane®* their dinner topic was such persons as have been 1 675 architects in the United di not conceal the fact that he the RIBA, 1934.&#13;
But as Carr Saunders and&#13;
Wilson have pointed out”:&#13;
“Architecture differs from every&#13;
other profession...in that the&#13;
techniquecontainsanaesthetic conclusionsastothis,forSir Some preatsthaetmneeting were,infact,builders. profitable partnership byJohn i ‘ element...thearchitectisnotJohnrecordsnone. objectedtothepresencethere Colvin’writesofthearchi- reneealargebuilderofPeColaviyn,opcit24.&#13;
only aprofessional man but also After that they considered of “measurers’’ and they met tects practising before 1840: Pimlico.” ® Donaldson RIBA Transactions&#13;
BoltonPortorfSairiJothnSoane, “to define the profession and educated for and are practising Kingdom but, as the census of was descended from a typical 1927.&#13;
ualifications of an architect’. solely the p ion of archi 1851 i it isi P ibl 18thcentury buildingfamily,or Miscellaneous papers connected pparently they reached no and surveyor’. to determine how manyof these isthe bimserwas jaken intoa with the formation of the RIBA, 1834:&#13;
an artist and he shares in some “the cause of the frequent fires” privately in the rooms of “There were few of them who&#13;
BUILDING DESIGN, October 3, 1980 15&#13;
Of the first half of the 19th 1867, XVIII 2.&#13;
he professional teamis the one that stays together — and&#13;
that's the way itiswith Terrain soll, waste and overflow systems&#13;
What keeps them togethers the solvent weld joint. Simply made, and every bit as strong and rigid&#13;
as the parent material&#13;
This makes Terrain systems ideal for prefabrication under&#13;
controlled factory conditions maximum speed of installation&#13;
which means minimum waste and&#13;
And because the complete system )rigid, trequires fewer fixings,&#13;
jing you time and money.&#13;
Terrain systems for yourself — youll find good solid reasons for insisting&#13;
on the professionals&#13;
NE(&#13;
TELEX: 965150&#13;
py |FREEPHONE Ring3115forimmediatetechnicaladvice&#13;
Thepro syst&#13;
For instant information tick {1s 7] on reader inquiry&#13;
&#13;
 16 BUILDING DESIGN, October 3, 1980&#13;
Barty Phillips visited the Milan Furniture Fair.&#13;
THE pressoffice attheMilan product glamour —a situation Furniture Fair offers free which seems only too enviable&#13;
Wines&#13;
lunch: separate _ tables, cinnamon coloured linen tablecloths and napkins, with a wine waiter and choice of red or white wine and mineral water.&#13;
over here!&#13;
At the show there is hardly&#13;
anything between the height of design flair and the plethora of rococo reproduction and Stylish bad trad: secretaires and armoires carved in wild flights of fancy and vividly coloured&#13;
No Conran has appeared to Gaetano Pesce’s “Sunset of New York” for Cassina. bridge the gap.&#13;
%&#13;
Compare this with the sau-&#13;
sage roll and Formica facilities&#13;
of Earl’sCourtorBirmingham&#13;
andyouwillgetaflavourofthe electroniclightsmakeupbyfar difference between the Italian the largest section of the fair. and British sense of display.&#13;
Peg lights by Pesce.&#13;
B and BTtalia —fashion leaders — had its usual spec- tacular display with thousands of white polystyrene Christmas tree balls hanging from a navy blue ceiling and chairs uphols- tered in white. This was echoed bravely in the international&#13;
standbyColalndiHaynesswith itsnow reduced Theme range. Itseemed to be doinga briskish trade.&#13;
Many of the big firms use their exhibition space simply to confirm their confidence in something well established: thus Cassina concentrated on the now classic Corbusier Grand Comfort and kept its surprises for those who got to the showroom.&#13;
Perhaps due to the financial situation, perhaps partly due to the nagging of the journalists, Italian design does seem to be leaning slightly towards the&#13;
There is an internal fight more practical.&#13;
going on this year between Arflex Familiglia della Strips talian journalists and the by Cini Boeri started the design world. Design is too sensible fashionfor quilted sofa expensive according to the covers which unzipped to&#13;
journalists and designers become bedclothes at night; names are dragged in to give a this year’s new design, Alfiona,&#13;
\culpted “Dalila” chair by Pesce for Cassina.&#13;
If your instant reaction to the thought of a flat roof is “Trouble!” you can hardly be blamed Because many flat roofs built as recently as the ’70s were trouble!&#13;
But now the whole subject is due for re-appraisal, for the very g00d reason that in the last ten years the flat roof has advanced more effectively than in the previous five hundred&#13;
Then...&#13;
There are a number of causes&#13;
why old-style flat roofs acquired their bad reputation — not the least of them, incidentally, being poor design or faulty workmanship by inexperienced contractors Generally, however, itwas acase of some of the materials available being inadequate for the job&#13;
The continuous flexing of modern lightweight roof structures, caused by thermal and wind movement, were alone sufficient to rupture many of the waterproofing membranes. With the advent of modern heating, glazing and insulation methods the problems were compounded Condensation caused by increased temperatureansd decreased ventilation resulted in the roofing materials being ‘attacked’ from below as well as from above —a two-way action&#13;
with which they were not flexible enough to cope&#13;
and now...&#13;
Picking the right material for the particular application has&#13;
always been important, a task made easier now that such materials as mastic asphalts and the BS747 roofing felts have been joined by the new high- performance membranes and insulating materials made possible by modern technology.&#13;
~ Among these membranes are the many different types and thicknesses of flexible polyesters and polymeric materials, coverings specially designed for use on lightweight insulated roof-decks&#13;
New potentialities There is, in fact, no longer any&#13;
need fora flat roof to mean trouble. Indeed, the high- performance materials currently&#13;
plush upholstered beds with rry carpets and twinkling&#13;
SEH ge: g&#13;
Hi ‘&#13;
THE BEAUTIFUL AND THE&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1686">
                <text>John Murray</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1687">
                <text>03-Oct-80</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="188" public="1" featured="0">
    <fileContainer>
      <file fileId="198">
        <src>https://nam.maydayrooms.org/files/original/db7e42d171efce2e86ec1a3796030199.pdf</src>
        <authentication>8adcd7600e7651b0413ddb5d7e541884</authentication>
      </file>
    </fileContainer>
    <collection collectionId="3">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5">
                  <text>Feminist Group</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6">
                  <text>This developed a feminist agenda within the NAM critique. Alongside feminist consciousness raising and other feminist political groups, women within NAM came together to develop a feminist understanding of the built environment and building industry. The group acted to advise women in a range of campaigning issues. A special issue of Slate on feminism was produced in July/ August 1978. Emerging from the group was a' Feminist Design Collective' which became ‘Matrix' in 1980, producing the book ‘Making Space - Women and the Manmade Environment', which has been on architecture booklists for 35 years, and the design practice and Technical Aid Centre. &lt;br /&gt;&lt;br /&gt;The majority of this archive is held at the &lt;a href="http://www.matrixfeministarchitecturearchive.co.uk" target="_blank" rel="noreferrer noopener"&gt;Bishopsgate Institute&lt;/a&gt;.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1102">
                <text>BUILDING A FUTURE FOR WOMEN IN ARCHITECTURE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1103">
                <text>NAM Feminist Group Poster</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1104">
                <text> oe}&#13;
&gt;)&#13;
ce&#13;
PeAADC ECC| SNOV-ZASSINA SAWIGLA&#13;
BAM ERVIN REE TIM) Le’&#13;
: 5&#13;
: 4&#13;
:Ei&#13;
:&#13;
=] s&#13;
red ea SPO. tek&#13;
Ahh&#13;
= FiMMSH Ak) AF&#13;
che at&#13;
is-= :‘owe rue’- aeA&#13;
teete En Lnenenehrae&#13;
A,DESIGNINGFROMOURSELVESWITHOURSISTERS... MOAT TRRTs&#13;
lait set iae&#13;
=&#13;
WE AS WOMEN MUST FIND OUR OWN IDENTITY IN THE ENVIRONMENT BY&#13;
“ONINOLLIGNOD U0 ONIKOOUMAO Ad&#13;
a.&#13;
ROPRE IDENTITE DANS ENVIRONNEMENT&#13;
““ENAINNOLLIINOD (RLLON ENVINOHUAS Na UT RACY THAN 4)&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1105">
                <text>NAM Feminist Group</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1106">
                <text>John Murray</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1107">
                <text>1978?</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="379" public="1" featured="0">
    <fileContainer>
      <file fileId="396">
        <src>https://nam.maydayrooms.org/files/original/db09a3b3d0ba7b52d252341c14595953.pdf</src>
        <authentication>d63d06f459fb2f9ced6a628aa79abe5b</authentication>
      </file>
    </fileContainer>
    <collection collectionId="7">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="13">
                  <text>Trade Unions and Architecture</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="14">
                  <text>Themes included action on asbestos and Health &amp;amp; Safety, and involvement with Direct Labour Organisations and Building Unions. Following comparative research of possible options, NAM encouraged unionisation of building design staffs within the private sector, negotiating the establishment of a dedicated section within TASS. Though recruitment was modest the campaign identified many of the issues around terms of employment and industrial relations that underpin the processes of architectural production.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2103">
                <text>Building Design</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2104">
                <text>Conference chooses TASS for private sector</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2105">
                <text>AU&#13;
at&#13;
INSIDE&#13;
 Feilden gets Rome post&#13;
director of the International Centre for the Preservation and Recon- struction of Cultural Property one of the world’s top jobs in the field.&#13;
The appointment, which was made by UNESCO, takes effect on July 1. Feilden will be based in Rome and will have an annual budget of £4 million.&#13;
The centre is an organisation covering&#13;
fietd of conservation. It carn&#13;
Feilden, who is best known for iser, to begin planning the doors in London, the confer- who attended were NAM his work on St Pauls Cathedral campaign. A London branch of ence chose TASS from options members, and one of the York Minster and Norwich Cath- TASS for building design staffs which included ASTMS, EMA, organisers described the tum- edral, has been consultant architect will be launched at an open STAMP, TGWU, and forming out as the “tip of the iceberg.” tothecentrefortwoyears.HewillmectingonMay31attheNewanewunion Nearlyallparticipantscame end all his present commitments to Ambassadors Hotel. An Advis- in individual capacities, but the take the new post, including his ory Committee of rank-and file In choosing TASS, the con-&#13;
RIBA Council membership which members employed in the ference rejected a NAM 145-member Staff Association terminates naturally in June building professions will be set committce’s recommendation of Robert Matthew, Johnson&#13;
to the centre, Feilden told BD: ing drive nationally endorsed the committee’s view who reported that since Its “People must take a balanced view The conference considered inception last year, the ofconservation, and Ihope togive proposals to join building that organising should include RMIMSA has been looking at that view. You must always con- unions but chose TASS largely all employees — professional,&#13;
unionisation {rom AMID. growing calls for the 160 000-&#13;
BD Reporter&#13;
private sector employees, TASS,&#13;
member Technical, Administrative and Super- union should recruit among all the widening gap between&#13;
visory Section of the AL EW, is to set up a “‘union&#13;
the building professions. private sector salaries and Most of the 70 participants conditions and those in the at the conference were archi- public sector. Despite the&#13;
Index&#13;
COMMENT 2, News 3-7 and 36, News in Focus 8, Letters 9, Perspective 10, Scorpio 11, Week by Week 11, New prod-&#13;
Bernard Fellden.&#13;
research, trains specialists and Monday evening with Harry fessional engineering consult and secretaries also partic- and users.&#13;
formulates international policy Smith, TASS National Organ- ancies. Meeting behind closed ipated. Less than half of those Shutter&#13;
Doors&#13;
Asked if he would be taking any to set up an autonomous Marshall and Partners Edin- personal conservation philosophy up to co-ordinate the organis section within the TGWU but burgh office sent a delegate&#13;
sider whether the cost is justified on its record of organising technical and clerical — within the question of uniontsation&#13;
Some things must be saved at all costs, others have to go.”&#13;
Lords rule&#13;
on defects&#13;
THE House of Lords has ruled that a local council can be held responsible for building defects arising out of its own neg Figence, even if the faults are discovered more than six years&#13;
after the time of the construction work&#13;
In their potentially far reach- ruling last week on the case of Anns and Others v Merton Borough Council, the Lords dismissed the notion that a&#13;
ving builders —until Lord Denning’s controversial judg me t in February last year on the Sparham-Sowter case&#13;
See Infil, page 2.&#13;
among white-collar staffs in&#13;
the same union and that the with increasing interest&#13;
Energy crisis&#13;
i mae 7 critical&#13;
YAWNING energy gaps restricted economic growth and&#13;
warning message in the newly published report of the Work shop on Alternative Energy&#13;
Stra! cs (WAES)&#13;
ute of Technology&#13;
Measures to be taken include&#13;
mplementation ofconsen&#13;
He is out of prison on measures, a shift away from oil and the development of coal&#13;
his 12- and nuclear power on a massive scale&#13;
let rs and ph&#13;
Also in&#13;
month Id grand-daughter V&#13;
‘overwhelmed”&#13;
by the&#13;
Jism in Architecture Is pabllshed this week. Page 27.&#13;
tectural employees, but eng profession's declining work&#13;
ineering, quantity surveying load, several architects present&#13;
and town planning were also complained of understaffing,&#13;
represented. Salaried architects excessive overtime and the ucts 28-31, Dateline 32, Reader&#13;
A ten-person committee set engineering design and its were in a clear majority, resultant decline in the quality inquiry service 33, Appoint- up by the conference met on progress in organising prTo- although several technicians of service provided for clients ments 34-35,&#13;
——————&#13;
ei -~-&#13;
ae&#13;
FRIDAY MAY 201977 No 347&#13;
Jane Holtz-Kay reviews this year’s crop of AIA Honor Awards. Pages 12-13.&#13;
HDD profile&#13;
Vic Tapner goes behind the scenes at the Housing Develop- ment Directorate, talks to the people who advise the policy makers and books at their&#13;
research programmes. Pages 15-22&#13;
Discussion of prioritic&#13;
union action centred on redun- Inside the Summer Exhibition dancies, declining real income Architecture Room at the Royal among architectural staffs, and Academy. Pages 6-7.&#13;
ree brochuret&#13;
The weekly newspaper for the building team&#13;
Shades of Boullée. This uncharacteristic neo-classical scheme is designed by J&#13;
“The right shutter at the right price,... ..at the right time”&#13;
This action follows last Saturday's decision of a special NAM-sponsored conference of architectural employees called to launch a trade union organising drive.&#13;
illnesses but according to his daughter was calls from wellwishers&#13;
parole after serving three years of a seven-year sentence ih cture is Poulson’s ott&#13;
japanese architect Kisho Kurokawa whose new book Merabe&#13;
Conference chooses TASS for private sector&#13;
GO-AHEAD FOR DESIGN UNION&#13;
BERNARD Feilden, one of the country’s foremost conservation architects, has been appointed&#13;
Wharf Road Industrial Estate, Pinxton, Notts NGIGGLE&#13;
within the union”’ for building design staffs.&#13;
a peak in world oil pr duction as early as 1983 are al part of a&#13;
(Oe)Shutter DoorsLtd.&#13;
The report was introduced by William Hawthorne on&#13;
Telephone: Ripley 811081 Telex No&#13;
Poulson home again&#13;
claim can succeed only if it is | A HAGC ;ARD John Poulson was back with the family after being brought within six years of the | released from Lincoln Prison last week. His ghter Alice completion date (pictured left) told 8D he had received a “tremendous welcome&#13;
[his time limit, stemming | from the locals his home in Carleton Gre Pontefract. “He from the interpretation of the | so gla 4 to be home he hasn't had time to sort anything out,” sh 1939 Limitation Act, had said, "He ot giving interviews for tal weeks — he's going to always been held to apply in| concentrate on getting better.”&#13;
cases of alleged gence The 67-year-old Poulson is under medical treatment for yanous&#13;
It follows three years »y experts drawn from governments, industry and academic institutions in the using countries. The&#13;
‘i&#13;
Pater ly ‘Vel pan ariured top-quality terial&#13;
S 7 these shutters tobe livered on tin&#13;
project was directed by Carre Wilson at Massachusetts Instit&#13;
ly high standard of&#13;
ngineerit th equ h Jlapsible Gate&#13;
\imal ntenar ” Fire D decorative Gril Jive an exce na ng and Internal Partitions, send&#13;
ly like further detal Roller Shutters, Fol&#13;
Forinstantinformationtick|14) onreaderinquirycard&#13;
377370 SHUTTERS NOTTM&#13;
&#13;
 2 BUILDING DESIGN, May 20. 1977&#13;
WhsWE ==&#13;
vers writer Bob Mater&#13;
Building Design &amp; published from Morgen Gramolan House, CakderwoodSieet, Woolwich, London SENS GOH (01.855 7777)&#13;
Death wish&#13;
so.&#13;
One might use the word “inexplicable”&#13;
to buildings, just to see how they work out In practice; and this would probably save a few red faces.&#13;
recant”TM he said,&#13;
“It may seem hard on the&#13;
to describe the reasons why the American&#13;
Institute of Architects should honour the&#13;
I M Pei Hancock Building In Boston, or&#13;
the Richard Meijer Bronx Development Boston had happened already. How often&#13;
Following a House of Lords decision last week, architects, in-&#13;
builder or the council surveyor that he may find himself sued many years after he has left the work, but it&#13;
Center, except that it Is all too clear why these buildings were chosen.&#13;
does one hear the accusation that ar- chitects are only Interested In what a building looks like? Can one say that the failures of building bear no relationship to architectural quality? If that Is the case,&#13;
practically.&#13;
One accepts we all make mistakes, that&#13;
from time to time buildings do not operate as they should — just like cars, machines and acroplanes — but for pity’s sake don't&#13;
will be liable for negli- gence long after leay- ing the site. John Parris looks at the reasoning behind this conclusion,&#13;
holder that he should be without remedy, seeing that the surveyor passed the bad work and the builder covered it up and thus prevented it being discovered earlier.””&#13;
_ NewMaxpax gives you more for les.&#13;
will be liable to be sued for wrongly decided.&#13;
negligence long after they The case was settled before have finished their work it could reach the House of&#13;
More quality&#13;
in the cup, because every Maxpax cup contains only the finest Maxwell Ho&#13;
ingredients, pre-measur and pre-packed invacuurn-&#13;
sealed stacks So your&#13;
More simple tomaintain.NewMaxpa&#13;
setheingre alreadyin the c&#13;
decision of the House of same principles.&#13;
Lords last week. There were seven plaintiffs&#13;
all of whom were the owners Merton Local Borough of 999 year leases of maison- Council v Anns and others ettes in a block at 91 Devon-&#13;
was concerned with the shire Road, Wimbledon. position of a local council Only two of them, onc a Mrs employing a building O'Shea, were the original pur- inspector chasers of the leases at the&#13;
But the position of pro» time when the maisonettes fessional men such as archi- were sold off on completion of fects and accountants was the building 15 years ago. The also discussed by their Lord- others had acquired their ships as was that of builders.&#13;
NAME&#13;
jright", he said “the damage action can only arise when the was when the foundations state of the building is such were badly constructed. The that there is present imminent period of limitation, six years, danger to the health or safety then began to run” of persons occupying it,”’ said&#13;
In support of that, he Lord Wilberforce&#13;
quoted Lord Justice Diplock But Lord Salmon did not in Bagot v Stevens Scanion endorse Lord Denning's view&#13;
POSITION I COMPANY&#13;
ADDRESS&#13;
°&#13;
General Food:&#13;
Tel: Banbury (C 1295) 4433&#13;
1OX16 7QU&#13;
makes less necds less cle&#13;
MoreSA&#13;
torun.f new Maxpax&#13;
achine doe sthe same rmachines. y&#13;
tell mernoreaboutNewMaxpaxandarrange&#13;
More choice \ of flavours&#13;
Dealing with the argument&#13;
raised by the council's counsel&#13;
that if the action were allowed&#13;
to succeed it would expose&#13;
councils to endless claims&#13;
over an endless period and six years from the time when that the period of limitation the building had been com-&#13;
cold New M tea, white&#13;
cofice, chocolate. beef chicken soup, orange and&#13;
in capic |Maxpax cos&#13;
would only start to run when&#13;
cracks and defects appeared, |which might be many years |after the work was completed,&#13;
pleted&#13;
A unanimous House of&#13;
Lords decided that the limi- tation period began to run when the defects first ap-&#13;
lemon. So thi&#13;
gf&#13;
favourite drinks&#13;
eg&#13;
SS =SSSS eeee For instant information tick [2[/] on reader inquiry card&#13;
Editor Peter Murray News editor Vic Tapner Chief reporer Perer Marsh Reporter Ted Stevens&#13;
Publisher Stan Arnold Advertisment manager&#13;
Tony Amokd&#13;
Classified odvertisernent manager Poul Nudes&#13;
Production manager Pauline Rogers&#13;
Chief sub editor Jane Hute hings Jon Clare&#13;
had elapsed since the drains were constructed and “the damage occurred on that date”, he said,&#13;
retary Marion Frank&#13;
empty because of major teething troubles;&#13;
what thrilled the judges was the ‘elegant,&#13;
subtle shaft’ and the “elegant con soclety.&#13;
struction of aluminium and glass at a Would not the architects laugh if the pleasing and communal scale.” Very nice Pharmaceutical Society gave Its annual too — one would not argue that these are award to Thalidomide, or the dangerous desirable attributes for a building — but&#13;
they only part of the story.&#13;
Last year, however, Lord Denning changed his mind in the case of Sparham-Souter v Town and Country Develop- ments (Essex) Ltd and Ben- fleet U DC: Having thought itover time and again. ..I have come to the conclusion that when building work is badly done and is covered up, the cause of action does not accruc, and time does not&#13;
1° ot&#13;
| and Company in 1964. In that that time began to run only maxpaX| casearchitectsweresuedforwhentheplaintiffknewofthe negligent supervision of damage, “The fact that the&#13;
that it Is a view held by some, then the profession deserves the scorn and jeers of&#13;
ONE sometimes wonders whether ar&#13;
chitects are suffering from some kind of&#13;
inexplicable death wish. Not, which might&#13;
be more sensible, In the way of the lem&#13;
ming who realising there are too many of&#13;
his species jumps offa cliff, but stupidly.&#13;
By publicising and compounding his&#13;
errors he attempts to convince an already&#13;
cynical public that ts disMluslonment was&#13;
only thetip of the iceberg and that not only&#13;
do the socalled top architects make well as looking nice, Is supposed to work let’ schemes (page 18-19) won ar- liabilit adhered to the other view, that appalling errors bat they also receive the It Is often sald that there Is a case for chitectural awards In the 50s and 60s? time started to rh when the highest praise from thelr peers for doing walting a few years before offering awards Now Is the season for the spring awards: work was done “but I now&#13;
three- wheeler for the handicapped won the&#13;
Car of Europe Award or the Alr Con-&#13;
trollers Group gave a safety award to&#13;
Tenerife airport? We in this country .&#13;
Speaking at the RIBA earfler this yearJ&#13;
Marston Fitch deseribed the Pel bullding&#13;
as “the largest self-destruct sculpture In are not totally Innocent of awarding Negligence: begin to run, until such time&#13;
the world.” It may also be the most elegant schemes of dublous practical merit. Many self-destruct sculpture In the world, but award winning schemes of the past have that’s no reason for giving It an ar turned up under headlines of technical chitecture award because architecture, as failure. Indeed, how many of the “hard to&#13;
.&#13;
as the plaintiff discovers that it has done damage, or ought with reasonable diligence, to have discovered it.”&#13;
The AIA judges, however, did have the advantage of hindsight — the fallure In&#13;
It matters not that the glass, the most&#13;
important part of the bullding, kept&#13;
falling out of the Boston tower; It matters&#13;
not that the Bronx development bs still and It would seem from the AIA decision let's give them prizes.&#13;
His Lordship then clearly considered that the case of the ARCHITECTS, building architect, Bagot v Stevens inspectors and contractors Scanlon and Company, was&#13;
the Brick Development Association&#13;
publish Its next week and the Concrete&#13;
Society Awards come out the week after&#13;
(the National Theatre Is, naturally&#13;
enough, tipped to win). Let's hope all the&#13;
projects chosen work, visually and spectors and builders would be harder on the house-&#13;
Lords but the latest one, site, as the result of a Merton L B C, involves the&#13;
and withdrawn from the&#13;
The Limitation Act 1939&#13;
provides for claim in ordinary&#13;
contract or in tort to be ground landlords and the extinguished six years after plaintiffs sued them because the cause of action accrued in February 1970 structural&#13;
In contract the clause of movement began in the block, action accrues when the causing cracks in the walls breach of contract takes and sloping of floors and place. But in torts such as other defects.&#13;
negligence it accrues not when It was alleged that these the wrongful act is done but occurred because instead of when damage results the 3ft foundations shown on&#13;
Until last year it had been the plans and approved by well established law that in the the council the foundations case of defective workman- were only taken down to ship or careless supervision 2ft 6ins. Walcroft Property thedamagewasdonewhenCompanyLtddidnotdefend the defective workmanship the action, and undertook to took place do certain remedial work.&#13;
The Master of the Rolls, The local council was also Lord Denning, expressly said sued for damages for negli- this in the Court of Appeal as gence on the basis that it had recently as 1971 in Dutton y either not inspected the Bognor Regis U D C. This foundations at all or if it had, was a case where the local by its building inspector, council had been sued for passed them, it had done so in negligence because its build breach of the local by-laws&#13;
ing inspector had passed in- adequate foundations on an in-filled site&#13;
and carelessly.&#13;
No evidence about this was&#13;
adduced because the case came before the courts on the preliminary issue as to whether or not the claim is statute barred. The writs were taken out in 1972, more than&#13;
Lord Denning rejected it&#13;
‘I do not think that is peared in 1970. “The cause of&#13;
defective drains and the judge damage went undetected held that they were not liable would not prevent the statute because more than six years running,” he said&#13;
For some time he had&#13;
leases by assignment,&#13;
The builders, Walcroft&#13;
Property Co Ltd, were still the&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2106">
                <text>BD Reporter</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2107">
                <text>John Allan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2108">
                <text>20.5.77</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="327" public="1" featured="0">
    <fileContainer>
      <file fileId="339">
        <src>https://nam.maydayrooms.org/files/original/4a1ea0cd30a53dd2f9ad92fedf11b963.pdf</src>
        <authentication>8cdc3c5bf84e29ec6f34ff32be5da361</authentication>
      </file>
      <file fileId="340">
        <src>https://nam.maydayrooms.org/files/original/070df04ca1a338eeed29f698782658d1.pdf</src>
        <authentication>478423a77c89849f5a117e27eaaba682</authentication>
      </file>
    </fileContainer>
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>Public Design Group</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10">
                  <text>&lt;p&gt;&lt;span style="font-weight:400;"&gt;Argued that it was only through the public sector that the majority of people could have access to the land and resources needed for housing, education and other essential services. The task was therefore to reform the practice of architecture in local councils to provide an accessible and accountable design service. The Public Design Group proposed reforms to the practice of architecture in local councils to provide a design service accessible and accountable to local people and service users. The following 6 Interim Proposals were developed which were later initiated and implemented in Haringey Council 1979-1985 by NAM members. &lt;/span&gt;&lt;/p&gt;
&lt;ul&gt;&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Local area control over resources &lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Design teams to be area based &lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Area design teams to be multi-disciplinary &lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Project architects to report directly to committee&lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Abolish posts between Team Leader and Chief Architect &lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Joint working groups with Direct Labour Organisations&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1803">
                <text>Building Design Article</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1804">
                <text>Building Design article by John Tulloch commenting on NAM PDS group report to Minister of Housing</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1805">
                <text> John Tulloch comments.’&#13;
THE RIBA’s case for Faced by formulations like | ‘NAM concedes _ that community architecture is this out of the institute’s own j changes ‘in built form — the now: expected to. go to mouth one is reminded that ; new low rise/medium density&#13;
Housing and Construction ‘Minister Reg Freeson next&#13;
month.&#13;
When he gets it, he will have had time to read, mark and inwardly digest a characteristically combative Statement of what community architecture should be from the New Architecture&#13;
Movement.&#13;
The main ingredient of&#13;
NAM’s report* to the minister is a swift kick at some rather vulnerable parts of the Institute’s case. Cries of “‘Foul’’ canbe expected.&#13;
Pecksniff was an architect.| dogma — and changes in With this sort of patronising ' tenant involvement leading to philanthropy (‘‘the poor’’!); adegreeoflocalcontrolhave mingled with evident self- changed thecharacter of the. interest even Dave Spart struggle.&#13;
would have an easy job. “What it calls for now is an . The killing blow is, of extension ofcollective local course, smearing the RIBA : control over. resources which&#13;
with its own ‘“‘professional’’ | includes an accountable and ‘label so it appears like any ' freely available design service. other club of hard-nosed pin- It argues that-this can never&#13;
‘striped. gents, such as (perish come from a RIBA-style&#13;
According to NAM, -what&#13;
the Institute ispresenting as srg community architecture is a watered-down, depoliticised | formula in which private | architects solve their work&#13;
“‘architectural ‘fund for the -poor serviced by private prac-. titioners on an individual&#13;
“The RIBA’s major&#13;
proposal is for a community&#13;
aid fund to be established, way local control can be&#13;
the thought) that béte noir of Labour governments, the BMA.&#13;
NAM claims that ‘the with finance from the created is through local RIBA’s elaborate display of Government to enable the .councils, suitably -restruc- interest in community archi- settiupngof small, area-based tured.&#13;
tecture is something of a con. architectural advice centres. Brushi ide objecti Also that it stole the idea They see these operating to public design offices as&#13;
anyway. alongside and in a similar way “It is significant that the to legal advice centres and, RIBA’s proposals _sfor more interestingly, doctors’&#13;
based on market ideology and the economic fears of private architects, the report calls for&#13;
“community architecture”&#13;
have developed now, when : ‘This latter parallel is architecture, .expecially in the ; important as the assumptions&#13;
; )Unpre- cedented crisis. Although&#13;
there are supporters of CAWG who are genuinely seeking new ways of relating to the community, hard economic logic and self-pre- servation rather than a new humanitariansim appear to lurk behind the present professional vogue for ‘community architecture.”’&#13;
underlying it reflect how litle | based set the attitude of the profession&#13;
has changed. The medical; professional is not renowned' for its openness. Certainly a: more aware public would undermine the professional role of the doctor... .”&#13;
he&#13;
surgeries. ; -theinsertionofanothertierof&#13;
teda directoltyhe chi : The P include ideas&#13;
for rendering design offices his account its defining more democratic, with group features are that it was’ leaders elected by the groups&#13;
problems by running state- essentially a .small-scale’ and chief architects elected&#13;
ae jinics for the |&#13;
subsidised clinics for&#13;
activity based on a well- from group leaders.&#13;
\ defined localitywith&#13;
architects&#13;
A special swipe is reserved working directly with local, for intermediate managers difficult time making out a , People. between groups leaders and&#13;
NAM doesn’t have a&#13;
veryembarrassingcase.The‘Aboveall,NAM_sceschiefarchitect.©&#13;
report starts by quoting with community architecture as “Theirs is a non-design: evident relish a RIBA council ' adopting an oppositional function and their status is&#13;
paper - on community architecture which says:&#13;
“We must be moving towards an architecture for everyéne, not just those who have the money to pay for it&#13;
needed to help the poor to acquire the skills of an architect.”&#13;
stance ‘‘a political as distinct, dependenotn increasing the from a professional matter’’ | proportion of procedural and involving potential conflict' managerial matters under with established patrons of their control.”’ In the design architecture. .&#13;
The essence ofthis struggle,&#13;
money an .&#13;
*Community Architecture. A —| Public Design Service? Public but Design Group, New Architecture ' Movement, 9 Poland Street,&#13;
DESIGN&#13;
In NAM’s terms the only&#13;
including&#13;
valuers, led by&#13;
responsible to tHe connatite for the work of the group and&#13;
team of the elect, salvation is by works.&#13;
London Wi. £f(00&#13;
grouseaiers&#13;
BUILDING DESIGN, October 13, 1978&#13;
.. $0 &amp; national fund is: NAM argues, was about&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1806">
                <text>John Tulloch </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1807">
                <text>John Murray &amp; John Allan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1808">
                <text>13 October 1978</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="349" public="1" featured="0">
    <fileContainer>
      <file fileId="365">
        <src>https://nam.maydayrooms.org/files/original/c26f72f41c2c2ac22b68fb7b9d152409.pdf</src>
        <authentication>42bb141b831baf78304d1da147ca712a</authentication>
      </file>
    </fileContainer>
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>Public Design Group</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10">
                  <text>&lt;p&gt;&lt;span style="font-weight:400;"&gt;Argued that it was only through the public sector that the majority of people could have access to the land and resources needed for housing, education and other essential services. The task was therefore to reform the practice of architecture in local councils to provide an accessible and accountable design service. The Public Design Group proposed reforms to the practice of architecture in local councils to provide a design service accessible and accountable to local people and service users. The following 6 Interim Proposals were developed which were later initiated and implemented in Haringey Council 1979-1985 by NAM members. &lt;/span&gt;&lt;/p&gt;
&lt;ul&gt;&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Local area control over resources &lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Design teams to be area based &lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Area design teams to be multi-disciplinary &lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Project architects to report directly to committee&lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Abolish posts between Team Leader and Chief Architect &lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Joint working groups with Direct Labour Organisations&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1935">
                <text>Building Design Article</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1936">
                <text>Opinion piece by Martin Pawley "Why community architecture is a busted flush" (2pp)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1937">
                <text> 18 BUILDING DESIGN, February 24, 1989 g&#13;
A FLUSH is a five-card poker hand with each card belotnotgheisanmegsuit.A bustedflushisafive-card poker hand in which four cards are of the samesuitb,ut the last is different. The ‘bust’? means the difference between success and failure, a five-card flush is a strong hand, a busted flush is worthless&#13;
_Opinion&#13;
communi&#13;
a&#13;
a a alt|PGure&#13;
n Ipropose to this house&#13;
Smmunty architecture is Martin Pawley lost the vote in last week’s International Building Press debate on community archi-&#13;
ate nat 5to bes:&#13;
Dr Rod Hackney and his in the community&#13;
tecture — but made the best speech of the night, published here.&#13;
ction; entrench that was equivalent to laying tment: pessimism&#13;
inifesto ontaking of rural¢ ration RIBA The&#13;
Knav t .&#13;
{feisrbelideving&#13;
Rod Hack&#13;
ON EXPRESS [Enter 19 ENauiny caro&#13;
On this card is written; “Our nvironment is abattleground forces which threaten and in the end&#13;
ciety the inner ties bear deep ying housing&#13;
»vement laid&#13;
hallengeafewyearsago 44 ynemployment: lack of&#13;
Marshalls Mono Limited&#13;
Head Office Southowram&#13;
S&#13;
KEYBLOK&#13;
MONOLOK&#13;
RUSTIKAL RIALTA&#13;
ARCADIAN KEYKERB&#13;
THE MASTER'S DEGREE IN ARCHITECTURE&#13;
We invite candidates with good first degrees in architecture or an equivalent qualificationtoapply to study of our new Master's Degree.&#13;
This innovative, high level, part-time course, which Started in 1988, is the only one ofits kind in the UK Itisgearteodtheambitiousandabilitiesofstudents with a passion for design, curiosity about the field of theory and the energy to bring them together with intellectual rigour&#13;
At the same time, students on the course develop their other professional skills in practice&#13;
Please send for prospectus and application formto&#13;
THE SCHOOL OF ARCHITECTURE, KINGSTON POLYTECHNIC, KNIGHTS PARK, KINGSTON UPON THAMES, SURREY KT1 2QJ. Telephone: (01) 549 6151. Fax: (01) 547 1450&#13;
ON EXPRESS Enter Q PNguinY CARD\&#13;
‘a&#13;
RIW SHEETSEAL Damp Proof Membranes&#13;
Agrement ap; Sheet fo&#13;
Danage inappl Small damages are&#13;
May de used junction with liquid applied products © Ful technical back-up from the RIW Waterproofing&#13;
. SPECIALISTS IN&#13;
STRUCTURAL WATERPROOFING PRODUCTS No RIWLimitedArc House, Terrace Road South, BirSeld, Bracknell, Berks, AG12 Tel O44 861988 Telex 847990 Fax 0344 862010&#13;
Enter DO. Chane aID\ aa’|&#13;
yur cards down fa pon the pe ty. Urban regener ni&#13;
ui&#13;
civil peaceand liberties. Andit&#13;
d betting on the unseen&#13;
Pi tv iftwelare'to retain our&#13;
not just the cities that are in th i 1 ow. The firstis an crisis. Looking out across th Ace. It shows what Dr Hackney countryside we face the spectre&#13;
It worth recalling what&#13;
PSAOSIS ARCHITECTURAL DESIGN AND THEORY&#13;
&#13;
 g of their book 1 irchitecture how people are shaping their own environment. Itis a gory rerun of&#13;
that everything is “appalling” he proposes a “crusade” : inner cities. He talks of raising £30 to £100 million to finance community architecture pro jects like Black Road alloverthe&#13;
‘We do not believe that community architecture is equal to the sheer&#13;
Hackney, is equal to the sheer may have solved a lot of&#13;
problems for your people. Let's sce how well they do with static Property prices.&#13;
We do not belicve that de- caying Britain can be put right by a combination of media boosterism, awards, ceremon- ies, celebration dinners, cxag-&#13;
ated responses to supposed attacks”, verbal exhortations, fitful encouragement by royalty,&#13;
“alternative” Nobel prizes or 60-minute documentaries about five houses, In other words Mr Wates and Mr Thompson, wedo not believe you have the final card you have. We&#13;
u are bluffing. Despite Mr Wate unhesitating and shamefulinvocationofurban riot and murder as the only&#13;
the Broadwater Farm&#13;
“What had been thought of asa&#13;
model council estate turned into country. He even calls for a poverty and homelessness created by cessation of large-scale council&#13;
community architectur police and 20 proach in the City of I&#13;
had been injured. One where he might have known policeman had been hacked to — the community spirit is 100 death. The senior police officer proof and the governor of the for the area described it as the Bank of England can tell Peter most ferocious, the most vicious Palumbo that he need have no not ever seen in the country.”&#13;
The third card is, shall we say Ten. It is the card of the&#13;
where, certainly not any- the contraction of social welfare and house building today&#13;
bf&#13;
adeveloperon&#13;
hth&#13;
Knaveforw 4&#13;
‘&#13;
Ac ehavenow&#13;
Tu: Not the ¢ but ¢&#13;
ly-based enterprise ecople whe&#13;
ield, is ayo archi&#13;
| “real tate ket monc but ma afew&#13;
1. Ch&#13;
esident of the RIBA ),000 inner-city houses reliction by all-scale&#13;
at will se of 1 i-playing municipaliser&#13;
ci al council. For the chance t build ¢ own urth cardis a King, or rathera environment theway they want&#13;
utur 3, a “fairy princ ind so create a land as safeand o cares deeply about decay prosperous as Switzerland.”&#13;
ind riot and archit J not t h T&#13;
onflict&#13;
and&#13;
Thiasqtuite acard;it putsthe ind ractal future Kingto shame. Ifor one&#13;
ulm&#13;
here and now put m noney Th re four cards on the the table and say; “Show i&#13;
ab: dtheoth rplayersturna me.”’ If Dr Hackney, Nick Wates and John Thompson and&#13;
vhiter shade of pal he their followers were f pared to&#13;
list councillors are bank- pt, they cannot afford to call&#13;
this one. The archit adyabouts popu&#13;
war criminals hiding in the Bolivian jungle. Ift cy fight this&#13;
ust as We nselves on the mercy Mail. The money men gratefully cut their losses the “spectre decay and riot’&#13;
a year or twe&#13;
spectators, the tribunes of the&#13;
»wn their claims, then lievable. But eirclaims be? should have their houses the we they want them? nirty families can build emselves new houses in four years? That re is a lot of&#13;
moncy in home improvement? That local authority tenants are happy about the renovation of&#13;
s? Th local enterprise akes good teley ision?&#13;
NoUl&#13;
ITI (3SOU&#13;
lt&#13;
All of these are credible people, what do they think? claims, but in relation to the They focus all their attentioonn scale of the problem they don't&#13;
the highest c fg&#13;
the fourth card, the card of add up to a hill of beans ation Community architecture has&#13;
from Thris a&#13;
’&#13;
of Aces and Knaves noraks. Besidehimis infrom Maccles- as Noel Coward&#13;
S a5 colour brochure Oui;&#13;
This isavery special card. It uture King; he is before an&#13;
always gone further much further and with much less justification than the old mc ern architects who believed that the solutiontothesame problem laynotincharityandunpaid labour, but in planning and production on the largest pos-&#13;
ae &lt;&lt; n a company Ww}&#13;
fear of failure, on the very day dy on the Court of mon Council votes for his&#13;
the cessation of large-scale council house building.’&#13;
architect at the Pittsburgh conference described commun- ity architecturaes “an extension of the British class system’ Finally, totally inadequate&#13;
Vos of talent to sible scale. We know what they&#13;
Opinion&#13;
—&#13;
-&#13;
shows what Nick Wates and dress, like a stockbroker, Car-&#13;
artesKnechvoseitotwntriteatriedaway,thefutureKingsays 25millionclaimedbyDrcheap;arisinghousingmarket&#13;
scale of the £50 billion urban crisis of house price inflation and the&#13;
so. Indeed you will probably industry, house price inflation and where in America, has itproved recall that an expatriate British&#13;
tionary myth ofthe move- Mansion House Square project achieved, arate of productionof no objection to people “creat- funding and begging-bowl eco ment. It is the story of how a Al the players and al the new houses more than double ing” their own houses, or their nomics apart, we do not believe z architect returned from Spectators ignore the worrying the present rate, and halfofthem own cars, ortheirown electricity that “Macclesfield technology” at 1andboughtacheap insubstantialityofthisspecial subsidiseddowntorentsthat forthatmatter.Whatweobject makesefficientuseofexpensive house in Macclesfield to live in card, Deep down, they know would not buy a Tube ticket to is outrageous and misleading design expertise or scarce mat-&#13;
while he c mpleted his PhD that the future King hasnotkept today claims and promises that crowd crial sources — a belief y alternative to community ar- The house was cheap because it alhispromises. One ofhismuch But we on this side of the out the proper consideration of hemently shared by the late chitecture; and despite Mr&#13;
wascondemned,oneof vauntedfundsforcimmunity housedonotwishtobemis:crucialenvironmentalissuesWalterSegal,whoseworkThompson'spromisethatitisa scheduled for redevelopment enterprise, to which a fair understood. We do not oppose We do not believe that a sharp community architecture propa- certain cure for smoking, we&#13;
The threat of the bulldozers number of individuals and the idea of anybody “shaping Macclesfield developer can gandists have lately taken to cli your last card will show nterruptedyoungarchibusinessescontributed,btheirownenvironment”orsucceedwherehugesumsofparasathodughiitnweregtheirthatyourhandisvalueless&#13;
tect’sstudies.Hero’thesackeditsstaffandvirtuallybuildingbette professionallydirectedpublicown Theconsequenceofsittingin apa hetic ho riders and closed down. Another has community 4 investment only barely made We do not believe that you on apoker game played for very ther they a resi- hauled its staff over the coals for gandists put it headway in the past. We do not have a patent on public consul high stakes, with no cards anda t'sassociationéndobtainedmakingloanstocallgirls.Busyprofessionally“misguidedas-belicvethatcommunityarchi-taotrsiweaotenquity—bothofgodlineintalk,isthatsooner general rovement area sta- withorganicfarming,homeo sailants”ordeliberately“tedi- tecture,evenattheundoubtedly whichexistedbeforeyouand orlateryouwillhavpeutuopor tus. By doing st of the work pathic medicine, trade with ously negative critics” We have exaggerated “turnover” of £20- will exist after you. Nor ¢ shut up. And Iam in no doubt&#13;
th sely ind obtaining Australia, sex lence on mortg $toconvert the houses ty, and interfering in planning&#13;
believe that your method is which it will be.&#13;
that&#13;
whate&#13;
tenancy to owner on, it is remarkable that he height re King still has time to — they gave the dabble in community archi&#13;
Hlifeat tecture in the Postman Pat&#13;
from pr occupa&#13;
Barber houses 1 cost&#13;
projected cost of redevelop ment&#13;
have heard « rid. It not foo much to he Macclesfield miracle&#13;
the local authority of £127,000, less than half the&#13;
f the Duchy of Corn&#13;
$s, thisisthe crucial ind. Without it&#13;
This was a shot heard round&#13;
1 Bakker, the Reverend Jerry Falwell, faith in&#13;
thefuture Kingisindestructible&#13;
unted by the spectre of be left to ti yupt © mess that ecay The Knave s. that others make.”&#13;
nthe echo Look at the tk&#13;
Only last month in the Sunday have already been t. The Express Mrs Isabella Hageart of Ac 5that “the environment ournalist is abattleground and the land is ays secmsto&#13;
council housing, the old solu-&#13;
tion, has become nothing but a table. The fifth card that the backdrof the most vicious gentlemen on the other side of&#13;
F men have en the house clai »have ntheir The Ten, from uy ¢ in possession must be the&#13;
Mai&#13;
N&#13;
irth&#13;
c 4 the&#13;
mn Of what we might Macclesfield tech IBY&#13;
the ils of urban and rura solution to al&#13;
Je:&#13;
They have thems« ves i boastings&#13;
ime to deal the Hack when he became&#13;
irethe fourcardsonthe&#13;
TS.L. ThrislingtonServicesltd TheWhiteHouse&#13;
Imagine&#13;
Og&#13;
scale of the £50 billion urban crisis of poverty and homeless- ness created by the contraction of social welfare and industry,&#13;
in&#13;
the UK’s number onemanufacturer Ise&#13;
inthisfield&#13;
Soletyourimaginetionrunwild.Calusnowon 164formoredetailsandour 22&#13;
SS&#13;
BUILDING DESIGN, February 24,1989 19&#13;
ANAC&#13;
20&#13;
HighStret Brasted KentrNi6ué Thrislington Partitions&#13;
&#13;
 ALICE’S ADVENTURES MOI)Nae AN C19; ELTBARS 1Tel1%©)WU)(GIB THE&#13;
LAMINATED GLASS.&#13;
again itis Banham who spotsit: “One could nothelpfeeling that this particular garden shed with its rusted bicycle wheels, a battered trumpet, and other homely junk, had been excavated after an atomic holocaust and discovered to be part of a European tradition of site plan- ning that went back to archaic Greece and beyond.”&#13;
The point being that appeal&#13;
to the “primitive” in 1950s&#13;
architectural discourse connoted&#13;
a whole complex of reservations&#13;
and attitudes towards moder- engagement. Yetin one work at nism.Ontheonehand,inthe least,theSmithsonsshowedan manner of “40,000 Years’, it extraordinary prescience about keyed into a “Family of Man”&#13;
anthropology of archetypal and&#13;
ecumenic form that modified but&#13;
Mercifully, this story has a happy ending.&#13;
Apartfromafewbumpsand bruises, our heroine’ fine; thanks to the Solaglas laminateded glass she : collided with.&#13;
Made from layers of glass and tough plastic, our laminated glass&#13;
(0224) 034247 (0232) 61021 O51 447 6191 021-327 2095 seuny&#13;
kept firmly on the outside.&#13;
Built to withstand bullets from&#13;
the home-ownership world of the Privatised cighties. For if the&#13;
stays&#13;
f (0323)646566 ’ ere Ediaburgh O37 91 security game. Sccuricor.&#13;
especially young ones, must be a top priority&#13;
OF course,&#13;
stubborn rezfusal to fall apart makekse&#13;
Light may be free to pour through laminated shop windows, the light-fingered, however, are&#13;
091-567 1776 (0792) #99217 (0847) 62028 (0904) 690830&#13;
be delighted to speak to you. -&#13;
the street, the community and&#13;
cluster, the topology of habita-&#13;
tion, association, and identity:&#13;
in short, all that was intended&#13;
for that half-heroic, half-nostalgic&#13;
Bethnal-Green-in-the-air&#13;
of IG enthusiasm was wildly optimistic, a kind of technolatry. A future in which consumption knows no limits, in which consumer power could replace political will, ideology, and collective action, yet somehow stil be “on the left”, now looks hopelessly mistaken in a world&#13;
laminated&#13;
glass’:&#13;
mouth(0202)524151 (0274)733400 Bakes hassHieiosil&#13;
Bristol (0272)#49617 Cambeidge (0223) 247212 bery (0227) 459001 i (0222) 143781 ary (0203) 458021 Deoncamer (0902) $20211 Dandee (0382) 43260/4)268&#13;
S . Someone who apPFpreciate: s this&#13;
StIetl more than anyone is a Solaglas&#13;
customer with apretty good record&#13;
for knowing whats what in the&#13;
accident that immediately after&#13;
Smithsons went straight with Eamesian collage or Corbusian&#13;
Scarborough (0723) 378133 Scunthorpe (0724)844793 Seningbowrne (0795)21534 Seuthampton (0703) 331177 Seuthend (0702) 463415 StAwitell (0726)66325 Stoke-on-Trent(O7#2) #22448&#13;
Sunderland&#13;
Swaneee Theree&#13;
individuaallithsemcl”ai,msof becauseitisclearnowthatmuch&#13;
‘&#13;
is replicated at the ICA, was Moore, Sutherland, Piper, and than today, but David Mellor’s and the artist's work of giving described by Banham as “a Nash.andeventheFestivalof Catalogueessaysuggeststhat:“In Signsandimagestothestagesof&#13;
(0253)20106 aNATO TIfl€,OurstrongestglassCan (0204) 20444&#13;
051.525 7241 take more knocks than Fort Knox.&#13;
more stentorian and global key; ilk — now are decried, in one on the other— and espectally in work of 1956 at least, the Sugden thefieldofurbanism—itrevised House,theyproducedanicon the CIAM orthodoxy to the of just that sort of consumer pointofliquidation.Itwasno directionthatinfusedIGenthu-&#13;
siasms. The irony, however, is their “Patio &amp; Pavilion”, the that it showed no exciting&#13;
;&#13;
intact even if it cracks&#13;
Falhiek (0324) 21691&#13;
Which means, unlike some Forfar (0907)63425 And as well as frustrating&#13;
Daily Mail Home Exhibition, while in November of the same year, ARK 18 appeared with their article “But Today We Collect Ads”.&#13;
Coterie&#13;
If the IG as a whole can be described as a coteric of creative frictions, then those contrarics were nowhere more apparent&#13;
bought council house, altered (usually hideously) by the owning-proud purchaser. “What IsItThat Makes Today's Homes So Different, So Appealing?” asked Richard Hamilton's 1956 Montage. 1989's diy alterations — that’s what!&#13;
Reflection on this suburban subversion should remind us how far consumer society has come since the fifties. In many&#13;
other glass, it won't splinter into shards that maim. Or possibly kil&#13;
And thats why 95% of al car windscreens are laminated&#13;
041.336 BSAA Grimaby (0472) 351378 Guildford (0483) $72922&#13;
criminals, we make fires rage too. Our fire-resistant laminated glass can confounda conflagration forup to an hour.&#13;
Mull it over. When you next&#13;
;&#13;
specify glass, cither for a com-&#13;
mercial or a domestic environment, your decision whether to choose. Solaplas laminated glass may have an awful lot resting on it.&#13;
If yyou'd like to make the world Alice's real-life counterparts), please give one of our branches a call. They'd&#13;
In the UK, 30,000 accidents* Lincoln (052)539131&#13;
ways the IG typified the influx of withinasinglepracticethanin provincialtalentofthattime,&#13;
Liverpol 051-228 2696 involving glass occur in the home e 051-220 8171 Usedudne (0492) #523 every year; so protecting lives, Londe 01-928 $010 Londonderry (0504)43191 Malton Keynes (0908) $6477 Newcastle 91-266 6217 Newton Abbot (0626) 68919 Norshan peon (0604) 53924 (0465) 774317 Pererborough (0733) 63045 Plymouth (0752) 390123 Fecetetm.meth (e0e78n3)anSieeates&#13;
the work of the Smithsons. On the one hand their “ideal home” took as its modus operandi the extrapolation of current state of-the-art techniques to the level of expendability and thrown- away aesthetics (a term of Banham’s) based on marketing stereotypes and the “nextstep”, along the lines of the fashion industry (theorized for the IG by Tony Del Renzio).&#13;
But on the other there was,&#13;
opposed to such nomadic “mass&#13;
and bearing in mind the northern origins of many of its practitio- ners, the new brutalism might be said to have been the last expression ofadefinably North-of- England outlook in the national culture. As Denise Scott Brown puts it: “When the Beatles arrived on the scene, they too looked familiar, a second cul- tural import from the north.” The IG clementofthe existential, the realist, and the “brutal” deserves to be emphasised&#13;
Mall&#13;
(0482) 23432 (0483) 239439 (0475) 484ne Wight (0983) $22288 (0563) 29218 01.549 4900 aly (0592) $5311 ster (0553)734499&#13;
eos »&#13;
Head over heels, in fact. Glass and Glaring Federation fgures for domestic accidents involving broken glas&#13;
York&#13;
GiaesmehthewovksbentservicebashedHt&#13;
filledoutwiththeanarchicand matiofnsu,chavisionhasbeen&#13;
Exhibitions&#13;
“The Museum Without Walls” united from the start in resisting amorphous, skinned, visceral,&#13;
by Andre Malraux, whom the the “yokelry” of 1940s neo- variable, flux, nebular, iri- individual inputs: “For in this IGwantedtoinvitetoopentheir romanticism—thecultofa descence,hyperspace,freefal way,thearchitects’workof&#13;
1953 exhibition “The Parallel Of national mythic landscape that Then, in the “Age of Anxiety”, Providing a context for the Life And Art”. This show, which they felt permeated the work of this was more commented upon individual to realise himself in,&#13;
Supcerinclusive collection of ex- Britain. Yet they were not above&#13;
this ‘imaginatioonf disaster’ that this realisation, mect ina single Was active in Britain during the act, full of those inconsistencies&#13;
fifties there was arepressed ele and apparent irrelevancies of ment — the atomic futures. But every moment, but full of life.””&#13;
traordinary imagery”. It made making their own myths. Onc in&#13;
@ total imagerial environment particular, that urban-primitive&#13;
from a multifaceted display of cult ofa working-class existential&#13;
enlarged photos and reproduc- h Corbusian dul this cultural phor islegible Richard Hamilton describes&#13;
tions, drawing material from anthropos that became known, anatomy,architecatrtu,rmeic,ro half-jokinglya,s“thenewbruta- and macrostructure, movement lism”, cast a major weather-front&#13;
inbrutalist workinst,he scarred the Patio as a “defensive&#13;
landscape and geology, cal across the English architectural&#13;
motif of the apocalyptic sub- of the human impulse toa post-&#13;
graphy, anthropology andergo-&#13;
nomics into a mobile scanning&#13;
of cognitive and aesthetic con-&#13;
nections. Banham wrote of it:&#13;
“The photograph, being an _ The strain of IG primitivism artefact, applies its own laws of&#13;
lime.”&#13;
As Nigel Henderson said: “I&#13;
is apparent enough at the ICA; artefaction to the material it it is palpable in the elemental&#13;
feel happiest among discarded&#13;
things, vituperative fragments filled with brash ephemera, to cast casually from life, with the other planets, a cultural space- fizz of vitality stil about them”. ship going who knows where".&#13;
landscape. Primitivism&#13;
atomic carth, adying world filled with rare fossils and touching memories. Whereas the cabinet of Dr Voelcker, was taking off,&#13;
documents,anddiscoverssimi- orgaofn“biruts”pmigsmentin relatedtothemoreaffirmative&#13;
larities and parallels between the the paintings of Magda Cordell, documentations, even where the conglomerate totems, simul-&#13;
ment,theSmithsonsfromthat point began to withdraw from the Pop tendencies that led to Archigram. According to Denise Scott Brown’s thoughtful memoir, Learning From Bruta- lism, they also withdrew from&#13;
Suggestive of an architect who what they called “active socio-&#13;
none exists between the objects and the events recorded.”&#13;
tancously prehistoric and post- nuclear, haptic and hiroshimoid, of Paolozzi, McHall and Turn-&#13;
realistic social programme of the architects is less easy to see in the exhibition, though James Stirling's “bubble sculpture” for “This isTomorrow" looks bug-&#13;
The second reason for refer-&#13;
‘ ringto“40,000YearsOfModern bull.Theirconnecttiootnhe hi- eyed and bowellist cnough,&#13;
Art” is that it established an tech, consumer-serendipity&#13;
abiding primitivism that per-&#13;
meated much of the IG despite&#13;
and through all ofits enthusiasms&#13;
for advanced technology and nology of the future listed by urbanised life. IG Members were&#13;
strain in the IG ae through the detour of the Sci-Fi — the bug- eyed monster, and the phenome-&#13;
was to undergo more than one&#13;
or two mutations, The connec-&#13;
tion, of course, is there in the&#13;
“Patio &amp; Pavilion’, and once beauty emergent from designing&#13;
Alloway: “Solar, delta, galactic,&#13;
and building inastraightforward way, forcommunity lifeasitis, not for some sentimentalized version of how it should be: “Brutalism’s attempt to be objective about ‘reality’ tries to face up to a mass-production society and drag a rough poetry out of the confused and powerful forces which are at work.”&#13;
Beatles&#13;
458844.&#13;
Enter 1 5 ON EXPRESS ENQUIRY CARD.&#13;
hedonistic gestures of an affluent individualism. When the Smith- sons described their “Patio &amp; Pavilion” to the BBC in 1955, they invoked a like balance of collective, or rational, and&#13;
appropriated by the Thatcher Government.&#13;
The Independent Group: post-war Britain and the aesthetics of plenty, runs at the ICA until April&#13;
evidenceofdetritusfollowingthe stockade,ashelterinaprotected releaseofhideousenergy,the garden—classicrepresentation&#13;
How this saturnine mood And despite the “Ads” state-&#13;
Smithsons’ collective projects — continued modernism in the Robin Hood Gardens and their&#13;
Team 10 to Dubrovnik, the last CIAM. Yet this was only months after they had displayed their&#13;
form, but was simply an ordinary fiftieshouse adaptedto brutalist order. In fact, it resembles&#13;
“House of The Future” at the nothing so much as a tenant-&#13;
Golden Lane (1952). This was&#13;
Coronation Street-meets-&#13;
Corbusier, perhaps the one point&#13;
where a socialist framework of where the “hegemony”, or&#13;
collective values was directly project of consent and legiti-&#13;
plastics”, the finding of value and delight in places and things other architects found ugly, and&#13;
Scott Brown regrets this withdrawal from sociological&#13;
BUILDING DESIGN, February 23,1990 19&#13;
it the perfect way to safeguard a safer place (especially for property as well.&#13;
For expert advice on al aspects of glas and glazing please cal our Technical Advisory Service on (0203)&#13;
&#13;
 20 BUILDING DESIGN, February 23, 1990&#13;
Mexx recept IT tak&#13;
Mexx: view intoreception&#13;
‘Westminster schol: laboratory refurbishment.&#13;
They have both obviously sorbed the influence exerted&#13;
and w wdget control is a grucial (0 the success o! n’tafford n 8 fow&#13;
their&#13;
trollable warmth and hot water readily at hand. Whatever&#13;
the size of your&#13;
building, electricity canprovidecost-&#13;
ctive heating.&#13;
And your local&#13;
Electricity business&#13;
can give you al the&#13;
advice you need.&#13;
Because what they're ofering isateam efort. Working with you too find the best solution for your busines.&#13;
maintenance costs, as well as the added economy of using _Storageheater low-costnight-rate&#13;
|electricity.&#13;
And whichever&#13;
form of electric heating you choose, you can have a total system matched to your needs.&#13;
Fil in the coupon for more information or contact the Ene: rgy Marketing Manager at your loacal&#13;
to be extravagant. ySuvetural bude&#13;
McAslan&#13;
&amp; Partners&#13;
w&#13;
20d to note that Weston and&#13;
Again,forlargerrequirementsyou can take advantage of the larger heaters,&#13;
warnsagainst“over-engincer- develop ing”forthesakeoforiginality senseofresponsibilityf Engineering is only part of it, designed details and finishes&#13;
worked on thi -rPateria Unitwith&#13;
And so it is with modern electric&#13;
spac and water heaters. Efficient, con- with savings in capital, instalation and&#13;
Heroes:&#13;
(Rostrum January19), then it&#13;
there are no long energy-wasting Pipe runs, they are economical to.&#13;
t i an ex-Hopkins man. But&#13;
F&#13;
~~) Practiceprofile= _GOING INTO DET.&#13;
The best teamwork&#13;
in the worst conditions.&#13;
The bobsleigh team A. perfect example of the efective use of energy inthecold,&#13;
Fast acting quartz linear heaters, Electricity business&#13;
for example, can provide heat either After al, wouldn't you like life to intermittently or in specific a as. be thar litle bit more comfortable.&#13;
And where heat is ni ded over&#13;
long periods, storage heaters realy comeintotheirown.Becausethey |ene make ful use of low-cost night-rate electricity to store heat and then&#13;
release itgradually during the day.&#13;
Compact el ctric water heaters can | be installed almost anywhere. On the&#13;
wall, or under the sink. And because 12&#13;
ston&#13;
JELECTRIC LET'S WORK TOGETHER -&#13;
writes Clare Melhuish. }&#13;
Sophistication&#13;
can be&#13;
quite&#13;
‘The restructureof the internal fex, alowingforofice&#13;
nality through anumber of small projects for refurbishmenatnd adaptation of&#13;
existing buildings.&#13;
BUILDING DESIGN, February 23,1990 21&#13;
Weston Williamson have developed a distinctive modern style which has already won them three competitions,&#13;
us&#13;
&#13;
 from page 21&#13;
a Victorian prison as a graphic&#13;
design studio involved the con&#13;
struction of a glazed conserv&#13;
toryoverlothoekcoiurntyagrds,&#13;
black-stained ash with frosted&#13;
glass pancls, materials used and possible conflict, into the throughout the rest of the composition&#13;
intenor&#13;
The double-height space&#13;
Of the three recent competi tion wins, one, for Marketplace advertising agency, is another&#13;
was exploited by the insertion&#13;
of two mezzanines divided by refurbishment job. The existing&#13;
an acoustic glass screen. Light fittings double up as sunshades for the glass roof&#13;
A laboratory refurbishment for Westminster School, acom mission won on the basts of an&#13;
warehouse in Bermondsey, dat- ing from 1903, impressed the architects by its “amazing re- servesof strength’’, They willbe retaining the open-plan space, supported by circular cast-iron columns, installing new services, and adding a new four-storey extension with an external lift Atroof-level, a glazed conference room will constitute a contrast- ing lightweight clement into the overall character of the building. As with past projects, the architects will also be designing the furniture&#13;
provided an opport ’ plore the possibiliotfiperesfy&#13;
ricallaequtipmientnangdcom ponent units off site, within a tight time-scale of cight months.&#13;
The result was the subtle trans-&#13;
lation of a 1930s office block&#13;
into a “hi-tech” environment,&#13;
a “spac © image’’, conjured&#13;
entirely out of standard parts, A Birkin Haward and Richard&#13;
significant element of this change MacCormac, is an interesting was the glazing of the side walls development of the previous St Augustine's church repre- church project, and one which&#13;
sented a rather different chal- but with the same issue at a fight for quality of&#13;
environment, achieved through effective organisation of space and light, and well-designed furniture and fittings At St&#13;
Augustine's, this involved the tactful division of the existing church into two parts: a worship area and acommunity centre&#13;
This project also entailed a serious consideration of the esthetic aspects of working with&#13;
=—L1&#13;
the architects find particularly stimulating, being quite different from the standard commercial brief. A whole new range of criteria is involved&#13;
In this case, the PCC (Paro- chial Church Council) requires an extension housing a new&#13;
ance area and link between ch and enlarged church iding a church “centre”&#13;
can accommodate wide ecular functiaosnwesll as worship. Thecouncil actually&#13;
1 | fai&#13;
TheProfileAceptor’anexcitingnew&#13;
~ im! LT}&#13;
Introducing the factory finish hanentprofilewhichtsbuiltinkeatraditionalwindowframe.andforms an exact&#13;
a —&#13;
Tilbury: ground-floor plan,&#13;
an existing and historic building Thearchoiptetdetoccotnstsruct anew entrance porch inknappe flint and dressed stone, matching the original structure, rather than introduce any strong contrast,&#13;
St John’s church, Pinner, a project Won in competition with&#13;
pening. Al des (including plastering)&#13;
required on&#13;
completed be eliminating many risks, time delays 2&#13;
St John’s Pinner: concept sketch&#13;
22 BUILDING DESIGN, February 23, 1990&#13;
Practice profile&#13;
St&#13;
THE HOLE THING&#13;
BEES&#13;
; A beautifully simple way&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1938">
                <text>BD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1939">
                <text>John Murray</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1940">
                <text>24/02/1989</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="328" public="1" featured="0">
    <fileContainer>
      <file fileId="341">
        <src>https://nam.maydayrooms.org/files/original/76997b47427b3bc8ea5d256e26868a87.pdf</src>
        <authentication>b301ff299afa1d8d72252f428d65f5c9</authentication>
      </file>
    </fileContainer>
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>Public Design Group</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10">
                  <text>&lt;p&gt;&lt;span style="font-weight:400;"&gt;Argued that it was only through the public sector that the majority of people could have access to the land and resources needed for housing, education and other essential services. The task was therefore to reform the practice of architecture in local councils to provide an accessible and accountable design service. The Public Design Group proposed reforms to the practice of architecture in local councils to provide a design service accessible and accountable to local people and service users. The following 6 Interim Proposals were developed which were later initiated and implemented in Haringey Council 1979-1985 by NAM members. &lt;/span&gt;&lt;/p&gt;
&lt;ul&gt;&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Local area control over resources &lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Design teams to be area based &lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Area design teams to be multi-disciplinary &lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Project architects to report directly to committee&lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Abolish posts between Team Leader and Chief Architect &lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight:400;"&gt;&lt;span style="font-weight:400;"&gt;Joint working groups with Direct Labour Organisations&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1809">
                <text>BUILDING WITH DIRECT Labour</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1810">
                <text>Poster promoting Direct Labour. Back page has articles about the contracting system and the benefits of Direct Labour</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1811">
                <text> DIRECT LABOUR CAR PROVIDE&#13;
© Permanent Employment, lower Building .a&#13;
&gt;|GoodWorkingConditions; _ Casts&#13;
ie nd’ Responsive&#13;
OL esas&#13;
SService for a «aa ii. GA ihe ae&#13;
The pamphlet, fully illustr ated, exam&#13;
the proble of the constructi industry&#13;
order, “tw /&#13;
Seea DIRECT&#13;
DIRECT LABOUR COLLECTIVE, HOUSING WORKSHOP, C.S. E 5,Mount Pleasant, Londonwetxoae. Price£1:50;25ppandp.&#13;
Special Rate for TU branches, Tenants Associations, Trades Councils 65p;25ppandp.&#13;
&#13;
 *****&#13;
**.**&#13;
****&#13;
CRISIS&#13;
The construction industry is in a mess. Almost a quarter of a million&#13;
output has slumped; building costs have rocketed; millions building workers are unemployed;&#13;
and roads that are only a few years old; and yet contractors’of pounds need to be spent shoring upbuildings Building firms contract for every job they profits have reached record levels. Why is this?&#13;
undertake, and want to make as much profit as possible.&#13;
of the industry (and there are many) stem All the operates to the advantage of building firms, but everyone else from this basic fact. The contracting system&#13;
worst characteristics&#13;
has to pay the cost.&#13;
The contracting system&#13;
THE BUILDING PRODUCT AND ITS COST&#13;
* The Greatest Profit: is made by cutting corners and generally scamping on work. More often than not&#13;
the detri 1 effects of employment ona casual basis. Furthermore, employment is no longer subjected to the cycle of&#13;
Stability of Employ {Di&#13;
lisati&#13;
Permanent&#13;
employ&#13;
ina DLO&#13;
booms and slumps and the effects that are generated by the contracting system.&#13;
Unionisation: Permanent employment has led to high levels of unionisation — an important reason for the good working conditions in DLOs.&#13;
Good Working Conditions, including Health and Safety: Because the all-embracing need for profit is removed, DLOs conform to health and safety regulations. Accident rates in Manchester DLO are under half those in the private sector and in Sandwell DLO there has never been a fatal or serious accident. Good working conditions also result, since there is no motive to scamp on work or facilities.&#13;
Training: DLOs offer vastly superior training facilities. They employ over 10,000 apprentices and the larger ones operate extensive training programmes. Manchester employs more that all the contractors in the area put together. This isdespite the fact that DLOs are not eligible for the state grants given to contractors.&#13;
Lump labour.&#13;
of the Lump: Under the Lump work is subcontracted on a labour-only basis and the worker is self-employed. Permanent employment in DLOs is an effective guarantee against the use of&#13;
* A Transformed Production Process: With a considerable expansion of DLOs, planned building prog- rammes would be possible, and design and building could be integrated. Both would result in a vastly superior building product, which was more responsive to the needs of the final user. The larger DLOs have demonstrated the advantages of large-scale workshops and the planned introduction of modem machinery,&#13;
* Lower Rents: The lower building costs resulting from non-contracting mean, firstly, lower rents. In addition, the expansion of direct labour leads to the real possibility of lowering the enormous burden&#13;
of interest charges imposed upon council housing. Once this is achieved, rents would fall dramatically. Responsive Building Service: DLOs have no incentive to scamp work or cause immense disruption to tenants. Where they were called in to do repair work, DLOs are quicker and more reliable. Accountability: DLOs are accountable and answerable to tenant complaints. Tenants, therefore, can have a greater say in work undertaken by DLOs for, as a service, their operations are public information.&#13;
Direct labour DIRECT LABOUR AS A SERVICE&#13;
SLUMP IN OUTPUT&#13;
Workloads have fallen dramatically over the past four years. Output has dropped by almost a third. BUT CONTRACTORS DON’T LOSE&#13;
* Record Profits: Many contractors have increased their profits in every year of the slump. In 1977,&#13;
Newarthill’s (McAJpines) rose by 127% to £11'4 million, Marchweil by 25% to £13 million, and Wimpey’s made over £50 million and avoided paying tax on it.&#13;
Large Cash Holdings: In addition, contractors have amassed vast fortunes in cash with which to playthe money market and stock exchange. Dividends and share prices have boomed. In 1973 Costain’s held £5.7 million in cash, and Taylor Woodrow nearly £9 million; by 1976 their holdings had grown to £36.7 million and £38.7 million respectively.&#13;
Few Bankruptcies: The contractors are always claiming that the industry is highly competitive and that inefficient producers go to the wall. But relatively few contractors have gone bankrupt; and the crisis has demonstrated that there is no relationship between efficiency and profitability under the contracting system.&#13;
Contractors Survive Slumps: Because they can lay off workers in their thousands, and have low over- heads and fixed capital. They can bide their time, taking only the more profitable work, waiting for the next boom to come along. In this way, profitability is assured but so is a building industry with appalling characteristics.&#13;
ee ee 0&#13;
Tn&#13;
nn aa aao&#13;
Direct labour is the workforce employed by local authorities for construction work. Most local authorities have a direct labour organisation (DLO) of some sort, undertaking the building and repair of houses, schools, roads, etc. DLOs employ over 200,000 workers.&#13;
ADVANTAGES TO TENANTS&#13;
From their beginnings in the 1890s DLOs were intended asa service; set up as a response to the failures of the contracting em to provide a good quality product, at reasonable cost, with good working conditions and trade union rights.&#13;
THE POLITICAL STRUGGLE FOR DIRECT LABOUR&#13;
* The Contractors’ Attack: Aided by their Tory allies, the contractors have mounted a massive campaign&#13;
against DLOs, using all the lies and distortions they can muster. Well over a million pounds have been used to finance it. Their sole concern is to preserve profit levels. They want to take lucrative work away from DLOs, and defend their tarnished image by attacking the genuine alternative to the con- tracting system that DLOs represent. Their hysteria has reached ne v heights as a result of the proposal- by the Labour Party to nationalise one or two of the largest contractors. As DLOs are publicly owned, the have ised the link b the exp of direct labour and nationalisation. So direct labour has become a test case for contractors in the defence of their interests.&#13;
The Tory Attack: Where Tories have gained control of local councils, they have proceeded in a ruthless manner to destroy the DLO and sack workers. This has occured in both Birmingham and the GLC, inspite of the savings shown by the departments.&#13;
Playing with Demand: The solution to the ils of the building industry is seen by both the contractors and the government to be the stabilisation of the flow of orders. But this will not work, for it will give contractors even greater monopoly power and change none of the fundamental characteristics of the industry. What is required instead is the abolition of the contracting system, and a change in the way&#13;
in which building work is organised and produced. Only direct labour offers this as a practical possibility today.&#13;
The Threat to Direct Labour as a Service: Strong moves are being made by Government and the con- tractors to undermine direct labour asa service by insisting that DLOs act like contractors. They want them to tender for work, with the overriding objective of making as much profit as possible. This would&#13;
hard won imp: in working diti and destroy all the principles on which direct labour is based. The main losers would be workers and tenants. This is in addition to a general policy of running down council housing which also means worse housing conditions and rents for tenants, and jeopardises jobs in DLOs.&#13;
* The Fight to Defend and Expand Direct Labour: Campaigns to counteract the contractors’ pernicious attacks are underway. The Confederation of Local Authorities Stewards (CLAWS) now helps to set up ‘and coordinate action committees throughout the country. These are working towards greater unity between all sections of the Labour Movement — trade unions and residents — over the issue of direct labour. In Sandwell, W. Midlands, the Tenants’ Liason Committee meets regularly with DLO shop stewards to sort out problems over repairs and to increase the role of direct labour.Elsewhere, other council workers are also joining in campaigns: for example, in Wandsworth and Hackney in London.&#13;
SSEE SS EE)&#13;
ADVANTAGES TO WORKERS&#13;
THE BUILDING PRODUCT — LOWER COSTS&#13;
Removal of Profit: Private contractors build in order to make profits. With direct labour as a service charging at cost, this profit element is removed. For this reason alone costs will fall.&#13;
Removal of Contractors’ Waste: The contracting system costs local authorities a fortune — in the costs of failed tender bids (which they end up paying through higher prices), and the whole administrative apparatus required to run the tendering system. Even more costs are involved in contractors’ time and cost overruns, site walkouts, shoddy work and bankruptcies. With work by direct labour these costs do not arise. Nor do the substantial health and social costs of casual employment.&#13;
A Better Product: DLOs build higher quality, lower cost buildings than do contractors. Between 1961 and 1976 Manchester DLO saved £1.5 million against the architect’s valuation plus £2.3 million against the next lowest tender. In one year, between 1975-6, Lambeth saved £1.3 million against the next lowest tender, and between 1971 and 1977 Colchester DLO (which is now being run-down) saved £1 million.&#13;
Initial high quality means reduced maintenance costs. DLOs, anyhow, provide a much better repair and maintenance service. It is far more responsive and flexible, and it is much cheaper. The GLC has estimated that it would cost at least £8 million per year more to use contractors rather than the DLO.&#13;
contract terms are broken in order to increase profits. Outrageous claims for additional costs are made, and completion dates delayed. Clients, including local authorities, have little control over either the quality or the cost of the work done.&#13;
Monopoly: To keep profits high, contractors fix prices through monopolies and ringing. Some individual contractors have acquired a virtual monopoly over specific types of work. Corruption is rife. The name of Bryants is now famous as a result of their bribing Birmingham’s chief architect to obtain contracts.&#13;
* Design Faults: Under the contracting system, design and building are separate. Untried designs are&#13;
I hed by either archi or Frantic pts to make a quick profit mean that scant regard is paia to long-term reliability and maintenance costs. Failures such as Ronan Point and high alumina cement are an inevitable and costly result. Ironically, contractors are now making money out of remedying these faults.&#13;
Poor Quality, Expensive Buildings: All these features lead to an enormous catalogue of inadequate and costly buildings. £100 million needs to be spend remedying faults in motorways in the Midlands; schools have collapsed; many new council houses are chronically damp because of leaky roofs or condensation; and new hospitals in Glasgow, Liverpool and London cannot be fully utilised for years. In Camden on just one site, Alexandra Road, Laings final price is £13-15 million more than the original tender of £5 million.&#13;
WORKERS&#13;
Casual Employment: Most workers are only hired on a temporary basis to work on one contract. When their task is finished they are laid off. At least a third of the workforce is out of work for a part of the year. This casual employment is endemic to the contacting system. Under it the lump flourishes. Unemployment: Casual jobs mean high levels of unemployment even during booms. The present slump has led to almost 400,000 construction-related jobs disappearing. Many workers have left the industry altogether; hundreds of thousands are on the dole — 221,817 were registered unemployed in February 1978.&#13;
Wages: Construction workers do not get a decent basic wage, often bonuses make up over half their pay. During slumps, bonuses are cut, so earnings fall.&#13;
Limited Training: At best, contractors provide minimal training facilities. Most training is now run and paid for by the state. In spite of the chronic shortage of skilled workers, the number of apprentices em- ployed by contractors dropped by over a half between 1964 and 1973. It is even lower now, with many apprentices being made redundant.&#13;
Poor safety, health and working conditions: In 1975, 18lworkers were killed on site; many were injured or maimed. An official government report predicts that, unless the situation changes, 2000 more will&#13;
die during the next ten years and 400,000 will be injured. Most can be blamed on the working conditions created by management. Dust, damp and poor working conditions also make building work unhealthy. Contractors are loath to forgo profits to improve this. Site facilities and safety precautions are generally primitive and rudimentary.&#13;
Low Levels of Unionisation: Casual employment means that many workers do not even belong to a union; So it is difficult to fight for better working conditions, a decent basic rate and against redundancies.&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1812">
                <text>Direct Labour Collective</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1813">
                <text>John Murray</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1814">
                <text>Undated</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="160" public="1" featured="0">
    <fileContainer>
      <file fileId="169">
        <src>https://nam.maydayrooms.org/files/original/fae414fb85dec3d68a38baca6df5877c.pdf</src>
        <authentication>97e4c048a1cc74755c37d64eaae2d51c</authentication>
      </file>
    </fileContainer>
    <collection collectionId="13">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2319">
                  <text>Miscellaneous</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2320">
                  <text>Miscellaneous issues</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2321">
                  <text>Various</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2322">
                  <text>1976-1980</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="934">
                <text>Buildings &amp; People</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="935">
                <text>Essay Welsh School of Architecture Cardiff </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="936">
                <text> &#13;
 summa Sr [il](ATHEME)|)1!1) | ‘Ss A e&#13;
“1,WhoMegseeArchdeshageOFASocietyPelle )| Hs Social Otucturs 7 |&#13;
‘.fi)| Al pete iWy&#13;
fm SOCIAL STRUCTURE. OF MODERN BRITAIN ESSAY WELSH SCHOOL OF ARCH MTECTORE /UC.&#13;
\ CARDIFE# UANURRY ISTS {Lerretree&#13;
1er rm| i&#13;
&#13;
 ORE AIY}&#13;
a YA si&#13;
&lt;LUY VNu Pe&#13;
LA&#13;
then tyGinulSAL ie ard,&#13;
veerely dei Ds ALMA in the LA ALEK 46 dA jase ‘i&#13;
g fu 9&#13;
DAG&#13;
u eR rai Gras % New,&#13;
"Wimborne (7-1-1&#13;
pif *Lae&#13;
&#13;
 rf Hy INIAIe a 9 t &gt; ras DUILDII UO &amp; FLUMoles&#13;
(oR WHY DONT We Brow 1-ALL up? ) | CONTENTS1&#13;
ONTENTS~ ART ONE&#13;
CIDE SLES iTS o INITNEY PICTLAR RED ID &amp; baVULA&#13;
CHAPTER TITLE&#13;
|PEOPLE MAKE SOCIETY&#13;
*RAGS &amp; RICHES&#13;
*IMPOSITION, MANIFESTATION &amp; TRANSCENDENCE ©ie OFGRIT&#13;
° LIBERATION VS. SUBJUGATION&#13;
ea NING BRIEFLY DONE WHAT°&#13;
FORWARD (?)&#13;
PAGE NOS.&#13;
43RAAEGSDN&#13;
¢&#13;
SSEMANTICS VS. DIALEA S SoEKPERTISE VS, ABILITY ©WASTED LIVES&#13;
*DATA RETRIEVAL&#13;
&amp; MEGALOMANIA&#13;
°TOOLS OF REPRESSION&#13;
© BRINGING ITALL BACK HOM=&#13;
SIT BA CK &amp;ENJOY Tua COMMERCIAL © CONSUMPTION KILLS&#13;
6RED FERRINGS &amp; BLIND ALLEYS "lTAW &amp; CRDER.&#13;
© MYTH &amp; PURPOSE&#13;
© SCHIZOPHRENIA ©COMMUNICATION BREAKDAKIN&#13;
°CATCH ME LE YOU CAN&#13;
I TH&#13;
W MID&#13;
E&#13;
L&#13;
DLE LE&#13;
¥ MA&#13;
2PEOPLE MAKE BUILDING&#13;
®MORE OR LESS AUTOMATICALL4Y4.&#13;
°THE SILENT UWt{NESS °CITIES &amp; DOORKNOBS&#13;
&#13;
 = SPLiTS&#13;
® BACK ON THE STREETS AGAIN ©(ExpLEWES DELETED)&#13;
© RATS! ee&#13;
~MASS HOUSING&#13;
8 MASS HfiOUSINGY (THE BUILDINGS RISG AS THE PEOPLE Fat) °NUTS &amp;at OLS&#13;
eStefSi Bs2BIERYONS&#13;
®UGIY AEADS &amp; Bic&#13;
°ee&#13;
© CRACKED&#13;
® CRANKS IN THE MEANTIAG&#13;
© PO(SON POWER&#13;
eTHE FUNERAL M ARCHES ON ©LAYMEN LOSE ; © MAKING LiGHT OF ITALL&#13;
ILLUSTRATION ~eveevmesTesane&#13;
7FOR EXAMPLE Agee FoRALL= ®PEDESTRIAN GRCONSUMER&#13;
PON A LIGHTER ©SCREWS&#13;
© LET THE SUNSHING © WITHOUT QUESTION&#13;
°WRR&amp; WAT ©TREING STOCK ® THE DISEASE&#13;
© NIGHTMARES&#13;
&amp; WERPONS TAKES HOLD&#13;
NOTE... IN&#13;
\OCAUGHT ON ENDLESS CARTWHEELS OF INSANITY s&#13;
ILLUSTRATI OM ~ MOBILE SOCIETY &amp; HIERARCHITECIURE 37 IHIERARCH NECTURE 3&#13;
THE MOBILE SOCIETY a THE GODS OF PROGRESS&#13;
@ VAL AD JAM LS GOD EFENCE&#13;
ILLUSISUQB ON “~CARTOON &amp;PYRAMID&#13;
&#13;
 e&#13;
bhas \ f%&#13;
(LLUSTRS ATION ~ LIBRA, Vp) p Fp LrS 1%&#13;
&amp; AS ES, LA&#13;
LS lfN&#13;
2.32 3 LF oe&#13;
BIBL&#13;
[? r=)fee=fepA®, »¢: Ghcame ¢ PAGENOS. éyf f “ph \ f4UPbeiPENF,i&#13;
é&#13;
UlLE USTRIS ATION ~ FUTURES &amp; ELECTRIC FORTRESS&#13;
CIRCUMSCRIBED SOULS&#13;
A\WIHEDE TNO We GO EN AA |EDE S&#13;
J VWIiILKEL DU V he Lit AVA TiLK 6 2WHILE THERE &gt;(SDEATH...&#13;
© ANARCHISM IS THE ONLY&#13;
POSS(BLE RESPONSES&#13;
=iqtiheAVvi~—UNe usdde, 1JtpuUbaS}Vis +1 LMYTH AS| iLi&#13;
© ELECTRIC FORTRESS&#13;
YEFFDENICE RE RxLEUINCIG&#13;
&#13;
 023&#13;
a hieds Underunets&#13;
ada. » (les Li&#13;
bly GRPceA buikders Chics, Ss&#13;
)s&#13;
Buckenunat Lek prepes aly fer Lardemn, fWY,&#13;
t&#13;
= ae 4 DAC Viiagteties by Le (Crburiel&#13;
Ail mw&#13;
yor yey { zee Qrblat from ERE oe&#13;
Mh} ProvLeague&#13;
Uiddmenws dters Buminghaen aJ&#13;
i 4 ‘ , Pood . (} 4 a &gt;, A.&#13;
UWE AINE —F ins WLGtivecak Us! hed Doves .0.&#13;
NO&#13;
ad guyit~ 5 fmmfee Of,leas te5&#13;
bozke“Bennécclt:fhtziteexbeesGCU(heAIOESAVER. er&#13;
“raber Caress 14h&#13;
- )2 _7: lp—&#13;
dlecaretulwiseoNbofal.LN(emant 2aeOrea2)i=Ake\vanidesfea“by&#13;
Cyranids (&amp; Rez dts. Line] Cantaane&#13;
/ i Gigicon pst - A SUASa weMEA, hieRKd-UTAtheAuday eae&#13;
f&#13;
PnAe (seSon.MKaMgO&#13;
PAGE NO.&#13;
&amp; REFERENCE&#13;
&#13;
 4 AAAKF &amp;OC) Th/ rheWAKESO [E]G7&#13;
RAGS &amp; RICHES&#13;
ad chive:&#13;
ee =PTSea AtOleotkerunvedniaal tsand&#13;
fire: ¢c fpeoplUS7 uAtden =&lt;vi D UV apo AAGAf&#13;
dite duds ha&#13;
if ff.&#13;
or oY,zhAMLLecy auth 0 hee Bei OF ANIC Lc,&#13;
( h———— ; :&#13;
nue AR(ELAN yA ve SanJE MEMES oFUNA ACHE&#13;
dhe classes , «&#13;
Lec Major &amp; ae dite-upha&#13;
LASe ye NETS Uitak eMeCLUES Li andchesseNindGIOUps dh«AindusidicalsME&#13;
()&#13;
oY én Shan. Fr SGcdk Sucre Kan KE&#13;
= i-f4+—-—-&#13;
f4—_&#13;
L&#13;
A&#13;
i ,bdiol aru wv he parfe -f-&#13;
g wenn US fax ARE scheme =OF(Ags&#13;
i,Pee : od due elbst AAURULC &lt;A ica ve&#13;
dant Aree Hanned 4athc ue \feDNa4 4&#13;
Of WS on ba or vas, eaAK eta U esi ASKteal&#13;
anne, asnd.all Is hareAs4aidsUNOVUE,&#13;
Vi&#13;
‘diteobsocielwy!&#13;
sank alio exhort te share camman&#13;
gs PEG Sea f : EK As [espe LiAetnanone uihelen,&#13;
75es! }&#13;
Pof Su de, ona kepall n up JUe aeKy Hann uSheneses~&#13;
VS AO of&#13;
IMPOStTiOt!, MANIFESTATION, 2 TRANSCENDENCE&#13;
dhe rulia4 feleks;TAG uslltin ch Aotiah .a Lem edter @ wpa a Clesured odet WwrespontsfiatorderAlazétn,aewm,acim}o eesante&#13;
ondTeaforesanorlerMak fasalrecdANCatocd(2TREES )rkcemedatians a), a The beust£uk Gace: tie dere be Unpose anodel&#13;
slam Cael nau lly fem a&amp;ak abh Axhas &lt;&lt;ated (Recatstee D by heferliOnfigscterOe:WeAGCkolfc4clEL,Mevxtaond NokhavecttEd.&#13;
eldLiga. Lké- Leonterion f LE Vo 5)aad Tea ay aceclerte the esctutent G+cuctuunSi.Peetpse&lt;fanwkmorNojaldethedctyedire Va2D 3) ~dousnAeutftrala levsde“Gesell ASLrat/Jdakefeunele ef&#13;
anorderonJouclyandtheMditeam ctaaonderinsorestebedilkent EM ah Le const = effectincly separ ;deselspmnae, tec ‘pire “Pern&#13;
E ! Lt ia cuciate SAUD ofedheran olay¢oran&#13;
een.&#13;
nuneendenkaya.prowessihaees&#13;
&#13;
 Cron&#13;
akdieTueGs 4(Nerve i CT&#13;
Ale mandy pOLE of UZ Mempas &lt;qualiy .&#13;
BITS OF GRIT&#13;
te J.&#13;
MUN,ce ee NS&#13;
ee \Sheotlier&#13;
fe eh A2s&#13;
Shue de Lie alf =hectt MU anA itracta&#13;
AeoomUNGEA1colttZfideotie&#13;
ei Ameo eatiidica Lo U C&#13;
tebe&#13;
ys ACUTE Aithe Cag&#13;
roe thea OLN deka UA wv cucumMAEh z Aa. us a Le LK ug—&#13;
Ukeslem\.420% Gnd AiLose alich&#13;
stoe&#13;
ae ~j~— z f ;&#13;
LIBERATION VIS.SUBJUGATION ; eae+d&#13;
AE Me cohlice Deliscen&#13;
C‘ Sipa&#13;
f dusandar,—lbatkePilingchaAalentAEAubHideleuepetLakseour&#13;
dberank &amp;der dealer 4,ihe~free(Lepape4:enmliedAteKa&#13;
af&#13;
leadedade2 ItecleSuneolyter:Auboert&amp;Ableile&amp;aatereyee&#13;
BOCDAE ALSoto&#13;
}J1] / ae&#13;
iefate CUINMASE .&#13;
Ngeenetlyetabliteduhatcentilenscely,asineslblistedthat&#13;
Tae aseee panicxucues:theseuiton andtheseuntkeat, gl 5&#13;
eresMate AGcutieswu}KWer.fohal JLiermain.(pes:+cespeleeancl demeciilee , LE Wo isle he gs on tx etablok%oh uta way the&#13;
bulslrrdures ofa:soucly4 tette te&amp;6zcudl BtIrLicEt ata dhe fone aweg2eetedeuntikep=ple,&#13;
bat scuckEes Oe lige cre vie Wea Pars aude&#13;
A)= 14fe&#13;
M;e;oa&#13;
Where vb ,armudioly Las(6) ies)&#13;
jt Stare. Cie&#13;
Et nah als&#13;
Me ot : &lt; m&#13;
SUNAARe&#13;
Lexi y (OXL4G;&#13;
V-pA&#13;
4,Ka: Hoan&#13;
fou&#13;
4d amends&#13;
bene&#13;
WaAACUH) - il&#13;
) NN bhAOSTA&#13;
&gt;be&#13;
tanidects 5 many&#13;
fi fs meer a, dKeA47&#13;
t Soe phi lie2JeUae: iurez&#13;
onrabinarclawy 20UctEes Whe&#13;
ne&#13;
LuxS .&#13;
~S) wey&#13;
oftot ae mules oftfunn. 7 ey) \&#13;
zie intconfthceke:&#13;
eS utedoe allMoteawi(eresour¥wR&#13;
b ie ruling claw soviclien&#13;
te acheus rulers BGEEG Lie ee ventksaky Lend one) Ovsrune iA.that Lhe IK&#13;
oSuledebtCDPOtEd.deCarluckaAnfang tL&#13;
Hiving ERIEFL] Done WART¢&#13;
&#13;
 GZ&#13;
FEM Last:&#13;
Venti 5 aie oe Oncerthe bustindAanXeA}&#13;
and pallemn ct Y ONGeet NyOfAU&#13;
AOU)as (hecay cA Ua&#13;
¢&#13;
THE SILENT WITNESS&#13;
a&#13;
Ce wereanforesANE preveubindacusheteZé&#13;
PEOPLE MAKE BUIiLDIN NIGS MORE OR LESS AUTOMATICALeee .&#13;
TA ¢ fe 1Sache lure aa athe od IC ib ie brecilh&#13;
ome purpesZk theta pRteco '&#13;
Bue US pisdute lke t&#13;
iWerus We Usnech— F ‘fs / f‘ 4 4&#13;
NediiediAt,Moide-Mad,e&#13;
e ie iki pe the ahi . Wge&#13;
NTH WNASAMS the&#13;
ax AKC a LUCTUS iA&#13;
le holders and gerpelt aS % Me. rihtsa eeNe ota encetheconcepTaerelyoofTaN ee hed,ustitcomalived&#13;
iceVeUTTUNBETRELUFEAaAapersicasTatiUNcuae&#13;
goverment dts 7) ( HERR KEMITECTRE, “ZAYMENLOSEKe ':&#13;
“ARKRINGLGHCCaiireae) vile-Whosedepart =Alestted.an&#13;
Atobee KeOROMMEUS PETE&#13;
asa |preparedte.acceat0.toleprtitenow&#13;
A}jLES aGeone byiy&#13;
1 me&#13;
caiLonBgey ileokeyy&#13;
oy”&#13;
til- ceayuera7tnrene AI o&amp; Actetiy - ultimated,, a prodiuck of J{&#13;
ia teteiacates aeneraliordo«fgetedMaywsuyuhlenupte.=A&#13;
aI nue Tur:en, wt VS ada 0(AditiiakCLR6wweaeeetfinance,becomes&#13;
dank dealer: /wh be the Arrlike,4 of neil ames. Vlsone can tiie »n the&#13;
aoe)oe eae) Ge&#13;
fhein eseealiennaiveAe(lepresetupalescAslaty&#13;
oA&#13;
-4 akeKexpec AGbeaken.Actus (is(icoSuchaGeenazoe&#13;
of ,gfm&#13;
=ee hf AD. evera&#13;
j&#13;
i“.i + AnuosWANAKAeeenhunMEYSGegoinskanyallyAeondtite—&#13;
ngs WingAo lieuraytehe effecthealshe&#13;
KA&#13;
{ by ci&#13;
r= 5c mnt ak AGAS£ asmuch asucis&#13;
getulsfortament).CheverOESof-&#13;
“eatabti led order of Thangs, (Satliam Norris clearty tundead, AiLe-&#13;
cami nce ca aschuledtare: tA Ration te he tacit Shen in 1G WS&#13;
Dnlela"here"pauleprdMwAcanof&lt;aNANAKche,besalink. ee4he— retegtlZALhe perveitl (the laavo) fSeeae aetepe cae&#13;
of a duds . alana coh&#13;
&#13;
 Wii WIAA&#13;
DBSy uh&#13;
&#13;
 s:&#13;
3 5&#13;
NG b&#13;
‘“&#13;
Lengthihgwsretlectedintheoeot-particularbU,ME:Views, ticud!his,deeds,mora... . mefehnA,icra22B12-7&#13;
human becrar a cophers and then usnders ula i hen~coops pesple &lt; have Le ot mate J ee&#13;
hoyhonkhaseL&amp;lestmuckceAhanS.ee HIGH-RISEBLOCH or VICTRIAM TEMEMENT, or raky of TERRACED STREETS, Le 4ee—&#13;
haseursorvetguraluespeop eecalelvis otk Le u¢ses he it BUTe hada K oumed. mask of tle&#13;
MEVTALLT MAPA TOU» the slums,I Nets commuilé beth, suburbs |commend cee ,Lraanper€ 44en~ Shequalityofobteredt:&#13;
Cag ,marhte &amp;corrugated |UN,Aone horenes bellethay Shears,&#13;
SoLeRs &amp; his human anthlls &amp; morastee eppreribecship schemes~ te (vitlialy stTee aeubyeerctlcacn, “ Rone te one mane rabid indduunds . ui monslilfixc,&#13;
= iptinrak. epibaediinent off Attegle gre d tdedn lenue Manifestations af MEGALOMANIA&#13;
pesples Jisses destaned(er&#13;
ENGLISHVILAGE MlanorHoure,Church,foams&amp;havelsaveryeas udicdii &amp; Lhe soudl structive ia Hie village . DESERTED VIZAGES meton&#13;
SUV by viirarcs serdsStJie land qe GtUHOVE&#13;
pouset thucliue apelin ctucle i, prec, NEns VILAGES of re meled&#13;
tdenlicak colle Mes More tethe make tS CENCE. tin of chia Jag&amp;therratesmaretiancluesorbeLerelationshipeee.lite “hawes’ &amp; ‘hasenty’&#13;
FRICAN SETTLEMENTS ~ Spajldncous respons Le an evelsed seciah Aroclinre ulK ouShete: core:of bet autour citcermablein Le canegeretiien&#13;
dndorentatzaon&amp;estaha‘prindiie"wettteCIE|dnMSTE-See Tesuripr ,eg Accra , Ike beuldeags clearly muro He ascial che Athetumsnialformalinaesaid‘Westeminalion. BARERIADAS~theheghlisaa resclionofapeapleu“ASa&#13;
oA vistext cultial dane ] ust a due exsnenic dad soual wey gowASILIA ~ where oduen unperted, onchieeline ebetises and cpilamines dhe MbAKE cue simulate a co nals culate rw) yinperalit extemal&#13;
4orces faa ly pe Ea ak mM: iret Lom levelA©S “neice: Weslernes cenliime TK pervercan Me udidenouy cublive ,even=“geknalicall, dextHreyind ten goadlbete: 9AMonanconian Ondiana BRAS(LA ~ Sk S bhatak&#13;
EXPIEBSCOK of CEncCEM by tePA 21 elite ute Ape ASALUALED&#13;
dshas,Pe heshacks&amp;shaaliesofteapprised Senet ts thatcp RAACEN .&#13;
asthe making stand an&#13;
PRUITT Coe wscrchiedine- of on unpased deeotcolnewe~ Le “Meden Movemed eal, eller?palesuclanvrdSe fSea .Usershupa machines Leis&#13;
AINA ANVN AIVAANRS&#13;
&amp; reef land acapind ~ Ute&#13;
&#13;
 ROUS ROYCE VS.MOPED ~déallGee.&#13;
HissMANhesegnehPARISOrenPees&#13;
S38Em alrendled,Uyoc,specialsdeculeAbyMammenmleAbbiysdaPee&#13;
\ aL&#13;
Vf|or{ (J&#13;
MeDieu (AL CATHE =DRALE Ripe the aby ui alien ch pSple te claboralé — ¢Ls: C fC&#13;
4aal LES ra AonLs 3one &amp; Heth nwhe tie calicecdral,4EAMdousn ayhte p&gt; f&#13;
0&#13;
|Q faidsjporeneynetePUAOvlacked ON oyiaiag! NechescramilyActenonons&#13;
Convuner ext estecd ettyLegato Cupher&#13;
THERES A LOT OF TRNGLED THREAD !&#13;
ANA AAD A)DAAVAAIAMAAAANMARSEE&#13;
|&#13;
ELMBEAUUst&gt;désted oe.apaceb(sSbemade.Ui AUEMEDSpaythe&#13;
AAAA AAK AAAA&#13;
/j \MEW UNNVUWWWV VY" YN&#13;
a /*&#13;
PLE iam eesMman WE a thee BOx-GiRDER. BR DEES fea el ba out ;ae Le&#13;
wheeled dodo eK Bees TE CSS MURS 0... de stl ls te sae DET=(AiCCHED HoussS ,detached fers c/hctaclanca a ahudbotad trom olOLwend) | fUkeSakdom pectic ,oflife-+FTFTAOM"ware 7TAN 4OM USBYNAN pPat dp)OM&#13;
PRETS STON &amp; otecersals hy mursted ~ o&amp; PALACE! MILTRRISM &amp;menumentalunad « FORTRESSES&#13;
Pay&#13;
Archie Ae S buldang th pethapa dLhe Arremousk exp (AACN. ot A Asueky) atcte ES ,Yellies dad ila Torah adrachige .&#13;
pan NS W Morumentalrel w sre= effec blocks capnee be&#13;
deMNSshed! Cosae pyrelennened SU Mapp)tives'd Se(plate fk the value: placed onan wdfisiduals Life tb cleat, a Unite HOUSE&#13;
or te prenledk “~ AGhme, sh 4S }anatiy efryeebu! dete |Lon(de tueonesLashfLeanLheeKNaesublizBrynsoukconat stil Feqiuese strctnes ~ POST OFFICE TOWERS tr propeganda &amp;&#13;
Communsce Lin &amp; REGIONAL SEATS OF GOVERNMENTte hide ulhen the fuses have all bum oleam.&#13;
A fh AAA&#13;
Nu ~* VW&#13;
‘&#13;
A»&#13;
&#13;
 de unfermalian j&#13;
,Tels andonLone hey ave been entrnteh = jae&#13;
fat liteDeh andationsThemeanushilewheaLhesreticalsth&#13;
hentia £rom COnVceny se&#13;
EL &amp;hucatin ard.dusored&#13;
Us tk ite sEemanics of thet cles&#13;
didle: re Ona Ach ¢ tear rete ah dates, O&#13;
vars bulany nae .&#13;
arth Oe&#13;
A pees ge Wehdeds ae&#13;
EXPERTISE VS, ABILIT7&#13;
. ie&#13;
dined oy Welletacl&#13;
oTyeusalirnn (jP ble ©pre) Leg bute ank sulin, Ley success ApecithimiedtaCenain,buildingAtper.fstheeEKO (NEEANES, Ther cbliig 4e- Tichle other dezgn pec fers deseares, Arched dexgn&#13;
a.5fh OR WWeary peciclized&#13;
rete efined )dhe cif. drauned&amp;&#13;
be fae&#13;
romang otherrealityiReltety&#13;
Cle, ;bey uilelletial Coe s .&#13;
,ere matenah pe vee&#13;
derdez they altenticnn exch wucely te te particular, Duecesefuh ackectarel&#13;
ae of&#13;
Jiate&#13;
Ebtes, ther&#13;
/f.&#13;
~Cmcctel AlfordAchiands &lt;Y ~ (2.&#13;
=&#13;
offres oF- Faces or scheols or howrind io ushote AXtag of dada&#13;
‘\)eee La“t=gt r 4 spe&#13;
xtulian vesul&amp; untkK the weihnrouny EQUUS of he ee, meonctercus,&#13;
HC MIDDLE MAN &lt; SEMANTICS VS,DIALECTICS*&#13;
prcictsbleersmmmei ax uctedsingly hah,&#13;
WASTED&#13;
LIVES&#13;
.mhbate ee fe : tors&#13;
vA athteime GREEN us fCrejuime, nshing edit Se 2 Wh NS EG A&#13;
ALLE, ScLpposes&#13;
LHLALUZeINEaRcaretAdPLOTESS45LheKE oleSd&#13;
Scie&#13;
= fe Spe‘tee pe O RGLEMannAVIE-dpAésiiLePAWESaadABNMESSIEdusarced&#13;
4 ~fafa “\e . &gt; —_fe SGV04&gt;Why iehukdvad&gt;Ke Adhefinkplice-&#13;
{B seOYfeEOCOR:Heheet - iAy ) MOCWRAS do nse aquetin dite cet ale UE dasen&#13;
fra&#13;
She dlrs. ot Hkchnelonicdl indulbence and Me human popalatien A, meden Udurtral toc te harinciested SKE Avze otthe beinduced&#13;
problemsnvctuedingeverninsdiesewort,Sheproblem’ofhouning iz manes’ har cenerited Mumercis selubcins’ avec The pears snce= teonceftheIrdwticlRertuten, henLeferedMhKeLE&#13;
alg prlucd Me fn nares) and particularly win Ute Lat 5O Hees,MiteAtul haveAenExpresseWarchtecticalphilesephics whch hase iA face Seep NG Mae tan acsthete. saaes ferdhe CoV iz,&#13;
bisa : ] ye f 2.&#13;
|Asan, bokubhetly concer Henvrckses uth, makin adesn em&#13;
“A snllebah Lites. (Lusrtinaleh, ;tere deamss howe been énunportaak ~&#13;
LOOet _ a— — ~ J sf connbuleny facler As the Creshicnof Lhe urban uastetiad kt&#13;
which backdrop AE Mati nvdkdcto of tury are wuted, Chere deamas dle major coun UA The machuery of epresscin, milled enthe mental latticoef undilferent WAecttials and lined. by Jite (Edu hands cf dhendled dcademicr.&#13;
Ty nuecuc~ tig of tak by discussion pO tucsligtlind Lhe Gilk of pcan i &gt;) .&#13;
&#13;
 DATA RETRIEVAL&#13;
Dole ave ben Rluced te data or tieoperelien of Ute aschitéctorel&#13;
machinentofcurmanAout. AUd-4pedsofbeldingperformanceand fie potential “building users’ equnenteds ate subeck te preuds-sccalific&#13;
BekannuaByfkoly0Gsadspeciality&amp; uvearebasiclyeo aiialpawPi. .z‘ S&#13;
about. Aplilfing ite spectrin of human pus i otder Le make Tie nosFe ? {—A. ;—- ‘ 4 As&#13;
MansASCE mariebe)46Ta orelidlédsCanOne Auchiaormln&#13;
theye can te preduce yet another compromise sctubton A the predden -":t( “.&#13;
a sseuely abreddy se miuch &amp; produc of compromise o)te howe ditlte 5Xja ¥ ..a&#13;
OT Ae Mednind for man of us members, Architedty neu specialize re ..Y..&#13;
_coord aching Spacaboms,&#13;
MEGALOMANIA&#13;
dlichdzch submis be an deoteay which ensues ther actre pactvecpalzan intheAczishmechauamdhrepensnaJespouuxTateinte seylen; Lwin simnultanecunl aatisly a4 ew edrefully stimulated oprete ferparebypresumingtesuply themwittheobelitytomould&#13;
he world by desian Ealoniriian ke than décter 4 Ash heen acommar WwfecenWessasaecGe)eet22SUNOTEAkecanscecusu)nawSha&#13;
Prencour’s ; Ve belief hak auchleclo and planners, canman paldle— people uid Sheu ASUONM ENE AaShat Aan Neen called. ANE “ouchiltectind_ betel A Her" Die kin até urlerable tkak pecple&#13;
should be manipulated wnHor Way oT an otter, te exutaice cfhan “belt. Auaéyo" 4 used ECE, deck and iw adeaak JS AhE ashley&#13;
deqman’ chrcusted abars Buclermunler allen ,Caldlsk- fot euchconcepts an the “Worth Cig" and deen of the techrocrtia, holds thin heli hese&#13;
behinhear&amp;andweed ihisbarietehinphilescphay~“lentley Eont_ mgs, reform the enncemments. ule Sclere w anther piece =&#13;
dau ochtet unthduntinatli, megalemanacal rdenad; he har subordiadted evetutigh /Maa, Bd ecites stein perronak wiscon&#13;
teed tedesan accorlirsdy. Sclenscareisanell@neone,— buteukissackmen ae sceneforNesxermerlalyushermay&#13;
woh te ack out sindaS retes. tutilig a hebemthon-Caw' atttiade une titerund at 40 dlexarers han Cheer &amp;.major theme tn the anthdedtival acheds of the vredém usortd, and deede receak shui&#13;
4enphaw,thetienerenainnandrcerauulyeperalits tice: ei&#13;
cunenks paclining of aehdl =&#13;
Je inunportak. te understand ihe urerkings aan avchilademAd and Me Aciah cotEae in hich UE usorbs became Ute aurchlZece tn Site middle man on theprascesswherchy soul CPE lie nebutdiad&#13;
ey. te.}’{\&#13;
Jeong ond anakyer y Uke ommpatene&#13;
,~eterpbs)tk: Pee .ay&#13;
WELAA UU eA ot Ale Vth tiuadg. shiek. ALife scuentinn )Keucleg als, A&#13;
experimental methed’~ laboraten&#13;
&#13;
 TOOLS OF REPRESSION&#13;
SSUS AL&#13;
duo ausakisn, and resultant costa proved Te pmacka morskeun| foslute.HeKitJace:hahexsohesLet4pregeck:inAGLint|cover|&#13;
WAA such &amp; cicwler thee wo of ce uray Acetate Os ozialbeth tan&#13;
ondcrunéunnervedtheetsdeaders.Gneofreanutealsonde . ie ‘ . enn&#13;
page 4ard ok de Neo !&#13;
C; z&#13;
he an ache, -IShadas economic orsscih hnildlign , Jalscte&#13;
all 1H preven ent, oe -HOE bullends fFSmagine Aci Pewsaak&#13;
cE umdd be te aluay 0&#13;
danenD fled. cere f2S.&#13;
rarnecerte of UL presen S/ 4&#13;
eS, plea an frpaces evererkird lovely el we knows thatanit, re&#13;
cikes Mig is imprvscble LF achterec Why? . . . Oo. pies&#13;
Haake te mig (ecApTe Aortak and ecinvomse. Lindley aay&#13;
: : tere :wu&#13;
reqyutennerdy a Aotulien uilkau- suck Kec lian wrld fe ricaning les, fe&#13;
aAcharsicexampleofdnatheofemplingbsgusttyhintore(acca poston tndhryder ushere he csnlietlingand bengamlielled 7)&#13;
ALE {or oulhonigy Me fst the public, ; lind as sothing more op less&#13;
Uhcaneid last ot Yeprenton oy maleag Adtenly concrete the wssadtes Woe\ /a.iS&#13;
5} he power élite Lat credled hin scization 3(cad sxpply a) dailybread) BRINGING (ITALL BACK KOMG&#13;
Vleaer heme, the chromic feluve cf Lin stem of myopic specially and picnic, demizacdn Je detier tie cain ;continues Fé produce cewplatety aucidable human tre ches. ng tke Aar&amp; yest dozen&#13;
of peeple ded vrOe foeak the Ie of (ax plearare cate, unproven&#13;
Vechnekewy dnd UTEAL puble ‘resporscble’ he Sele held teblame;&#13;
the Hrcborsual nutenfactoryexplaston ;anottertechnolegical‘mishap,&#13;
rated the lets Sata ean hug her; and gaxe recen iG an Cld Roples&#13;
dane (-Che tdbed of tach. o ay posbe&#13;
a aQnpallid&#13;
wAtllioneliicd cullen ») wsdr suseph by fet a fatal fue only montly after JS completion.&#13;
Nedaushile the val of dite Ronan Card ouaster diay been cha ec URtkerulesoftheGe5pecple-packencushichullgue.eae&#13;
he clung mes fund | Aether dspctabims 7 : produce 4ulote Aoured ofl ol:leark= produce qad-cutn explascon-preay- hound).&#13;
Alibes effects UGE madem aschutectire har Aad onpecple ones ORE rfAdleiery&#13;
e j— f tg S08 &amp; presen har Anger timed. pPause een More wuscby deamalcc io&#13;
) yee4|. s Speef ACME CANES Aah. other. Fe prem — Exaile £ modem orctiteiicad Fann&#13;
:’“y° ficaayenais, ref and declare) fouls 5ACME erple: AX Aetna aulliontg USA ALVeNez,&#13;
cee : Oo pg ‘ : oi 3)Aa fa RD he elise195+&amp;1958GILILAGHieFETEZlunerezoaeekushen_&#13;
gee Seepte « in ul \ eS Kes&#13;
Mido ~scen 15-slaec superblequcs were ematricted Le reheure&#13;
09J'f4 =fo.i ressof Aue A IZO,OO0 Aum awelere vw Coan . tis uy compete:&#13;
&#13;
 Cee Lae&#13;
dunastrousley -¢Heck PF Lex lsieue&#13;
rem LA&#13;
rsesa7tf jaay&#13;
CIDKCL OF P EGU iB,LAKinet iSULcon9AEXRSECAL&#13;
&#13;
 (ismesrage has come le ysu fiom PARA Noya )&#13;
SIT BACK&amp; ENJOY IT&#13;
Zopediecars~bucarskil&amp;nan.pepeWeLogic wetraLo&#13;
. (AMESSAGE FROM OUR SPONSORS)&#13;
ensueshakmuch(merepeopuserehulledbyeadOe aA Las Manutebil4llleeadameyercnYeongorrcuiclWPA,MOVEpeople WereAdlckAyroodacadeleaLeUSAten.ene Me:ADL&#13;
gear ua. lhe Wecticn. ewett),&#13;
he problem T¢amanifactied one, ds bose.isrefulable, 46 ahs inventoun Shedartp.peelkin,LepeeblensCxatandWAeadofhetoinguste&#13;
rideee:roblemsPbyradicallySarailikeneedfesuck tng as pesenal Irtaspat Keclastowucs ustich kof ete Pe urvtzad&#13;
6{males anallampttedevi line4 ted,plennesBe per“pene emaedesanddante,&#13;
As that :&#13;
a lendoSeametiereef eae&#13;
everyone&#13;
ve il&#13;
aa ullbelovelythenieseee se eee We‘=oplimunreasonable&#13;
is beeihneeec&#13;
7 a, JUKE bl tack. b &lt;agey ce, COUSUUIVE: , L consummate Ae wnasling Mie of.yout eulteve.&#13;
&#13;
 RED HERRINGS &amp; BLIND ALLEYS LaW &amp; orDdDER_&#13;
: Tie lice uses A rele dad the Aut: Lisgs She Use Ly, 6ak Vj a oeUE &amp; ,Me racial stechaniyrs that: lebncate&#13;
sahenESchcickfaPa(onudurdualwoKkconf andthe Areecf— feo,ausadicuk=atk.otherPoestrresurl,hak“phere4oo)&#13;
thers. Abe crural, and poticeefficers use courS oon mote tie thn&#13;
sothebersanda‘helleJeredoftheachialpocesscsLaus te&#13;
forcemvkexesotk,MeUPSdheGusoeSirreaclBoxeechasmerely posbyucLhe Doust.usdhepanies14,fai,Jfeorthouse&#13;
AtgnultZsee fwe guia, 4lushice-,drakethe aleclans ber,&#13;
‘ie. bail ad -Auf {hs a Aagil -sagibicadk becasue&amp;usvausaralelySetisarchdectirec,astaistedani15,0AACanc autbdoK,oaiSafSomeof4scuiclys(ialnelsamtefherclanshfp&#13;
live wearosf fie GurChouse and He pawers-by icRch csvtach dAelieen, Ue trie and the subi&#13;
Dus uAd 28 fet dite dilkekt parlizs : x} i)&#13;
Mt &amp;PURPOSE&#13;
ns ambled Affero mescings&#13;
g ‘&#13;
SheenPheueoperleaonafuactienahardonaene Sunactienally, ue Cu providestellerdecSikedAealicsTakBalr&lt;pleceusiltur,ue&#13;
44 netault yah thade Gt 1g 4 Mmentlnent:, tx liecentrdl. theca acuta, petenehdecksa4:NotorkyolesteackAalekeinteeuaaidealogu,&#13;
ee the plannnnd AeGe roarsand dle dane noe &amp; uslness boxesand 45 fortre ultimated= presents aph wcah modh of tleotganualien he&#13;
votes finches Fiak SRE REY iouxe Contauan,&#13;
Gshae.oeprunarbiyTissssAsy xuhickrales etlecdtyThe4actakk&#13;
taJ " bea Ee thak prowiitces dG: ne&#13;
FUSCTIONALLY~aSeHfhfe(equtescernsprcchartictADaMMS ak wcctcie atny of sbbullag Mase orl&#13;
siMBouicALLy~MeforndofMe mechanismsCrdsinemaftanscad BEL PES) oe 4 ty urements and became wflsed&#13;
ale, een wetY'goad 4t 204sGand 4sypbcls.&#13;
cheflakroseveappedied eateclawnttheelieah&#13;
goals«AKAGdpuckiondveceed alazy(=ee KR(bewyr a, abcurdlybteyordkLkébintsGfzsEide iepulacong a machine aesthetez:Ydated, fromApe ‘dib plese eoee&#13;
iLSC, eldist cullfire oa he V3 Lee ake Hecknols: LRG peor compelea EnerA decay Ihe Common sense ded g€ chucking&#13;
ptace “yokiy 4Pee ther(e yore&#13;
&#13;
 tg 8&#13;
of. ne fags de&#13;
waleroftawe hk ded pach&amp;ps. dik toh LOM, thuledeRacte otatC,Aken ctHt&#13;
CRdeS ay W177)MeLtFOFns.C PISCES—fieseveredaLUNofiereasfeo&#13;
Ka uistcth He4and ca veged LE |ted, f G&#13;
yee aewile(AMONEChihi.OShite ee etfest“Kkabs,cgUtaLiMeUsr&#13;
we 5 and. dhscor need abut. théd- deZS Y&#13;
Ss te ust olomes jo peau {jraces ol $5 ene Liz nid—-E6O0S Bees beante Nie&#13;
IdensraTheenter eli,eats a as.heiheddomeaseheck de usile ea andk usTae eae 4 ae B.ickouns!le Ll v= Asc ctAe&#13;
tedadeaalopplicatitenanNLS=ewSoukAi£HeyWerePal Hey ee Stnukduc abreakin: cua fon cousetlinak roleiws2 beleaknieikalsdamesAieahe.cL -fresmeasmusoo aca&#13;
oe ansoibeter”be!emulractonn.Dameparsesarffrickural&#13;
unlege'yhorRENESAS,Neeoeneuallsofcedugs»aeere OSES&#13;
MER an‘senbd,ferAscuckgyuk,dkak aos ulegrtSa,tak.Sane CS&#13;
CREME.Le SheeaeNDp[teAAledefied tesfer-teCw, Mernbess, muck as 3 dome tackes °us ere eding ,~bak ‘stl dada WP&#13;
Se LbQDWEISUEGfOULLESafprceckILhéMatENTE,«RieLoyte— AEN he SOME de AE bE INBRE Ce hice tr hE merle and pitied frcirecre&#13;
Sfeeaaeeduller,peg AeA unereltiaktheapeAp ITE thine wis nlite ashead Gio:hex2a) Aun -fromk E-ed foures blagh&#13;
anadeuponnonMcA apseotleiin,dpAhétwatcezuasstion.,ecmepellicr,&#13;
~4 76 ask were, walk, ndlire ord ThE tnuserion&#13;
SCHIZOPHRENIA&#13;
Saeea res&amp;ynborm.fefpolsAvyHenifallingeae She— es wvduckae ee eee a piledelemurscdAe He ia Ton desing ,aclen Ta cesclien © Shak uShich is&#13;
a oe oneoinkthetamer, Ley&#13;
Until the aducdkef eonmunicalien heticen people Such enabled teas Is be Cte iKee could he ns buildiia nd&amp; everof tite most—-&#13;
panic,thellEGAkecanstrciclientisémak.paseof¢oetiferclae oacudumerkar=e "oubtowel. exchas fe Giblare: th aiaa aprocess of uniprovemesAYmetalofceAicsiningaOA“suchvfe7cettain,ts beunrfusedust:54(ee assumednee wrth,&lt;x sabeue AwAifiedice. ae crudeed thee ducted Bie ae vedind a&#13;
&#13;
 SAL de: 4desaisMebead could be.es eile&#13;
- a ]Me i - f iL. - A.PEQUINENenikof«ASEUCAnNnetDEduseeLa(remun&amp;otbote,&#13;
ret. Me felts rang Comes fer ee ectiern&#13;
COMMUNICIEI LON BREAKDOWN _&#13;
7H Boyt f ‘*—— &amp;AaJs, foutcuLUue—,&#13;
fakeThere neper(reuseAchet reThreona&#13;
“ een. ct human affesurs. sump pease: -Merucalign&#13;
we” wo aft&#13;
din,oudsereathatHerea cud_Kabjedtee Weusponmkinaade » vitalheresSyaae ateenucrthrscealscetbestancescenaLah os&#13;
Alcteacates 0&#13;
d ae Jeane ia&#13;
out EXPE!LENLE I&#13;
ae :&#13;
(Poingon) afterSiedred.te-Conotale:liakeen awhaler,cm a)ACEic&#13;
WE Use Can Neve( DE sore HOE Js. Subjectirel,&#13;
ra 7,US ah LesifuA ie CMSOME OE oe w Seta ap ceme&#13;
se)&#13;
re an ently chee(I aadhyssen A sencthing anak&#13;
then SeeMAMNEl,“ieaeTonalyobsjeclniejicaliee.weaspoueui.werdonudatc&#13;
ee YUAD:&#13;
kyiz ee&#13;
teatcanto te deal&#13;
= ifaunas pt&#13;
ca&#13;
n&#13;
n&#13;
o&#13;
t.&#13;
B&#13;
o&#13;
Tae&#13;
ceAf Me fer because ous emunda Ole dite ental fuller dlusait Liszis peck’ e a d ‘&#13;
-CATCH ME IF YOU CAN&#13;
a eae! hesiag,-peobleENS ge [eweulgaefccoueeds chetTe ae ite‘prlen hescluct.SINfackeceyy,Rite ifaESlpGtiese1h,a—iVeraUD¢eedtsbsesUaeLteortaZkutusdual,&#13;
; ofeachpetit zsPENSE ls aAte alee JE pveooens Alyce 1ASIN AsSkat-staalion.AlecMEcadGs&#13;
a ShaaseKonethersmind,NOONECANaame enmet&#13;
ie needa oafy dauy Aker persony ‘thad.{LoVe 1ultimately , esAe{feeteehapsSteercusndest actaeaneeeeCan&#13;
doitPfaTeoassunethattheeina,Adultoeeetheehouse peeblem’poeaassume.thalthat‘peblenhacenaetal&#13;
ulin es COSCLEUMES, dcay petin crasluredunde.&#13;
sr NEEL Hi a&#13;
ond ule(ia Ce fer day Urfornialien, we recewe- Ae Theeunfermalion wth&#13;
I le&#13;
reochbethpab:blydgiee-akou&#13;
e perception ef tte kag under ducumcan vy&#13;
&#13;
 CXproblentsts&lt;defined- ueuPwududlswesofot,MLN, dadyuras ee isoncthe;reshteed,LenNoone:caanpresumeCes&#13;
HAL another Sak te do Meena&lt; can bud A ti Asuse far (Nas JeCOREG: AuddothowefocONYNEhe,Ae(eee wepoeAyce, bubste&#13;
ee }AAV)tat: iecanibaock =MEAL ff fansC©fromte statist oi, ffgf!J,ee1&#13;
¢OA.obiAeAESTERS,aSKA.pereau,NeetyUSUSGTAtial:shraagee AN meet “iLpoYsorseeL:tAdODLthNE 7)HENasmeakA ase AceSeertT&#13;
mf (edd .fw LuSD BAK G reLon, re ec se Thee Elice a Shepplywca A&#13;
AQEMLES,bikeSacheapf) siteIdnao.=appliedtAeghum begs seme: akeyas reenle-thtellyple ypu&#13;
SPLITS&#13;
Snir ando&amp;bolum aeLietameLiza,orte bemare-PrECKE, areefHEsome AdjdiceyOIEONE?Assctlemetteyleaonein&#13;
yeti (romeiv thotjsanclleapete2pLiea dhepaletakLef&#13;
func sahiomn, CA kpc nded te Medem tlovemese ase uw et APaS, Afetealintellect usweal,ANbeDEodin furtherstheaa&#13;
Comp.Lpee LieWwLexicalleyenttained“ekpeRENCESs{busingfect angTiialeinAadbetinse_esseatiok.temademcapdalutandSie idecksaies 3.&#13;
BACONKTHESTREETSAGAIN&#13;
Cetin oe allstralionsgf Aew theideclapy of apees 5 exprened XL ufhlercphal cack p! siceh {eI CNEe Can ee lk 4Rete= og iJe&#13;
Suman,archdetchargeckSealeCarosicae thedes-gok osWeth Ree iw (393 and subyequed acha~ o ws forUte esVlad lad&#13;
oles4refbiopleasnt,erMaid A1905,heusr&#13;
Ho cable fietfuslieimee, theforcomaterlolialfp&#13;
Gpitel bask an ep erd fesleliogs, 4Grate cn reee Cup Wlluce fag Let clssty aboutME Cage bai&#13;
ge ee[EnnbbeledsGpisdteeaea sisiwadCearurdLhetek He gAdin A obignul by ay Ula lig, Ln asayle fared mats OK,&#13;
hlteaayLoLigrefGl.eo)Wager wlLeMeLa Apotiblesees ("lhedLiygsofCdKence-Gab&#13;
aa and Ulercailecsoffmabe Lire.&#13;
WEallerfotfHe«C4LLpdtfo4facesaAAentantna&#13;
pcrecent”radialakez esCominunucalix. ee&#13;
GEvlij—corollieppl&lt;liteyfbi(ibo Syfeel.SE oF =f le fe oashatdLe =&#13;
[LienUyPreseekecausehecde{SSVCHAIPSaclaly- E—&#13;
elyRLESSANEeeAiles;placateeeEVErYweclinofVE Cepitel‘Cy 4shouldlar utnl deFINE Menad Me syibelof b(eE ULiliinb&#13;
20&#13;
&#13;
 EES bh Uf fGasiles IWea. Spal Locator, seal fthe.Main, Le ae AE wre, down Aké- uence which [4s Be, ask front—&#13;
Like. led Adf fale epresctle, seliineatiill ad practically 4fuenc ffCereee EeUpaLeA Meee&#13;
3GHaAe ope ofet Ltedits pond cLLe Peli Wil. cexsbbele LJoe On, &amp; ua ul, Gy.agin ee (clegnidly”acl pos; Ayfeild begeven Cntrdhee:Lacslcen,ateLngemEnk,aeldehaw.lalaanh&#13;
appirach “ ;&#13;
en excelextlubekeenofaacnic“almame Wwtheprocessoetraf&#13;
theexpresiin,facobsqreclasudectas19viletheealegy \&#13;
ae paveret)&#13;
ehenlmin uetem auttonkaran, deste:$9eeaheWeenaruseeeexpreses 4&#13;
AONE&amp;bysablesk&amp;ae tralers.She.ba,beakerscr. ands See&#13;
Jd-wassetilelyfeeAheUnesteatce-Ef,KEponeratAmbala ite |&#13;
Mdtke.syDotucGUYBAHENL (LiensASESH ibfurtheaesioncel ¢fel q d&#13;
Uo these SUR nad ka Lea: papel Paci d i&#13;
nize,Osncelfaye:then,Uso)frendant((enchuz+plannelee&#13;
earlier 1962, be hadbeer guen the fodcf alfectiy Bredexgn f—&#13;
pul PA ie aie&#13;
fader ne overun cal « PitUnga AE dre li tke ae g Menziphes DX&#13;
Seder LA hiedinte Yeinet bg “Kennedy BU I96Z =:&#13;
lig / MepeliawihLhPEfippideegiisceMEand.Sea PeleeAG&#13;
AL,liked aA|Zigle and fam aoleatesah ne.tSed.Lewo,(reflec Jd&#13;
dheclinul,vonAZONKE.‘UL:7tkneSill fe Amencen.,[elLaerapak a 4o-~,¥Ito 7 Uv&#13;
Gaoa&#13;
All orchitectioal.Kapressean i)ledicaledte the idealsof HE StaheRes ASuihe the indindualers Kyaf A&amp; LhE vducdusls dase ‘&#13;
fendered seesndany -whos dAGE de the cf the ABE. SCINdA Medes y use alez Au lay 5 Adler 194-3, a “Mean Kenef :&#13;
moe lakLheLegueiLAddbdOVE4D&amp;EsludaLeththehuseeASU4A rwale cums LMhan Ee magn feclert edifices of MhE hele Cana wakey” CompreadL-hen,hEduerll.AbureallyLeip leanctegnapczaike&#13;
ohyerede=of seconde une ieee g&#13;
erecuneateexonlesofhisAPs ude vealAPES,Aete&#13;
f hard Tax 4nd ae An shivardckiin,OG Modem Ayebulediie,' bryg Jsl07. Richard&#13;
oe&#13;
2.aly 4 p = eorphaien»)&#13;
&#13;
 f2Ud.uerpso ifelendeanphaie5d)&#13;
Hf [eid&#13;
ié ateUffaleNaeWenpaselecalein,seal,qthe.NALA,&#13;
eosnependAtoieaAMEUtlezLownYepLeWUEuhtuck.peHe.earlfrank ofdheCapLRexWALEgiame sealinenleLeycxadpractically MEAsohUGE funclian.. ofcuss thAXLEY eyA‘éaeilnleSfLaoag&#13;
ee (iPettyofakclin;inh=Fraibucg)hicl.canst72eE&#13;
wscbleapiecenece Watebd&amp;clegnilyachpreselyshauldhegeen&#13;
¢ps— AsebfailRELo)th-KZCALLEN,carvesagemiiil,epelaleHttied.leiltizEMak&#13;
79 ypreacl: ZIsiaraene&#13;
awkcrockepfeleh:releencfneareleedUotheprowessoe(ranafernag theXprRAwn,facoder‘freclarsdesta9vilethepagesicaleigeGeer.&#13;
asPLETNIES DELETED)&#13;
Ay. g&#13;
Ste mr eolen auth sidan, See&#13;
oe its ts ater de link, ONEGFLOSabKS aes BYS..&#13;
=clas Seger wellexpressed by&#13;
Bie ee teh {orateA ,be unestlance- Ef: [RE pouetct Aymoedo&#13;
): He:| Miktkesymbatncnaan (Litnasecences.ib aaa&#13;
OF 0&#13;
in. these fallow Champlea: B itcaitn 4&#13;
—f&#13;
IN1969 ,Dancel Poe han,Usodsfreadant Dace chuzf+planet UAreshenze- earlier rw 96Z,2, he hadbeen qoen the: deb cf affecting He design K— dedeal geCYENUNL:cateHrusldin43and re ie: ae iMenziples a&#13;
Steak Archdectate. “announ aA ey Scania ae I96Z%: oes&#13;
l, ;&#13;
He pele xyshall be AE p2Ee pequucle and p&lt;galeEfaeces AGA&#13;
arellediak tly Le cad fom edhecl isC cleskleaxgeushed&#13;
oe (Med will reflect&#13;
dhedigyuckGyGhertDIVELi sibelofheoAMERA,(Bizz oO a o—~* 10 ay.&#13;
(lavcnnitanile.&#13;
Alloxcbibectiz AxpIeseanWDcleducaledtetheidealsofHestilPie oStuchTheandustAvathUg astHeudusdualyduskli ;&#13;
fendered, 4AEST snpattdicce-ne the ebific cf the ede: eos dedepysotaotve Antes5Adler1943, “MeanKeneft&#13;
66&#13;
ChaitAattAeHheANEth-Aadbeeha4 &amp; ludaLegsthéhunknbleASIA&#13;
syateCLUPLETSAhan be M4134hctéri edificesofthéwWhteCaitaby&#13;
Compared Le Lhém , lhe dusk oh Abu. really Ainge lean etegnepczake -4--&#13;
otyeey. x of seconde QZ unger A v&#13;
Nee cane: examples ng a pe of ideclogical eKpreseon ase not hacktrfind;(a SnSalieduclin,GMlecternHyohiledtiteb,y\.M0.Rchaclo:&#13;
lntecn parity&#13;
es chibtie ¢ =&#13;
&#13;
 “ke/&#13;
: YiPe fU— oo thAteSLYAREolijnttyOfAleRHEorelecalicnepomepffmanunleit&#13;
(2authorsenphas)&#13;
fosShe iptesscan 6 ‘AgLdcolerte DTA uNTRE bzei&#13;
qcapdalion. an nuuich bp &amp; govern 7.4L&#13;
AK, Bask, offices; AMEE, aad.&#13;
im&#13;
Thethemecontinues.ke.thestateandcapital are muitcialesu&#13;
wa oc acucly dad ailing&#13;
prposes be renascled as one Lf ) Sila peo ong&#13;
fa tial&#13;
=.{sg 5&#13;
Ausltupcgh 4b ASE ~fO a a hdradAt o deneutelea age olenard,&#13;
bak uke LC. - i . s ~ ye ;&#13;
bhCome L=aCHEE UhCmteMé Spal fom Kdegnileproduced&#13;
ty aderbnes and 4Parcel plarnwy .Ste qresthousing scheme- 4 aaa gf Ait? y : eh A =&#13;
MESADMindNEEGuUcllces,andAeTakibessacecesdocumschaxthard&#13;
CmununiigCerl4,canelt ke(epeeMa age«0aply othe&#13;
ea aos&#13;
rekegeous poner cind ouystices 7 of ANE (L¢ k ct dhe onléepaler CNH ANCe— “4&#13;
po 7a) nik 2S&#13;
apf gs . piece BS ; Be 1 Ofthe ((7kweerepreseled Aye: &amp;Picaexchleditte-fhazepends?&#13;
¢!2&#13;
consumablecult buddira4(besohepr,v MES,CNEmAA,mghkelubs,&#13;
ALeeinAa v9prwrlyokceremonialAulliryandneedstepaveacegnilg&#13;
fl—-f-.J pues/ ‘~94ffigBOS Aha will fom a 4ALiN bach, round Spr COVETHOPULAL« Jt “Muse alsg CHptEeS&#13;
pan&#13;
et.) conttaté- kez basic. Seurse fabriccf oulurbancentes,”&#13;
dhe (caer eons plac pepored for Carlbs oly ceabte yi hud. Cardi CorparskisnoredieRusecdf-ptepettydesclepersextublcdHeeoa~&#13;
partneship&amp;HEMHEondcapBlum.,uafeAswesacchicedrexcdeatial tennts-thexiteice-.YleLikcblecdofUK beinguredehaebeen ready hse comiviciion, use Ud Aove- obtlented Communitiesof heat&#13;
Nhe cblizratisn han ack beenconplele., uk fhe blight rentdind and (he couse i) Aubbiourel ty ack fot The (dare&#13;
dhecultéyJabreehe»hecemewet ootkmanymanure;multeabound She oily Ua bdilegren ~people jCounc and vetted inkereceall stig fe fer power ww A Gane ohhee fre unnner inabuses makzac the rules, thee&#13;
Ee16eat,ratiquah(ExpensesFe ,Deaensfuncional NELLESHES apparent on buildiia and hetizNare ess audh beomeba ,&#13;
hut The qe cf poser and POBSESSLON dahe place tstlhcn,areata consbiiclzay, maly abouk propetyandpeople Shotincurculls KMeusando&#13;
People temarn, homeless file bulduags GRA. onplg.&#13;
&#13;
 ubbe HunsaHRArM! “Sane TT1°&#13;
Gu&#13;
UuuHug,MA HATATE SS&#13;
My&#13;
ahoaday...buildingsareallthesame,everyone’expectedtobethesame...Ue 252-7&#13;
Seaaee Jeet&#13;
TSAESEIar .JESBeEe ~&#13;
Serr&#13;
- me dbaaLdS&#13;
7S SSEyear . dlfoalTana Kad Th)&#13;
7 BeFS ES&#13;
iho GS ead Ed 1S} &gt;&#13;
3rargPy&#13;
nadGdEA&#13;
=&#13;
weaFSF Capesjos&#13;
lad ad ed ead&#13;
Spel .| } —__Ab|aBA&#13;
23&#13;
&#13;
 PEDESTRIANS OR CONSUMER_&#13;
Cee! dhtnverledwlerestSeer aoleyallaroundUA, om(422 atnomeulecanbeAAaboveaecotheze i&#13;
furtiCredaohcxtwyeywile.vee410,AMEYifee SEGUE MeexplaoR.F.ed, aeaAoeDassthleAy«Gh2en&#13;
&lt;rar(ligEfSe:Mamita,,ofKZCelevledJ.‘hestrectthetuse— walk dawn jhe hewres naan abe lhe bui ag A. Shuch WS usesAR, is elox,peurorn, Are concrlemutter,tethepspyee&#13;
lems cf cul dailY tues, tk &lt; potposcless Anes gf poestaana, members&#13;
4. he rea tlic’, a CENSUS ,hetishe imdkeers, Cittusrchgcers&#13;
gf andt(sUrtAty.wuLem4Atcy &amp;pxleUALous.soceelyAisobth conaleactosnvs)&#13;
hak ae noc natowol -eeptesacen Cethe lass fi Us peeple e used, tuk EeEXPEL «ifaACU HuWmUMaAnN COMPOUEAG ahpa he ae shaman ps relegatedte.less dunandy&#13;
CN A_LIGKTER. NOTE.....&#13;
Breuaen ub ansnexticable 1Primary mechanion ia au recut machine and J&#13;
eccorduglasledliekCUEdeme,particulaaall-buldugsoresubjed '&#13;
SEetyornof«hucauoche,contiot..Where aLayLuxcanbeseen nrLe Seu blocks,pihachehaseqn. heRio numbersraped rece&#13;
pests oUlover ME url ,Lagey f§or commernal eatonk.&#13;
dic 4Eemain,vertiiolAste hee:been 44ean ONENUED&gt;efcosh (Gemisiounporschefz),oftkedesi.ocfaplanibae onseclan&#13;
accerdud Le equine onLizge anandandperniiadilesdale acter ~ Qappancki: SecavertaHaeasi erence anammCoen OpenSpace.&#13;
=&#13;
ee:Teind~28-1274&#13;
ae deagy-habdableroom ee ene&#13;
een&#13;
oll, atemerlekydisor&#13;
)eaAuch hes NE COME ye ~R62GuviillusKegs,i765&#13;
Vion ard celhscdone&#13;
ae peertaie= ‘&#13;
Tebothtata —bertten. a ~ saerene basis ~&#13;
2+&#13;
ia&#13;
ACIPHER S RALL SEASSOs )&#13;
a ) Tage&#13;
y EY AAAT! &amp; FOR EXAMPLE&#13;
u&#13;
ala...beulduss Te ee aedHwvetkAAo Sones u&#13;
&#13;
 HY aj peftt a , gual : Be f LO B spice. dhedexerfdLEAc Pant&amp;Stayfrxcdh,SkedergiicgfLcplan» er&#13;
fiPleeeee = hts offoMlathttpetBHOSpps )sandacd sn)CRP A IRANSMabeofAREudaind tbeCee )MaGAAALC&#13;
j;|j Lene: = pian Lf de cropped of{ bg te yacel ot nule=—&#13;
k;:c&#13;
Shi plan fom w generally peated oedch side of Die ances comdars aad WeVySey“7 3: - : 3&#13;
AcUcUCcOoTreEsSC-(iheGeeve)WuMhn,ouzCalMleucorparaledAle&amp;calaelealsupe2ante&#13;
FF &gt; SUUiC —&#13;
ie Tl iy&#13;
CSch ca cacSscamHea a ao&#13;
f aa 2 fi ; 4&#13;
he stride. Cqpstementy cfthe Lberslabs&#13;
penntce: ns’ GPE) lhe Most ad cedhi&#13;
and dhe need te-uicorpare le unnnd tucking,ef2)idclermune thedumeimnan belie&#13;
04posable taote&#13;
See crim as muted&#13;
uns osu) sheiivalle, fecible AL&#13;
ie&#13;
s&#13;
ma&#13;
l&#13;
l&#13;
est&#13;
overall Lea aes&#13;
||&#13;
ofvertzalodiaceneAds’)thadata&#13;
was smell&#13;
itheAentlRea |&#13;
&#13;
 hedhecahLeofel &amp; tewee is Shen linted.by fable planniad constrail, which.seerfy{Tomplaicehe: ee bakweoflenestabl'vedlira ome fonn cf duahes ye dicen Me deelspes and He aublonties Rarensefe MCalif..).&#13;
SE iu ch ekunkasuan plhenamen on for devels ia te:tay and‘war 4 faxene paw!&#13;
onthecuttonticsbyhatteacldadacsupleafHeres eee heeght jy \&#13;
(gy: velchle Moff, dlelern vsatep), sib al, ute nelizes usclher blsck&#13;
ese orBH sreastah&#13;
? JY&#13;
Mihe dutace betta Jeunc 4bizhks &amp;controlled by fusther bureaucriioe coxstruale uStercia. Lhe erdlecd vaned. kabedes DE of nalicrak Lght uib&#13;
ONCE Mote couemcalts J3EN p&#13;
Aie EKame¢Aas 1s&#13;
ube acpher. for aie LeAnn «&#13;
ofadstMeae AungfeVWdebtanaprauudeh \O OD&#13;
tebWeertateretonlsAEA,stkHeQ&amp;eARKcfotfeBArsrerest.mene eadauacteCaSTih,obballingeenurhaceamdesnedtoe&#13;
;ne oe sh tebosk! —&#13;
ese:qoutes eatsUN mass-=p solute conaele nancy , Express die tcp gythe dill &lt;calf usece te Ca&#13;
indelusery «wy hes red (fuckéis chon 4) and, bs &amp; betld sa bentla&#13;
anythere, oper archiects ss bea-Aindack ,ce protulzl, Shueena (Aooles =&#13;
Jbsues cbya.CALEAwmnd— eae dack gcuad eceanneeuse&#13;
by arias dite budding on ©&#13;
&#13;
 A develspmedt? fer prof&#13;
LEA&#13;
«&#13;
On ricky gFonucsey (SHE al D0&#13;
/2&#13;
aACia Londontldeck,Aa&#13;
c 4-= i&#13;
71 Cie Kk ,ee St clsree offeblick&#13;
ply ce ce wetbude LerGas&#13;
SCREWS&#13;
seardak ee flopely Spex &lt;OAG&#13;
WehaveeccupiedCGS saidthesgualspressSalen,Deceit&#13;
ttfasbecomeheconadeAynhdarey lindMhakisrolei&#13;
our ancy seuely. JE wallsLhe heumandy an ee ftchehancless, a StcxpecesThe hakECofpetiaansashesPS ACaleburefuseBack.’ ;&#13;
LET (HE SUNSHINE IN&#13;
a&#13;
~aubters phan ~&#13;
vhe gene fem of Acheck puldisay that har erotsed aver fhe pak eas doses n the UR hay been pants 4 result of eolucationak theory uth,&#13;
ME expresscan tn Lhe opencplan ve.classroom&#13;
ofdheneedacomplwth eqpualyliecreticaMydésyedarbdrsryequlkceny&#13;
grvermng dasfea lle acters and pence winrdour size ond roomcle Te ows&#13;
pet theabsve ctfice lock &lt;xamples, We uxdows a ee budding (bees Cschecls ),it.orderbe produce lhedeepes® posable Plan fom,&#13;
=beenhuge {ise&amp;-carlingusallyofailasaWhichhaseagqrareted&#13;
dhe problem of dean dnd codbian tke&#13;
bud.Lia 4dueLELhe,wAl—&#13;
dstumeled “qeethoude feck. then the sun shuies Not UEvery, €&#13;
dehdlé, andneste feast becaure&#13;
Sie aval hive ef suck 4wulinas wbdetermined fousple&amp; ates,ustuch&#13;
A Awe cred, Jet wslilec— /Bdevelep me (eemibs’ SE paved fo offices over (C000 +4, f€. Colon Rx {eit has been an sche nach re&#13;
duskbag ee eee of seulpled EXPEDITE /Aude Pecalire—&#13;
seeLdfamed{er»kywostedgeofSievarewsrequletisincarlisle ahiceblscke develope (pericalatty worCeli Lertay): sec{fet nths&#13;
be t= heledevel es cereus UME moxumum cure (|ope) om a budding A getting Mave Aquahe- {oatie o floorspace ii thside Saar&#13;
Skee. * ,) anyone lsat He epdenwzeds Me rete o echt&#13;
none ofMie ok&#13;
blatantly,&lt;xplolatireacessofcpealon,nw eaptedatiesecicty.indeed :N uige e/ | ‘) Ae Off) gl 5 ‘ D4 a f&#13;
TheungamnoudCenteAhaGEESE natalLondonpaSeer Crethien, ,Aas become a lten WyeAyre, for thal exploiting graces&#13;
age,LuxsLakenovertyahundredolemninalraleayinapretagai She Y:&#13;
veRyeee déadkkblexdy{Eeeieg. Qapypendr&#13;
&#13;
 WITHOUT QUESTION&#13;
Lae vaBe udlispusunfeanttiioebPO=*scbleTEAPENS((‘Mhzsclicot),&#13;
,&#13;
tA GA&#13;
Ck th uth, Caen. StUtabi C3 oh. ohon)pee aunA usentChashile CALE, oly such d ae&#13;
Soucy coud A Mas sproduce AUCH Udaed he and wsinagehie budduig’ S)&#13;
_rats!&#13;
s— f&#13;
or&#13;
WV)Bue Calm ling ate stick pried expe ert&#13;
~~— tr SULA AZ&#13;
LxESCUECDuckplacekhdsfourRoecheonMausIe catespee &gt; i ).&#13;
Liey|Mitaan,HayHefaders).berablexcel thenLheirealigis&#13;
LeduCan icdered i}Be PRE Edy0Hecreccucpahe) '4ht—&#13;
G3GE Henezusun Weis dhe. leachNets,porenlodndc pioasl bnsser 1“CbMe- ushak o panel of aSchLsal bald, ARG al tte burners UR ();Witeheell., ot hie yoriow) sGuinciine dite AA&#13;
LutaPeeaccepf4ed,UMELLL thpplicalion.aslaidasd&#13;
err chardind +h 1ond people G slebigenre and fecting (nelle&#13;
ck eo well ablets&#13;
Urnaley Lhecorncephsof cho?uspen:Oequeticnanyiray,fornw aul Soe = dK a goed w primase UNCLE ar 4 Lreanung ground&#13;
IzeRakRece:pateaeLedinportsee&#13;
(wadomucch&#13;
&#13;
 a5 4 FULLERS&#13;
Ehwk =~ Ww) rc =&#13;
eye Pew oe&#13;
iLLES&#13;
Eto) 3NS ON A&#13;
Co} 453aenumane&#13;
\ a S2°¢Ges*c—aSapedg! C ®2npeengce&#13;
j SS98s eauddusg! §&#13;
i t|&#13;
2 )&#13;
g3&#13;
&#13;
 ASS HCY Iat ~ MAS a) IOUSIK LA&#13;
[THE BUILDINGSRISS AS THE PEOPLErat)&#13;
NUYS &amp; BOLTS&#13;
a Tie —&#13;
CheustreadPorkyDoeUKconcurrevik&gt;Susfemofshaneproductann,Abernd&#13;
— / ie - =&#13;
be echibt thos Cag deste for Mas5-ppRezke lian |nue atchitects. fle MEA tn&#13;
ALON, pear o g4\it f - thbez bw + sy OXLEY hs Capac uyisexhubled ae ufOsP eredéd,buout.soul,|ae&#13;
Gian. si Lang 4&#13;
harieOo”Ks;ener‘4Lei 6fit X&gt;&#13;
=enireclucidscEMP anOreLfle4GR,aad Zs 4&#13;
sod of.Ourculhizei(— dei&amp; Ln&#13;
L ouf ci (Tire us fick v ea Sun nth ecard UU consid ned haus Gus” oschtlerdii tle- aN&#13;
&lt;Ctsenee dadflowsbacee¥ey&#13;
Ma plod 7SA&#13;
piscess ,Me &amp; has be&lt;a G soled, OJT Lp dite Andou talon of ea Got pte&#13;
J hese endless bly Revoteu oh rekibion xahued ooff &lt;xplrviatact&#13;
{&lt;&#13;
(ene Oink es Site&#13;
a our Suu‘ligx Aram JARE PlerCa.at cncaee panels hf&#13;
Cheapest deshnobsonLhelet GonadsMak, \&#13;
STERIUT YFOR EXERYONE:&#13;
Wass-soulsuralNGRSaehKoetekerveyanhLFcapaclx-ieee=&#13;
preduckieSeta,lyAes®exlubdedicoltirelsteritsaSmaerkhoward, d.rHs ixince,piclivesfeebleapeatkdouderLGnusords(BeateHinaheresay butonedoesuelteconsid heisesuckanunpavedslut ams&#13;
ee fons, Le- 25 chidren dambics andhence he&lt;tps mouldLite socialattrade.&#13;
Verb uar conde. hoursuch mentredics came abocukand uchy Tiens FAK&#13;
TAKE S.ikesuw Ud 3} hetds. O&#13;
UGLY HEADS &amp; EVIE&#13;
ze Oo.Lege «et, te Merle dreams of te. middle meEn (4hapte4) Ue responw ttl=F the “hughe oe blacks dnd endlerky repelitore filing caenck&#13;
orkdetiue ushad eplanus Md hound ,UeSdhireclty ie resale of tie obsessuce wlelteds j titled. comeacsness and peurle- ame tigned mechani)&#13;
GxsuchMenHAlilerGropius,Ludus isWanderCheandLhorbare&#13;
(4fcfflnuckenessLeoninaliih_Unapnieeace)vaiscd,&#13;
Credenceamang’&amp;tAlsKAwehletiterayfieaeaeokesdunsand~tneeae “fitj&#13;
exly pare of +bin Cen me and sabseywed “wy ite Merchasuamo of caplidire KON SMNUCA aauted alsSpeke“y dete’ and Lunnls der red dotting ,&#13;
hd sew. ;&#13;
Lay Pécockdusners of ve art,of feaple packing wee offen peofesseck rocducala, YCEXPLOIT utiloie- (personee&amp;,).4foroned an ds, se oera4, of ~ag colonia&#13;
SJ}&#13;
.&#13;
eeoftheAocakstrict ecalinetheSrydnusalionetaltspreducki&#13;
ke machines oe people La people és- en dlarm nd dnd eUesl oe SER extenfo&#13;
OPEonS 7sMé Kethey hinSe ia A.&#13;
eOnA Ler ~ bce Chord Vick cate&#13;
&#13;
 feseishLis i WR ks gf : PELCEEN.iu!fenee ASAidief~(OSEADProm&#13;
neared Teak ockulalin f thte met. ie versed &amp; deaf&#13;
Gio pits wn (728: 67];&#13;
Ve 12 cle etd Ga 4D Px eOf oh 4 ae. f&#13;
AMG a iLlericrtiCaWeLn \Yy- os&#13;
Z.&#13;
dud.LfwebeLeksald4Le housaAurudlotaksfecdbeen.GAs&#13;
Le?f f— ? clots, shoes or aukemebes .&#13;
we 3:&#13;
te&#13;
was&#13;
,. allPieelyAssureullRaeokedkLforaauAghelseatloGme¢of&#13;
van&#13;
ecsooansbelef,aclezla ae ofGeMBEmcbetewatkurd€BAN4oar s&#13;
ia an.)aaS NaUtearb.gitslenfLeeGensebeclickCTV, Mad&#13;
7 tundlers,roulineLitSeSspealefJe preciuce epctiNe,aheidetesLess :&#13;
dasclligsiSe diesasehemeIeres&amp;.{remJISsclanctndUieserepetiSj&#13;
fs NY, y tt —&#13;
LhEprpeldlion..cvbecauneLzMe...JELduced aAeptesStyesAL&#13;
AWE aI GUCAD ,level-Aéxttad JOs-occur Le Ade hea manlena 4hessts” f oy at-f {-fj&#13;
ORAPrspagsacsotoeardMeSebeheeUShanatA&#13;
destin ved fe gre et and b{etter third, Then. Skseya acta Can oly be tll. £5 47&#13;
repack ao Ate ly malicicus ,As Ay UAyaarcenvable&gt; evd.&#13;
DEMOCKERACY&#13;
ce Sgcand,WhaOLUSUG,omecefthe Ware aly &lt;oh venks cfour lime,Mitespele Dea pLprouecled&#13;
Sheinpelis ivtheNearfous movement,teal,rseM Anatie Need or nes «howiag dad. &amp; provedeck A EKCULE- {or tkautands &amp; AaperescedmesalonaiiacddesnpouetesdealofSke‘goadide!MN theuscarua urMuspeclngadpopulatiznsmaeorta Bsreper,ice hes faced articulas? Sad A AR (EePek and csncqwenlty can beak aoneLacfesettin.borates%uwthe_felocfk§masshow Chisite&#13;
isduedly «stheharubfee t= He, 34 len rm( qoverumen yoo ustuch. this Cosplay24 ~ aabrejek: Sinpostn aanusl faa ot oll “Parr ones ‘fellaseh human deme wn. uathentTM wekur oclie osKeds Cann psesly be. justtocd , bus&#13;
WN‘Sritauakdeniercheracyemtiunparscble.tefind.Wiischannelsbewade suck plans aac| wnuergal, cisert&gt; can take place&#13;
AS an U= Coousd. 6f exper Ak lAiLL whuip~haad.&#13;
Crna band Gre&#13;
.&#13;
ya aut a ch desea, i Lahn eae? ; -(&#13;
“mef: 7 j&#13;
ubhs:... Leck Ue Line tequttedeeretocseremdme a Eames tor a&#13;
(SL: é.&#13;
espe Mleae the ne J4 erreurs COMSALEUANLES,&#13;
Adapaeemni pope.phrase(esueda deddacddiayandSle—homes: onANGCNYco.iA,tskaLLINip-themallonud—=natedperluckeweLined.&#13;
ealhecubscumstig TIC peopletU=s 2pendthet livesaruc,tetire 4otferrin af A&#13;
&#13;
 CRACKED&#13;
DOLLS ConkLi ATudlistec7alyof £3 eee)&#13;
A’&#13;
Jey lilitace a - f_—_— atihides inatc uo US enhJey quite | lopedeg As-&#13;
'&#13;
ie St&#13;
i&#13;
MyOATESTLaAuund, TaVE Piswevel~ een ej.-: ih p&#13;
OLY Cate Gh athe cad A canena) N of por ose— —~pise4sys s Jpl f.&#13;
Li2hg\ ANG MEUNLAL Gheichtitandisl&#13;
i Ay sntzras font fare self uatng ie sf ioe z 70&#13;
dualscanDEBISNAIVEANeer LgEZ&#13;
lca OTePeSSSnoY:res ck p= q&#13;
“ySy,y thSKEa,eachas-arseth’&#13;
to DeeeALsed, peo SCLOUA, CIW , NGC A (ESWK a CORALIGMULAL of&#13;
OM _G4%A&#13;
f A Ares. She FEE Pa eAsK&#13;
i&#13;
. Jgp di&#13;
&lt;tesAW LOut&#13;
ff&#13;
AEH co fea 4 Juuch (blatant adios jess&#13;
eee 9and crackfoxAeappened ee 4onthNee 45;Pheele €dldce Nw Ss Cru mole&#13;
CRANES _IN THE /vACANTIME=&#13;
{— }&#13;
ie dé machine:cecrates « heasely onusarks, and mest ot be&#13;
ein LE mesh asetlena wth.i= CASE Us centinuch fuunclean Asr-&#13;
ee Mere Teuotict biz&#13;
tina tha. Ne bused und od supply el fuk ard&#13;
2—&#13;
clu nerdy WED cettalwhey PE mos’ cated peop le Se. sfiescn ls be=ple te&#13;
i ae&#13;
isutdads c( others, ASNEAAA 35 eumenuste&#13;
es) MACE 4 Wo Gh Liza mur Apeand thea&#13;
I\&#13;
UP aided chien soot pth&#13;
=gone, cbdanack a&lt; r&#13;
BU, ANA Vo(EAi dSread -&lt;:See&#13;
&#13;
 =re_f= } it er (rtpecy ila NCO\OFKaewyetESC aut TY&#13;
THE GODS OF PROG!&#13;
Ase te Jot bits ¢ iL etithes 7VOCALS CHEMIEabu {fyNOScdmGW tenL}&#13;
fneae x cf_—&#13;
pope WRER TAG chs cs av ounCULE artes&#13;
\&#13;
Whore people cueony pau WA me Wh \=&#13;
faacrenumerts,themsbuluratz:ikoutifDG&#13;
=f 3 } — :{ Pore — obiute UA» “CXQHUE Lex ,Awe theefe- CHE athicys&#13;
“pn&#13;
WHE OtnbiliorDMawnadproud Conca gerklen ate sered&#13;
Aous; Aisr6otbh.aL. dhe U L: . of, Op, MhWea fromthi unnadorUSS»SAGuds&#13;
tllage aeed APak Vee, ad kefewhee— 14&#13;
AuLubna hardlar ornedchaAhig vill&#13;
-44f—-_f li; /Zf i—&#13;
eg ANE Mie obslbales could bIEEUS ed, ULaaes WEE olepapule ASA _32&#13;
yLES{wie Jf LaateFtsRA CWA KE ade&#13;
aie&#13;
4&#13;
the MON ot usett(He and one&#13;
Hakes AAMmCS, that Me ev4 poor supplicd ; SsPACE+fot.ratLakve,his|wat«lerdedoe&#13;
Space ferhis|Lats5,éq|wpaiS,andAround&#13;
Oberype(Liares&#13;
SsdTheLerdscf themancfS&gt;wwLecktsmousdownvile&lt;4dbJz obstinUefed the =eo on dhe Uneasy Sand SADedk ek.fate , evs, hen re Ike Lerdy Githe NAserenaot ascula Mou CAUSIN wdlade=) rte&#13;
ananon,dhe esed masufeskationnéhhAAouUctEluk MEVESSSfoswroured feat arurd Ff = OMe oe ce an sound ueBEX,£p.{ She sk &amp; UN megsSeieNeASfeSeemcktusALG Meu, PDbuttrsweleee fer&#13;
Cur nowal ae Lan » eed on prhayrccah Me bubith aha.A peoples A eS&#13;
and fertde {eAen pres!LCiAdjemand aersacielcced le Liz god oaf PY (24 kak odhe meer cal. ‘Shyneck tecontiiusal SFrannpart pais ane&#13;
goods alk over &amp;Te county Aan |Prizeluced cL mas Ue mad, nelarort 5 200,000acesoh{fareanhPeireetbisa(757&amp;H9(24s&#13;
make. (OOM {or wad ~ She J:e- OS he o arly 944,050 acces! VALADJAMS &amp; DEFENCE&#13;
eer moreshell,enae and malealy Une’telineae re olesspedtebAalsteapesCoeaesolhareneetapedhome,Rouse orchu, hak Aerves ate of he eae pepples fora betes, Cots&#13;
AWE vuesled ute aAMNmilar &lt;meta nak CL Cres Ae Hate Ww NS&#13;
connectionotkeyaadwaledusaeAYCECOTAUNLESLand&#13;
e'=&#13;
Jands cape of ac an Os MU. arcs onc Un portance dA She ppuslelircgs 33&#13;
OR A AAG |&#13;
4&#13;
se&gt;&#13;
onae vallep&#13;
ane&#13;
W&#13;
s- set&#13;
l&#13;
ng, po&#13;
ME&#13;
M&#13;
O&#13;
L&#13;
ulhl&#13;
et&#13;
(&#13;
s&#13;
nt&#13;
e&#13;
w&#13;
h&#13;
&#13;
 ic&#13;
pf : ths y ee&#13;
MACLES OAK 1 Att é&#13;
.ay t '—&#13;
ADL on. She wharuda&#13;
4 teo ofcali,cardcdearltas,ny oe&#13;
Wilageae :a Gana vedyeegf ig. COLONAa Ox ilaLE\ of Ug tn UVES tsoe&#13;
LintecliacircbtecsepericsEToeSAL&#13;
: j Pe MN, pyfoee j pps CE v)sees - (the[UuAly AAA (ze ua,) Al Sige&#13;
tf, : Le CasNeAEDGSR” PES LCCWSA4CaN Se Pateaw&#13;
ffs iU 4 pause es Netisatk a’olsAS an salesclie: dé benckion 4&#13;
HA Aa C de pacha NBs Aseah ariak tehaoteice onentalic or nud avtic «End.&#13;
undaestationn A A Acue Ts Hes eset A bu diay Me Leah e : BOE&#13;
Astute&#13;
eCces .aueSGfthcUL&#13;
&#13;
 Qf VVi Ved&#13;
bi&#13;
saneAMEX hey IE Len- AO =fete! .- VV pi&#13;
AShipp.AacessAhEd~Mees Baker wfj&#13;
A VIE KC oLOUn « ChE. AD” SEE Ahlet&#13;
WAR_.&amp; NERCTH K WE&#13;
iL te ushuch a noncly hudds orthizctne elie tar atlNe Caritads,&#13;
fash,canthdf became“a¢udehae&#13;
“Aotteta. dhes -Caster, A. Haws4AoplayLE Cuneo mark de&#13;
sf of Yn haves. fightag 4UN Wee on ata Ue § K Spd oh Yf i=&#13;
AteNeenbid = ie- fs? pe&#13;
&amp; deslep €Bash&#13;
ee AUCieutruincalt, wietess lum ps cf&#13;
orvbaninkpoorer4PyHeAti GNEqpulls ~ it7a&#13;
COAwe undLAMLET~JSAs tke MoTHuy and “vedarss&#13;
TTARING STOCK&#13;
QA scucla uli Ua ene. 4 tyiCute Agee On GA. CKEnen oe bascn &amp;&#13;
THE DISEASE TAKES HOLD&#13;
«Jokes: EMUA undLitiduak th nanoh banked Io 1tis ELONONALK MEANA sfc HME EfctLY ETE SZcle, rexliiér), so cite SAME preTEes oe&#13;
Le staleLEWINUte Ogalange-soeucthcelLotionshup d&#13;
Aougeot,aeBoeddlit,édbseeethalheea 1the ie forcestnoe neermedAWnfexponae-teThveCapeelit&#13;
ettte, un COR a vomundaak amnacrshens fer the Manufactie- and oxchayAgeweqossdkandsenLEA,ashem alaAheaealee&#13;
Eritioh capdteen - shesuidurdudls 5 hoch Coad )CUA, &lt;3 He condtraluralien ct (EsoWlCe Utne iN Manbouser, malendle ondlenerty, tase4tthesotidlacndACruusntental.COMEDLRCES AGactuntizA, Tequuesaie ~eeleneotestaUFregilite eesmeesctilicy&#13;
a Maay people ecm Eade rhe of tie feS, fabsly valves alk thing&#13;
and teduces oll Miesgs Se commoddier. Hence Cumall aed 6 Be&#13;
wld,4[00umeleaealisicyAsuWes,of,Actnstiier-&#13;
a;&#13;
ir ti = ies chack&#13;
cratic&#13;
fh, r = ofUIAsoueGpcable 5&#13;
Cota eee&#13;
fi £i% cy SOLES&#13;
CANE&#13;
bLaSSonee, ee ie iaIN REUAG ha inti a5k&#13;
capdal.amthbeusdtBepicelucetetEyoofagcule.he Stakeaeva LAonefonea bude_SOTee enbedytceKeyparticulaSFfunctions&#13;
‘ecnaske bs HE econ y usluctr powAuicEAE, ei iodachad afcapdalio , Lan CICERUSALCEN.“CcCHE!eoheallpee elastephireee&#13;
&#13;
 iN dbus&#13;
may, len oe&#13;
y|BAA Ent&#13;
ie oa&#13;
AS Aden vu f!&#13;
an&amp; j}f4&#13;
(PUsatAa, , rLvianabla tsk, he hour&#13;
hima _! pest J 4 ae Lad US otlable &gt;... and prot&#13;
Hef$—{” I t€iped ULL FHgKE i)_).&#13;
NIGHTMARES&#13;
7 DeALEAf,thedéLatNonproaeatesunctionso{ Me&#13;
BT|Ae - Pie&#13;
Sstudk Mdctir€ Foe ose oreecA Ieds n a&#13;
iota: + a ATELAG]uw)A fALAee z&#13;
2uale&#13;
(é oT aca:&#13;
A f—f—-ff hs th&#13;
aAi susyeieUn as&#13;
Ci aee°(isfj&#13;
CcDee 2MSUEiWUXorelesaemKeheir—SAE cxviGice Se{ohLAGE oie :&#13;
S=loses 5) ee ple uSh.5GL iahles CLUCE ACMA&#13;
$s “aif fe DME ORES¢&#13;
4- Lang f ~ge Xe Pez Lucind) prerceOX Concer ei yor slance&#13;
i’uch ANhen coie&#13;
= GreViAehaat fie?&#13;
HOKLGI AhAk Aqnethsgrid 7nd&#13;
tf&#13;
h a&#13;
ookren‘exec abs oe i5&#13;
ul {oraSTENmK I= caneh oN&#13;
a ale teC4LEaunt facleresusRuch TePa&#13;
OCNCecr-blsclkdéhowe pe mete Ae const&#13;
offhice dTph.locks ds }Mowe EnuslarBuees co o-dmunw&#13;
Te&#13;
Oe obutcunty Kank Valoresbe OSU oSh Lich Hews HLA +pS ALOU and.&#13;
vler=pAaNSCY st tA aifLre,nhepfs val aeCSy)U diiteted un Eee LT ‘fs vw&#13;
Cara, hy eiae keh« ) PES).&#13;
ju ps&#13;
WyAoudk Scho fous cotta anulttide ofunasbrad relalaohipfdt&#13;
&lt;onESDfencludiona)diteSeSkcone&amp;produceXHGproduce&#13;
Jeeater(¢:‘6 4fete),cortler~tefinercuel5faancictlo&#13;
Onescoment GasumentelecrAumel eawWIoLerroethatcHeates&#13;
dG 2, ote&#13;
on Tins 4SugdgG oe sack CANCES On dice band and it poe le&#13;
\&#13;
KinkSie lesalustzen,of4he lies %L.These people.t=cophe1Sedhe fee Coprcuy elf CorAymed i ie yscomp JANE uber Site “hemes ‘&#13;
euAsCOMELOTAdis,iSe bPeYmorebecig13epee pyAises iREE-the oeele vamackuicy ferhelAfttheirosane hourf anddutcbodCorsume ferLieveotherNali,otk LHesle=pPindhats&#13;
fulleduilk,clreamacfpeRecent ightaniere trait&#13;
b&#13;
WMONEY ds u£e Ge ConpdLtLed uduchNJnwild tice elses Meagan a CLE~&#13;
i&#13;
EA&#13;
Lfzannk sy,&#13;
&#13;
 “y WAL,&#13;
f ae;-/\;EreA:ES41 en ( J LOStaA Moment cada MIA T. f us&#13;
[ 5 O OECA aaaoeyewon&#13;
CANANE. OSpict&#13;
aAAol hak Adetlk theSesg\otp=&#13;
a tacs&#13;
CANIM. bl otlable&#13;
NIGHTMARES&#13;
fe 4. pifj at ree Asta MON-PreBee 4,nctionsc©&#13;
Ue= srced ts de mec ruagles (4: acts&#13;
: : iJines Li y= a&#13;
,&#13;
LU Never Use&#13;
i&#13;
tatthe4 WE&#13;
f LycsAOOECSeCORUGMite{eurofFaeUTe&#13;
fo&#13;
Comme oa) 2m STU ,Unorelera TyAkeLin JSilé €KWErce ok f:LAGTR&#13;
hie ,i dsoo ’ /S ~é. liluich dhen cole The luc of FS] ple Sh 5 acide Protuce Aometkind&#13;
fp eS z Ye S li pee MHEG, Mia San LL4 {Tae AHH RE- HUE LLELESS «We] fdackork&#13;
FA&#13;
AimeferealexiSabsuurCLae,&amp;as : {orawconpoeyuyLEcalmdn&#13;
he&#13;
0&#13;
YMONEGJehinEGE ConpdLALedae Seawldofice“blOTPI.~658here&#13;
{&#13;
Oe obLOUme Anhrrerable oe eR A ee petWALOUTand&#13;
nan he oral Oy, efe. panels ,ds ince, Ile May-=PIEAuctndpeesEesTKaieUAL,ge Uke&#13;
“f 7? rei ONES bfhsek AS NOULE A) j B bditutsl&gt; (Er facteres uShich Madre&#13;
AST C&#13;
wer PESona retefenUy} Carhecly 4 eeeJ&#13;
Mose PEGSINEdui tedunsuckP&lt;HS&#13;
hin rotick strata f cud cotta a multitide cf unnabvel. relationtte becple eee lieseofcormmunel.FSproduce,produce&#13;
Je enltler (bes, ME «iltes) cotler te finehcuel 5fasnciette ernpeneCenentoe Crsuna,kwaosurprneta theatte&#13;
we&#13;
CANCE ondice ipMeike peepi&#13;
f4Y&#13;
wy)&#13;
ety the;SE rcope=de exphersindee iota P&#13;
lidtte olesalustienof NealeCoVAKUY4AfcarsWUEaosilewscompWheulenShted“hemes&#13;
Q&#13;
&gt;&#13;
wrffCOUTbelts,beadaededmorebetasrequbakedteNuss 2+— q&#13;
ih Ee hhiey we eclGrxand A machuicg feral. the oth “ hourt&#13;
anddu deal Carsurresys fer liz other Aalli / uk the sexp ind hsv \&#13;
“felledust,olcnAcfposseSN dadniighliniareofUte.&#13;
_ 4 &gt; a FCL = 7 * panels Je Conse of}fice back. As howe empleyces Ue tdmunwter&#13;
&#13;
 oe a eo “ey oC. wf’fsf%&gt;fWw,&#13;
SN=peyom f {Vf Y9/&#13;
cr Jr? ‘{}&#13;
gSo,RadVS NadWII I ed As wT . WSS St&#13;
Sp&#13;
t EO&#13;
&#13;
 fe made&#13;
al osante EqULAnd cb So ie&#13;
obscene us Len, Us conte. Ie fash 4 =a =f0L&#13;
espeCrt 4We um&#13;
f_- nd—lem, Way&#13;
aanTe Ti IRFf= og 7 LA&#13;
POISON. PONER_&#13;
of sociah, aaAhence petitical,&#13;
zet P=}oleoueEtpeople= Cut '&#13;
UBautlionLAoOtndpotitzcahfoOwe Ob ale ath the ott ae furclsnr ot 4&#13;
hy i faeUWweEK MakeoM Ubend ¢akon&#13;
o MESeas,dndAenonlydics&#13;
5, come Whe eda he&#13;
e Ground fora ULCEILC. ures &gt;fe&#13;
comorde and cosen ‘&#13;
g aeree/\&#13;
ae“Statens,&#13;
Ww ofhuchiN the&#13;
:|.E&#13;
TLSder LPEN ETS UNaLinu? Lethety&#13;
Taq e cadets Cf cao) ’&#13;
THE FUNERAL MARCHES ON&#13;
da :&#13;
=f f«p,,—" w&#13;
caGR.KSi)TULEhBUT}Uea 1S}13,JMe(theSu,Asie Sf Aaurau \)&#13;
Ly&lt;pkAAparticudeslAUond-ECXIMeEsUSaACUSEL-MAOs“etedn hy&#13;
EXPENICON VA + ryranucd Shickusd wreAr ieculy ,t= entab aod&#13;
s _— Sans 4&#13;
values on {&lt;td-0.IID Of AN = xthe p&lt;yoni w pert aps Tie&#13;
UV -&#13;
LO sme KAPTESUNAAuerarchicad-om,otkbyumSLRie&#13;
SheyANACHEcyofanauthonuan.-PAVAEIN.deeting«thecatisk by a fec Sof Tne Nasty, a UK validicby day d syn1 oA for Aach a Po“&#13;
staatfeWwosvalidlpr osUbeweEN&#13;
LAYMEN LOS&#13;
J ft lie pases ! I a ees, —_ { obec|}1S,A4LE LOMUAG CE gn.+vfborDe Peppase o(fees OfWUos&#13;
rat fi A—f ape EuSetCemplonCheyCureurayAMune-slan7Sjak~sheathed&#13;
Ad}! ns J fe oo): yg&#13;
me Whecurehuledsas eee UneEZCompedXihebakof&#13;
Opened PAPUAfb1Gsus=theuuldingWGAwonderful,Sher thehulleus)es, uefiatanertioahm&#13;
Sane Ae PSLenneend 7 dhé Hae Low er flanreel, and exhate1264»... Mahe&#13;
Gaon[aes\ "&#13;
o‘ w PRVe — WeDB) virtually iyoste Te fasoul dhe Ach,eémed&#13;
icleley unadind - aK, ILDH wrar CLV ped "nite vndertpad&#13;
Le&#13;
Shue&#13;
Shick&#13;
ees&#13;
o yte&#13;
G&#13;
33&#13;
:&#13;
ae, hrc -&#13;
tes SPkies ahNa&#13;
)th&#13;
&#13;
 Mess coke Lnc€ object 7 44&#13;
eo) Onedo5r=,hin&#13;
Lyi&#13;
HAC] SHAE&#13;
ge AA a y&#13;
, t oie ayae ul&#13;
ujf:z f i&#13;
5 die a7 by -Lose- Ada)z OUESEAGTS on fie peu&#13;
“an npc sclukii /&#13;
” éca We, AMOK&#13;
eyence yeleiued UspUptevEenAchack AAjen&#13;
rane&#13;
f{&#13;
ONG WA ao unate cA AJy MNe COUALLA, chaimbe { Un MANET 4 esPAF:ls-&#13;
Ag ee&#13;
fee ° ‘:VY&#13;
MARKING LICHT OF (TALL&#13;
eT",&#13;
&lt;&#13;
vA 4 Ace much iG AYjusa AEN ZVicepAe“be"NdAusctlegn aha UiScheeA(PhareAICS',&#13;
Hy&#13;
SheMerltehansen Pyenud Se |succecadet Udddlioeensitedea&#13;
fi | ‘ Shara, (&#13;
ef Gn UntmortalonLEK Jou-reaucrtcy aor a doz tcah conclurcen aks midcass®onApri.Sek,ak tice|shaofthe€nancial|esr,dhe&#13;
Aun Cail [assuring t he ran Sh&#13;
LSE ere A Ie oar CUN A&#13;
tL&#13;
fat Zhe peams etn ‘ulauc,&#13;
x= *stunned Lane&#13;
Jaf fp Gage h Me beduah concepcf,aefeLcoause Weheedark Aidf&#13;
,&#13;
a reedCicerLin ¢am) 4/limacracdandpPulitapectert1airecus”&#13;
CEPR Fie res ous partic.QuanN had not hexSEES, reached Ute a URE/S,‘ INEobugdingoalseES AEULcAluide-a‘GilDdlence6SEUiC,&#13;
berSheA.vev/4ee5meaneectofdikeae usd,NassmwichWAG a —— i&#13;
ANEW,ietniporla?TiPFpleluwould{SUTNTNG1so&#13;
de Sf nk Se UNE AfEdhimey&#13;
&#13;
 A LW&#13;
L=— Af ea&#13;
74 i_—____V,&#13;
I1&#13;
= mi&#13;
A&#13;
alt aA lI&#13;
\&#13;
aout {&#13;
ieee te te&#13;
EE&#13;
sf&#13;
i| a=&#13;
|Y&#13;
AS. 210.74.&#13;
Fre&#13;
SO THE NORTHAMPTON COUNTHALL. COMPETITION WAS WON BY A PYRAMIL.../ WONDER WHAT OTHER ANCig Tp&#13;
ARCHITECTURAL FORMS Couch GE AMP TES To MODERA USASE ?&#13;
STONEHENGE ESter¢ 1Grinding Local Council This ancient form was Used to Symbelise how one } Sectioonfthe Commumity isSacrificed for the rest, i&#13;
7 fncies&#13;
dail&#13;
one STATESEMBASSY,Santiago.&#13;
Despite its rotting foundations this edifice yis skill Standing —thon leaning badly.&#13;
OLIVOILL] BUILDING, Evroville&#13;
One of the many triumphant monumeats erecked by this {International Foodstults Expire inevery Buroptan city. T&#13;
DEDDENBURY County HALL.&#13;
ThE inspiration for this building came fom a&#13;
Pedieval CASH =coping weil witl Khe new problems oF Steurity and Particinrtion threats.&#13;
FOOTBALL ASSocIATION HEARKQUARTERS . THIS design takes its fonn Appropriately i Enowah from an ancieutr MaysSoléum. The blact- i&#13;
and white plastic dome was OF HiNdI4 Mast to light up.!&#13;
ote&#13;
eele \&#13;
4 “wg of&#13;
rl Ges&#13;
|&#13;
T 7 maf)&#13;
PROPOSED NORTHAMPTONSHIRE COUNTY HALL&#13;
&#13;
 Sa&#13;
THE ENEMY BUILDS WITHIN US im&#13;
"WAR IS PEACE FREEDOM (SSLAVERY&#13;
IGNORPNICE ts STRENGTH" 7 ATH ISREALITY&#13;
beSheMail ofTrut—uhresvertgly ifercat-fromay otherctyéctn. AgGhe,JEwiencar LOLS.Pytaaradakiii of iqWileOnGee, Jetting of,MenuceaferAerwe,2009 uleMeou...&#13;
aback inAleve UsexeAre Mee otherbuings ef onlarafppenrane&#13;
ALESRee heyweeMehemesofLheferAuivilitesAeticen.uSpeck _ Me onli oppacuuaa of gevenmek LAA dink, ie&#13;
ee ee eaparadigin(MeLOK:Cenluri). ee ; eee aaa, Ege ,orAcusersble hag thelands public Le ae Lesa ar Me hiliibulesofMhe&#13;
a, ey ff etiiin; LA fre eg Ark Me Nia of -sudler : gocude,anhuplalunUecerslretiiaond2dlcgubtheruse&#13;
ciptuwane cies AE FpEH real? 23 jis clean Maa&#13;
ELECTRIC FORTRESS ____(GurmrellyOder)&#13;
_ tite fanatic, The pyrnuds mouttann Sher marueh fer us Lela ark Ste ave cathed alrof the pas exlgided humanitgs capactiogey and&#13;
ednategies te peduce avchicle fr eacing heaven. Curenlij, he —vinesk menue couldn culculfic we Dhse built orth De&#13;
malls feacuces A sation! defence buds ord Shoveutdlecieg te umssk adianced of auruluable Fechadesics . Wher fe Tes Mteindo&#13;
&amp; dhuevemenks UN. mechanrsalcen es &amp; pap /un the puldan, machiré,, ond of mens: lEdactog'cal electronic uswardey un Ie vdustral machine, (Neehereseesiatelieleceenaenutdrey—ndurtrcah2&#13;
conpler. cloak secrecy ,the resultis the masedieme&#13;
mantestalien of car AGUNG uasariti ds huneagley praciteal i SheresutkisMieCeti Sate. ats&#13;
CIR GUNISCRIBEDESOUIS&#13;
MWe (LAN 6T UsoMAN. OY- Gp-of- che -street us fut nomally aurue of tke awwATedscaineeAeeeresetahonuencruy&#13;
physical HMriere, athe Nan coca wudble oulpas, b — Cucumsertbes He enti exifence &amp; each and even soul onthe lebe, Ee&#13;
&#13;
 drbematcanalley jie censidates he nerve ayer of the Jrgges® Ura&#13;
1: Ss : ea oe : ah)oe septs Macdue ofaltone, inpeceGne babe camtes eledowe z&#13;
AeHe masses through Ui&#13;
costtales an immense nekof power connecting Rey qovernmes—&#13;
atures ,dnd wlémaslly in Griturn, U udeowtlSrsthat‘order’canbe“nauttinedtsTheLekofAoudk,&#13;
unec&amp; and cuuren he enen&#13;
&amp; urthins and dc is the qovernmes Cy and os one usihe woman hay Ada. , ‘Sb hard ke fight aA nen&#13;
whe Ads oulpcste 7 gor Nead. ns&#13;
&#13;
 :,aa SOLERI'S HUMAN&#13;
—V} CITY CENTRE&#13;
PUBLIC a =] ~~ - Con- \*&#13;
a3 ¢—_&#13;
ONS 6tA Um&#13;
QOro TAY &gt;&#13;
£ CA |hh sO inita :&#13;
ao&gt;i&#13;
—~ y* Nes&#13;
LN&#13;
A\ €aeeimoe&#13;
ed ANTHEAPS&#13;
vo&#13;
VERT CAL TAKE-OFF AUR ever” Ti&#13;
a WHAT RRE THESE AN HIL (DEASOFTHIS MAN) POBLERI? ONE MAN CANNOT DESIGN For THE MASSES. |WANT AHOME, NOTA HOLE&#13;
of WORLD ClT Vater Dexésals, baren)&#13;
The surviving cify (below) as a complex of moying units connecting tunnel-linked towers embracing compactly a “.arter of a million people housed,&#13;
fed, transported, working and entertained in&#13;
a controlled environment. Cars are significantly absent, conveyor-belt seats taking care of movement between units. This vision of what could be is a machine for living linked with&#13;
a supply of energy from a network of nuclear reactor islands for which plans have already been developed by concerned experts&#13;
-NOVANOAH 1~FL0AmINGCITYFor40,000peorte! —&#13;
MONUMENTA! MANIFESTATION OFAN IMPOSED IDEOLOGY&#13;
IN A CONCRETE MONSTER... WE WANT DECENT HOUSING " — OMe oF THE ‘BARRORANNERS’ ATA HOUSING CONFEREKE (N 125 ANGELC ,SEPT: 1972.&#13;
/IMHATDOYouMEAN2— 3 "YOU WANNA Go outside!&#13;
_ Main GPO microwave system. The chain of concrete touxss| GIVES asabotase- proof link between the mapr cities, and isevidently intended -to safeguard government communicaticns during 6time civil disturbance. The rest Fite system serves radar anda Varjegy of&#13;
other sites, [t is interesting how several newly built BBC A2TY&#13;
transmitters seem to bei 4 Serve, (E neccesarf, as microwave |&#13;
relay stafions. 2&#13;
&#13;
 ae : ;&#13;
Lite byAlteMhe-AdworkolldieotsNeossariakformsnewmodes3&#13;
WHILE (HERE (S DEATH....&#13;
ANARCHISM LS THE ONC POSSIBLE IPGSPONSE,&#13;
The movement is trily decatolit, the altemalire soridy has as balances,&#13;
onsrules,26 huildsanyrhceandevenyuthereia mynad-fomyand chaguines;eefenetmanyAuchcomununtiedbukherwegourond&#13;
Lite.(fiadaGtfifh,dups_redrug)is-fectirgsublleardpervarice untlucrce on Lhe petential mytics ,dredmes, romantics, hecctics, Arep-ould,&#13;
revelutionanes and confured Aculy eralleusing in Hie que ound freces te the dincsaut nods. When these ana, Gru oltemplh aka neo uml marifes® theirs’ in urlding They abusasys produce asiltoy )SUrpasnd&#13;
tmag nahi and. duynan gedled (esponsecd de putting roots cverthedds iene Clie te he wort orlecof weucty we cre fous surbrugele te —~ hameuters, hoot clowning vindictive, dull )Kepetlaie and utter,&#13;
inwman,. She members of sdccesfuk communkies core ; nie nd wredhases, A and ambdlign care rangers tA iia Min ges dand ~ Spud as&#13;
TheJNhascelsséemMEculeoutdestinyArtutileMeisedeath LtéeUshope.Lhedecaytssleadyende,r tedlay)aticaethedoum&#13;
qruseyael ,al Le Uscks ard monotiis ure de tembetmes. dhe.megavrtes CannceAwe,LSbel;isnewsusaslingua}LiensJaofcrnukliet~ Lheohtsrancing ,adthemoileNexrd Nees withhe&#13;
unberrable usegikcf 4 -Compressed dig ~te dinesautsae onTheataces.hontea ere ee a6Bah&#13;
eclilin may tun Adtealifier couse, or will thresh and {ack ia pan olestisying exer lland) areuad Then as they fall te ther dedtK and&#13;
led heaianhetla ofdernalrygor=ort&#13;
WHERE DO WE GO FROMHERE ? I3&#13;
ff&lt;adlance ell tthe Ux pace: Far Mhah, use muse Prepac cutelues Lastly. wfG: Comet —, oe&#13;
Slarratien and nusen) dor She monster means life ard pleat forthe uorths peoples, gure eta Ake slarralicn and muser of mas&amp; of the ustds peoplesnoward a.the pas has&lt;rsutedThe dade drdhconter&#13;
of;Li-morbel Vhsupland,Hidrevstilien,hottequaandts&#13;
Conusd Aetherand meving Aaszns Gots obfutire uttere— Aumanty is returning tis ze.and Te etcthK isbend healed, hey&#13;
The unpessble uwperscble w 5 as uk and dis UK.&#13;
&#13;
 fc Ses “i &lt;r of) L subsite :&#13;
oe Adil,fiedAy f4 aAWG .e/,=arealeA CELL KPT ENE- of“nef 2 ‘yii.fa./ Q&#13;
LifewanbuldirgWDAlOLrE,&#13;
deShepresenshitMieMeseedsofthehutare,(herthe Ca&#13;
Hanes EN nel the temps ond 4 kes we woven, thee+&#13;
ae A i), ‘ “AA ee&#13;
a dine uhenr Me lapesy of Ae ib 4brond ond. peat ,when Hhe— :i&#13;
intheusbaroundyonuntanytingLeis!OEhanteceheicebok&#13;
mareofourlfe efereuaandBee saLeefettheperedsLebeam as ucll ad a greak-deal They hase ¢te ansuet fof- (ask Goodman ts&#13;
ameng® mare ust Aauseartiulated apith &amp; cur time:&#13;
Menspifolrpatriadg.oalsLzy canelbelieix,liyourd we oheenaléd. Cneer cnliaerk Lhee cscess Urbanitasten&#13;
Conditonh, APE reel auliorly,forilcsneCanly irmareh&#13;
LoK.&#13;
Alaaseon ile : Aelia a he onlyfowble esponoe— 927&#13;
~ Le only poss ble Espotre ~&#13;
reper ,vuinay speculslecn “on,crackRea declelxentes ,arA ignoruvce— vodiHfatesalofTrileoplimatce.,taybalancedees.&#13;
and Ke wold &amp; headed Muar &lt;ciytick disaslel, Under Le&#13;
&#13;
 ye 4. TES&#13;
aliTA *%'iy&#13;
IE was ourhope to combine the efficient andEcologically sound principles of Communism&#13;
withthe«citingandunpredictableforcesofcreative,anarchy. re We wanted itbath ways .&#13;
fierce individuality within atight&#13;
communistic, tribsl-frameuoce.&#13;
Que experience £0-£3r has proven that&#13;
the tuo ideclogies are notneccessarily exclusive-...&#13;
ee * aHii Haan&#13;
AAAhe oNa &amp;&#13;
r&#13;
- cs&#13;
Me cellent (Ml&#13;
Vheltibyx” LaelKbp (Et)&#13;
frome 4c&#13;
&#13;
 . APPENDIX et ~ FOR EXAMPLE&#13;
clulecsaedalfelthe-statateny-schezls eee ofa27.mpa ©—:&#13;
he &amp; fact ah oe ebice blackdesign ulhere: tkallied da fect&#13;
statilayatatina Wed fimbb’troundednet altelete 4bE LA te arbe ren ANOS sto 6 nde makers .&#13;
® *She=ase aczeot wudeuss hat the ertoreemedk HE 27 {oderspelucekiethatJeidssdtignethEsunsi4ndoussaala&#13;
unduly romtheglareoftheAun,tesuckanie ee oA perndiettedanAGsebetheweqeiighteShiausdmadeee&#13;
MAA (4pertng7Gwits LiaSf UN mycpec s4pecaialt:io) gx&#13;
4lanicste su——— Mer tna problem,eee ee&#13;
AKstuaaa oeduced,Ac-the tn eater ses&#13;
&#13;
 =e Chey ose- 014&#13;
‘ cowrersalion usttho fierd, fot A. Giiend (p26 grad aclding Kchactagiot) 28-12-14&#13;
well neler Aottn-fos 27&#13;
ryeCra Alinttéenas feu Cr lerLaurieoeaeie quctedDinee&#13;
aa&#13;
REFERENCES&#13;
upran gust by Marte, faushey he fle Mevenert ele ese peo 7. 7UnoTALinesquctedbyR|obeGeomAleUyteHannesfle&#13;
eG(ayher A tony a seen lt A\ 15415 0.42 (1i23)&#13;
OC Rrajanandd Ananda Qonchask 2. 2.96 7Sncomwensalisnustkafrend,QaareBerar (‘sebdeckished),-1-75&#13;
3 Dlani=4 Gurcheun eyuted. be Rober Grecelneim Aller She Fanner F144 ?DanielBurshaenaudtzd CertGordnanAfterYePlannersRIA&#13;
auc uthbyKeckGotanoltecYlePannen€146 ziatialtHetfec qustehbo (obek GaodlmanAf ShePhaners 2148&#13;
lit Rika,|AndateYtoiMezdetmAurkclente £92 a cswrersalion, wath: a rend ,Achan XK. Gerd 29-12-74&#13;
IAodhaninee eh (exshical) Gebruary (2)1974&#13;
wlaller Gre gael Mastin (aude Phe Itt feeren ae oe pe Cp&#13;
orea |Beet LViilages R43&#13;
Gctdsedk queted ba cf.eels a Qeseted Nilesces PAB&#13;
a6GalaeneraesRowfiemnhigiucyélRenided”1965 a Cesky ts &amp;play the cuuemmek game 96-77&#13;
20&#13;
zsh e&#13;
ers ro Cngcthien MAES OTS A) BI-lO-73 P1026&#13;
tee Sree Ko.t.&#13;
UU ane Gut ed nwResurcuce VOL.5.,N06 P32&#13;
vtaul ieee uted WulamtedsepatAL(OatsSow hea3s 225 oo, eourcrdtion wstha frend. , ie 0 Robles (aekiés diet’) 20-\-15&#13;
&#13;
 BIBLIOGRADHY AUTHOR, TITLE ,PUBLISHER&#13;
BOOKS&#13;
ER&#13;
ithanrk.Szezelkun+SuawalSuapbeckt~Shelter+Uacam Boks1912&#13;
TILE ,DATE&#13;
Anlutzcts \umah+Odeber24% 1973 Wchizds loumah+Odsber alst IMS&#13;
“he Gaily leap Magarine+1:.526 Decernber201914 Resugence © Nek, (ls.( jue IGIZ&#13;
Réuqewe * Vt5, (10.6 part 1q1S&#13;
Undercurrent{16.7jee 4a 1974 bebimenthly(aprer)-fromUnderumetLisd,&#13;
Underunentaefle. Oderersllnember1974 LISGuchleyRead,LonvossNif3 OJHERL&#13;
KJsilier+DesertedMilages +Mact&amp;aGnLid.1910&#13;
ymeur Buteancels + She Buslding Regulation 1965 * HMSO (19 &lt;dikan) 40e . de te (Neclem Aratutectare © Architects al Rees 1g6Z&#13;
Stenaiet Brand (dite) + She Larclihele Aust Cities » Crtda Snstitate 170&#13;
lees »Cleeelly~Hos&#13;
Crosbu, ° mite? the eusionmene game ° engin (V73&#13;
rad Herimeticancitg &gt;RilMallRes 1973&#13;
Quit&amp;QrermalGeeclunan° ula ~nedasoflusctihood&amp;asapf,fife+Vidiage/|RandonHs.\]4ie RobertGoedman+AdtertheHannes +Rebar197Z.&#13;
Ulam tedaepath &amp; Wena Sticke »SheAtemabie~-CemunalLifeInfleartnesics «Macilulanitc Reber:Hourict« eee tice+Wbacun/Spheebarks 1973&#13;
oRahn(2) 73 °GrterQubtictinn1913alooDemebok2=defied —— Wiham Merin -(leas Strom Nouhere +Rerilted ge &amp; began fuck (1770 &lt;didzn) ee&#13;
_ Secs Moraferk &gt; he Myth of the aching +&#13;
Crd (Under Aahte cour» again 1949 (i913 ele n)&#13;
AN. Richards»AnIitrudtie€n VedemAchitetixe °felizan1940renied1910ditzn) te&#13;
finttle AydtanyGees+Hanes,tem&amp;Gaffe+doberEGabetd1976521968 PERIODICALS&#13;
Qu Lata «leMedemMoremeditelitetiveandConeakAclitectaralAtila&#13;
ea syedeticaly,QtitalyardAolegcalyUntnable +»wsrdbalil:&#13;
Qu0*e Vania? BUT... % WSR (Tay i913&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="937">
                <text>Paul F Downton</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="938">
                <text>John Murray</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="939">
                <text>Jan-75</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
